MILLENNIUM MEDIA

Presents

"DAY OF THE DEAD: BLOODLINE"

FEATURE / REELS

Combined Dialogue Continuity & Spotting List

Running Time: 90 minutes, 07 seconds

	Prepared by:	Elements:	Date:
	 	Digital Media	October 06, 2017

COMBINED DIALOGUE CONTINUITY 	REEL 1	SUBTITLE/SPOTTING LIST	
Scene # / First Frame of Scene
Scene Description 	# In / Out / Elapsed 	Title	
SCENE 1		1:00:00:00
ANIMATED LOGO FADES IN/OUT:

    SF

ANIMATED LOGO FADES IN / POPS OUT:

    CGF

SCENE 2		1:00:19:09
ANIMATED LOGO FLIES IN / FADES OUT:

    MILLENNIUM MEDIA

(MUSIC IN)

FADE IN TO:
BLURRED FOOTAGE FADING IN/OUT SHOWING ROTTER TEARING FLESH
FROM VICTIM ON FLOOR.

VICTIM:
(screams)

SCENE 3		1:00:45:15
BREAKING UP FOOTAGE SHOWING NEWS BROADCAST AS REPORTER
ADDRESSES CAMERA. CHYRONS READ:

    EMERGENCY LIVE NEWS UPDATE
    MAYHEM AND CARNAGE WORLDWIDE

REPORTER:
(to camera) There's no sign of the National Guard. Creatures are tearing up the city.

SHE TURNS TO BG AS WE LOSE FEED. 

	1	1:00:45:15	1:00:48:04	02:19
	FEMALE REPORTER TO CAMERA:
There is no sign of the National Guard.

	2	1:00:48:09	1:00:51:10	03:01
	FEMALE REPORTER TO CAMERA:
Creatures are tearing up the city.

SCENE 4		1:00:53:05
COLOR BARS.

(MUSIC OUT)

(AUDIO TONE IN)
	3	1:00:53:15	1:00:56:01	02:16
	FEMALE REPORTER TO CAMERA:
Many people eaten alive!

SCENE 5		1:00:54:09
BREAKING UP NEWS FOOTAGE RETURNS SHOWING ROTTERS EATING
VICTIMS.

REPORTER O.S.:
(over video) Many people eaten alive!

FOOTAGE CUTS BACK TO REPORTER ADDRESSING CAMERA. WHIP R TO
STAIRS LEADING TO SUBWAY AS PEOPLE RUN UP TO CAMERA.

WOMAN:
They're coming!

PEOPLE:
(scream)

	4	1:00:56:20	1:00:58:15	01:25
	WOMAN TO CAMERA:
They're coming!

SCENE 6		1:00:59:00
EXT. STREET - NIGHT
FS ON PEOPLE RUNNING OUT STAIRS FROM SUBWAY AS CAMERAMAN FILMS.

CAMERAMAN:
Come on, let's get outta here!

PEOPLE:
(scream)

	5	1:00:59:20	1:01:01:22	02:02
	CAMERAMAN TO GROUP:
Come on, let's get outta here!

SCENE 7		1:01:01:23
FS ON MAN TRIPPING ON TOP STEP AND FALLING AS ROTTERS GRAB HIM AND DRAG HIM BACK DOWN INTO SUBWAY.

MAN:
Ahhh!

AFTER A BEAT WE SEE MASSIVE BLOOD GUSHER SHOOTING UP FROM SUBWAY.

SCENE 8		1:01:09:01
MFS ON ZOE MOVING UP STREET AS PEOPLE FLEE PAST HER INTO BG.

PEOPLE:
(scream)

SCENE 9		1:01:19:22
MS ON VICTIM BEING EATEN BY ROTTER.

VICTIM:
(screams)

SCENE 10		1:01:21:12
MFS ON ZOE MOVING ALONG STREET AS PEOPLE FLEE IN ALL DIRECTIONS.

PEOPLE:
(scream)

SCENE 11		1:01:24:04
FS ON GIRL ON BIKE RIDING ALONG SIDEWALK TO CAMERA AS HANDS
SMASH THROUGH WINDOW AND GRAB HER.

GIRL:
(screams)

SCENE 12		1:01:25:14
MS ON ZOE MOVING TO CAMERA AS PEOPLE FLEE IN BG.

SCENE 13		1:01:26:15
MFS ON BIKE GIRL BEING EATEN BY ROTTER THROUGH WINDOW.

GIRL:
(screams)

SCENE 14		1:01:28:01
MS BACK TO ZOE MOVING UP STREET.

PEOPLE:
(scream)

WIFE O.S.:
Open the door! 

	6	1:01:29:20	1:01:32:12	02:22
	WOMAN TO HUSBAND:
Open the door! Open the door!

SCENE 15		1:01:31:02
FS ON COUPLE AT THEIR CAR AS HUSBAND TRIES TO UNLOCK DOOR
AS PEOPLE FLEE AROUND THEM.

WIFE:
Open the door!

SCENE 16		1:01:32:13
MFS ON ZOE.

SCENE 17		1:01:33:04
MS BACK ON COUPLE AS HUSBAND GETS INTO CAR THEN WIFE.

WIFE:
(screams)

THE CAR IS SWARMED BY ROTTERS.

SCENE 18		1:01:37:11
INT. CAR - NIGHT
CU ON HUSBAND TURNING KEY TO START CAR AS HIS SIDE WINDOW
IS SMASHED AND ROTTER REACHES IN AND BEGINS EATING HIM.

WIFE:
(screams)

BLOOD SPRAYS ONTO INSIDE OF WINDSHIELD.

SCENE 19		1:01:44:01
EXT. STREET -NIGHT
MS ON ZOE WALKING THROUGH MAYHEM AS PEOPLE FLEE. HER PHONE
RINGS,

(RINGING PHONE)

SHE PULLS IT OUT OF HER POCKET.

ZOE:
(into phone) Mom? I know, here too.

	7	1:01:48:00	1:01:51:05	03:05
	ZOE INTO PHONE:
Mom? I know, here too.

SCENE 20		1:01:50:20
MFS ON ROTTERS ATTACKING VICTIM.

	8	1:01:51:10	1:01:54:10	03:00
	ZOE INTO PHONE:
Mom, you need to get up and lock the door to your room, okay?

SCENE 21		1:01:52:20
MS BACK ON ZOE WALKING TO CAMERA AS PEOPLE FLEE AROUND HER.

PEOPLE:
(scream)

ZOE:
(into phone) Mom, you need to get up and lock the door to your room, okay? Don't let anyone in. Not the nurses-- Mom?

	9	1:01:54:15	1:01:56:20	02:05
	ZOE INTO PHONE:
Don't let anyone in. Not the nurses--

	10	1:01:57:01	1:01:59:08	02:07
	ZOE INTO PHONE:
Mom? Mom!

SCENE 22		1:01:57:12
MS ON ROTTERS EATING VICTIM ON STREET.

ZOE O.S.:
(into phone) Mom!

ROTTER TURNS TO CAMERA SEEING ZOE OS. HE BEGINS GETTING UP.

PEOPLE:
(scream)

SCENE 23		1:02:01:07
MFS ON ZOE REACTING.

SCENE 24		1:02:02:15
FS ON ROTTER GETTING UP AND RUNNING TO CAMERA.

ROTTER:
(growls)

SCENE 25		1:02:04:13
MFS ON ZOE RUNNING UP STREET AS CAMERA PULLS BACK KEEPING
ON HER WHILE ROTTER CHASES HER.

SCENE 26		1:02:12:00
MCU ON ROTTER RISING INTO FRAME AS SPITTING BLOOD.

ROTTER:
(growls)

SCENE 27		1:02:16:00
GRAPHIC OVER BLACK FRAME:

    FOUR HOURS EARLIER

(NEW MUSIC IN)

GRAPHIC FADES OUT.

	11	1:02:19:03	1:02:22:05	03:02
	GRAPHIC:
FOUR HOURS EARLIER

SCENE 28		1:02:24:19
EXT. MEDICAL CENTER - DAY
AERIAL ESTABLISHING ON COMPLEX.
GRAPHIC OVER ACTION READS:

    WHITTENDALE UNIVERSITY 
    MEDICAL CENTER

(MUSIC CONTINUES)

DR BEEMAN O.S.:
So now we've had time to see what...

	12	1:02:24:19	1:02:28:10	03:21
	BOTTOM LEFT GRAPHIC:
WHITTENDALE UNIVERSITY MEDICAL CENTER

	13	1:02:28:15	1:02:32:00	03:15
	DR BEEMAN TO STUDENTS:
So now we've had time to see what death looks like.

SCENE 29		1:02:30:12
INT. MEDICAL CENTER MORGUE - DAY
CU ON DEAD MAN.

(MUSIC CONTINUES)

DR. BEEMAN O.S.:
...death looks like, the question for all of you is, how did he die?

	14	1:02:32:05	1:02:34:15	02:10
	DR BEEMAN TO STUDENTS:
The question for all of you is...

	15	1:02:34:20	1:02:37:00	02:10
	how did he die?

SCENE 30		1:02:39:00
WIDE MFS ON DR. AND STUDENTS GATHERED AROUND DEAD MAN
LAYING ON TABLE AS STUDENTS TAKE NOTES.

DR. BEEMAN:
Now remember, the patient first complained of a sore throat, a fever, and a cough.

	16	1:02:39:00	1:02:42:15	03:15
	DR BEEMAN TO STUDENTS:
Now remember, the patient first complained of a sore throat...

	17	1:02:42:20	1:02:46:08	03:18
	a fever, and a cough.

SCENE 31		1:02:46:09
CU ON PANNING ALONG MAN SHOWING AUTOPSY SCARS.

DR. BEEMAN O.S.:
Considering these factors, can you find this man's cause of death?
	18	1:02:47:00	1:02:52:10	05:10
	DR BEEMAN TO STUDENTS:
Considering these factors, can you find this man's cause of death?

SCENE 32		1:02:51:23
OTS MS ON STUDENTS LOOKING DOWN AT DEAD MAN ON TABLE. ZOE LEANS OVER AND EXAMINES MAN'S SIDE AS HIS ARMS FALLS OF SIDE OF TABLE STARTLING HER AND OTHERS. DR. BEEMAN GIVES HER A LOOK. ZOE PUTS MAN'S ARM BACK UP ON TABLE.

DR. BEEMAN:
So...

	19	1:03:01:05	1:03:05:22	04:17
	DR BEEMAN TO STUDENTS:
So, any of you got a theory on C.O.D. based off this information?

SCENE 33		1:03:02:01
CU ON ZOE.

DR. BEEMAN O.S.:
...any of you got a theory on C.O.D. based off this...

SCENE 34		1:03:04:15
WIDE MFS ON GROUP AND DR. BEEMAN AROUND TABLE.

DR. BEEMAN:
...information?

ABBY:
Syphilis? (chuckles)

OTHER STUDENTS:
(chuckles)

DR. BEEMAN:
Nice try, Abby, but I don't think syphilis infects the lungs. 

DR. BEEMAN TURNS TO MALE STUDENT.

DR. BEEMAN:
Peter. 

	20	1:03:06:03	1:03:08:02	01:29
	ABBY TO DR BEEMAN:
Syphilis?

	21	1:03:09:15	1:03:13:05	03:20
	DR BEEMAN TO ABBY:
Nice try, Abby, but I don't think syphilis infects the lungs.

	22	1:03:14:05	1:03:16:05	02:00
	DR BEEMAN TO STUDENTS:
Peter. 

SCENE 35		1:03:15:20
MS ON PETER AND OTHER SUZIE. HE CLOSES HIS NOTE PAD LOOKING DOWN.

DR. BEEMAN O.S.:
Suzie?

SUZIE LOOKS AWAY.

	23	1:03:17:00	1:03:18:21	01:21
	DR BEEMAN TO STUDENTS:
Suzie?

SCENE 36		1:03:18:22
OTS MS ON STUDENTS. ZOE LEANS OVER BODY AND SHINES FLASHLIGHT INTO MAN'S MOUTH.
			
SCENE 37		1:03:25:05
CU ON INTERIOR OF MAN'S MOUTH.
			
SCENE 38		1:03:27:09
CU ON ZOE.

ZOE:
Influenza.

	24	1:03:27:09	1:03:30:00	02:21
	ZOE TO DR BEEMAN/
DR BEEMAN TO ZOE:
- Influenza.
- Correct.

SCENE 39		1:03:29:01
MCU ON DR. BEEMAN.

DR. BEEMAN:
Correct.

SHE LOOKS AT ZOE IN FG AS ZOE RISES BACK INTO FRAME.

DR. BEEMAN:
Now, what strain is it, Zoe?

ZOE:
It has to be H1N5.

	25	1:03:30:05	1:03:33:10	03:05
	DR BEEMAN TO ZOE:
Now, what strain is it, Zoe?

	26	1:03:33:15	1:03:36:02	02:17
	ZOE TO DR BEEMAN:
It has to be H1N5.

SCENE 40		1:03:36:07
BACK TO WIDE MFS ON GROUP GATHERED AROUND BODY ON TABLE.

DR. BEEMAN:
Close. H1N1. Note the collapsed air sacks.

SHE PLACES HER HANDS ON MAN'S CHEST.

DR. BEEMAN:
They couldn't inflate, so they couldn't provide oxygen. That's what killed him.

ZOE TAKES NOTES.

DR. BEEMAN:
Oh, don't worry, Zoe. You're not being graded today.

	27	1:03:36:07	1:03:40:02	03:25
	DR BEEMAN TO ZOE:
Close. H1N1. Note the collapsed air sacks.

	28	1:03:40:07	1:03:43:15	03:08
	DR BEEMAN TO STUDENTS:
They couldn't inflate, so they couldn't provide oxygen.

	29	1:03:43:20	1:03:46:10	02:20
	DR BEEMAN TO STUDENTS:
That's what killed him.

	30	1:03:46:15	1:03:50:15	04:00
	DR BEEMAN TO ZOE:
Oh, don't worry, Zoe. You're not being graded today.

SCENE 41		1:03:50:16
MS ON ZOE LOOKING DOWN AT BODY AS OTHERS MOVES OFF INTO BG ENDING LESSON.

SCENE 42		1:03:55:07
INT. MEDICAL CENTER - BASEMENT HALL - DAY FS LOOKING DOWN HALLWAY AS STUDENTS EMERGE FROM MORGUE IN BG. PLAQUE ON WALL READS:

    MORGUE

(MUSIC OUT)

ABBY:
Hey, Doc.

	31	1:04:00:20	1:04:05:05	04:15
	ABBY TO DR BEEMAN:
Hey, Doc. Any chance you wanna come to
the end of the semester's fiesta?

SCENE 43		1:04:01:13
MS ON ZOE, DR. BEEMAN AND ABBY EMERGING FROM MORGUE. THEY
BEGIN MOVING UP HALLWAY TO CAMERA.

ABBY:
Any chance you wanna come to the end of the semester's fiesta?

DR. BEEMAN:
What, and go drinking with my students? Think I'll pass.

DR. BEEMAN WALKS OFF INTO FG.

DR. BEEMAN O.S.:
Have fun.

ABBY TURNS TO ZOE AS THEY WALK.

ABBY:
You're coming, right?

ZOE:
No, you go ahead. I have some tests to finish up first.

	32	1:04:05:10	1:04:07:19	02:09
	DR BEEMAN TO ABBY:
What, and go drinking with my students?

	33	1:04:08:00	1:04:11:00	03:00
	DR BEEMAN TO ABBY:
Think I'll pass. Have fun.

	34	1:04:11:05	1:04:13:20	02:15
	ABBY TO ZOE/
ZOE TO ABBY:
- You're coming, right?
- No, you go ahead.

	35	1:04:14:01	1:04:17:15	03:14
	ZOE TO ABBY/
ABBY TO ZOE:
- I have some tests to finish up first.
- Hey, don't beat yourself up.

SCENE 44		1:04:15:20
FS ON ZOE AND ABBY WALKING TO CAMERA.

ABBY:
Hey, don't beat yourself up. I know you can...
	36	1:04:17:20	1:04:21:15	03:25
	ABBY TO ZOE/
ZOE TO ABBY:
- I know you can be obsessed about these things.
- I know. I just...

SCENE 45		1:04:18:11
MS ON DUO MOVING TO CAMERA.

ABBY:
...be obsessed about these things.

ZOE:
I know. I just-- Can't believe I didn't see it.

ZOE MOVES OSL. ABBY WAVES.

(MUSIC IN)

ABBY:
Okay, call me.

ZOE O.S.:
I will.

ABBY CONTINUES OS INTO FG.

	37	1:04:21:20	1:04:24:00	02:10
	ZOE TO ABBY:
Can't believe I didn't see it.

	38	1:04:24:20	1:04:27:10	02:20
	ABBY TO ZOE/
ZOE TO ABBY:
- Okay, call me.
- I will.

SCENE 46		1:04:28:00
CU ON PLAQUE ON WALL READING:

    Epidemiology

	39	1:04:28:00	1:04:30:09	02:09
	WALL SIGN:
Epidemiology

SCENE 47		1:04:30:10
INT. LAB - DAY
FS ON ZOE SEATED AT WORK STATION LOOKING THROUGH MICROSCOPE.

(MUSIC CONTINUES)

SCENE 48		1:04:34:23
POV THROUGH MICROSCOPE ON BLOOD CELLS.

SCENE 49		1:04:37:23
CU ON MICROSCOPE AS ZOE ADJUSTS IT. SHE LOOKS OS.

SCENE 50		1:04:42:16
CU ON PHOTOS OF ZOE AND FAMILY ON WALL.

SCENE 51		1:04:45:06
CU ON ZOE SMILING.
			
SCENE 52		1:04:48:07
MFS ON ZOE AS DR. BEEMAN MOVES FROM OS UP BEHIND HER. SHE PUTS HAND ON ZOE'S SHOULDER. ZOE TURNS TO LOOK.

(MUSIC OUT)

DR. BEEMAN:
Sorry to bother you, Zoe. Your regular just came in to give his weekly blood sample.

ZOE:
Can Abby help? He makes me uncomfortable.

DR. BEEMAN:
I know, he's a bit strange. But the antibodies in his blood are a hundred times normal level.

	40	1:04:49:22	1:04:52:15	02:23
	DR BEEMAN TO ZOE:
Sorry to bother you, Zoe. 

	41	1:04:52:20	1:04:56:07	03:17
	DR BEEMAN TO ZOE:
Your regular just came in to give his weekly blood sample.

	42	1:04:56:12	1:04:58:09	01:27
	ZOE TO DR BEEMAN:
Can Abby help? He makes me uncomfortable.

	43	1:04:58:14	1:05:02:00	03:16
	DR BEEMAN TO ZOE:
I know, he's a bit strange. But the antibodies in his blood...

	44	1:05:02:05	1:05:04:10	02:05
	are a hundred times normal level.

SCENE 53		1:05:04:15
OTS MCU ON DR. BEEMAN FACING ZOE.

DR. BEEMAN:
It's unlike anything we've ever seen before. Trust me, Zoe, this is a great opportunity for you.

	45	1:05:04:15	1:05:06:18	02:03
	DR BEEMAN TO ZOE:
It's unlike anything we've ever seen
before.

	46	1:05:06:23	1:05:11:10	04:17
	DR BEEMAN TO ZOE:
Trust me, Zoe, this is a great opportunity for you.

SCENE 54		1:05:11:22
MS ON ZOE AS DR. BEEMAN MOVES OSL. AFTER A BEAT, ZOE GETS UP.

(MUSIC IN)

SCENE 55		1:05:21:19
INT. MEDICAL CENTER - BLOOD DONATION ROOM - DAY
MFS ON ZOE ENTERING ROOM AND MOVING TO TRAY R. SHE GRABS GLOVES AND CONTINUES MOVING TO CAMERA AS SHE PUTS THEM ON. SHE MOVES L TO MAX SEATED IN LFG WAITING.

MAX:
Hi, Zoe.

ZOE:
Hi, Max.

SHE SITS DOWN ON STOOL FACING MAX.

	47	1:05:32:05	1:05:34:15	02:10
	MAX TO ZOE/
ZOE TO MAX:
- Hi, Zoe.
- Hi, Max.

SCENE 56		1:05:34:17
OTS MS ON MAX.

MAX:
It's great to see you again.

ZOE:
Your arm.

MAX PUTS HIS ARM OUT.

MAX:
Anything for you.

ZOE:
Please roll up your sleeve.

	48	1:05:35:20	1:05:39:15	03:25
	MAX TO ZOE/
ZOE TO MAX:
- It's great to see you again.
- Your arm.

	49	1:05:40:17	1:05:43:20	03:03
	MAX TO ZOE/
ZOE TO MAX:
- Anything for you.
- Please roll up your sleeve.

SCENE 57		1:05:43:21
MFS ON DUO AS MAX ROLLS UP HIS SLEEVE AND ZOE PREPS COTTON SWAB.

MAX:
Of course.

ZOE SWABS HIS FOREARM.

	50	1:05:46:10	1:05:48:10	02:00
	MAX TO ZOE:
Of course.

SCENE 58		1:05:58:00
OTS CU ON MAX AS ZOE TIES BAND AROUND HIS ARM.

MAX:
So... have you thought about what I asked last time?

ZOE:
I told you, not interested, Max.

MAX:
You know, I'm never gonna give up. You really should give me a chance.

	51	1:05:58:00	1:05:59:20	01:20
	MAX TO ZOE:
So...

	52	1:06:00:01	1:06:03:20	03:19
	have you thought about what I asked last time?

	53	1:06:04:05	1:06:07:15	03:10
	ZOE TO MAX:
I told you, not interested, Max.

	54	1:06:10:05	1:06:12:20	02:15
	MAX TO ZOE:
You know, I'm never gonna give up.

	55	1:06:13:01	1:06:16:00	02:29
	MAX TO ZOE:
You really should give me a chance.

SCENE 59		1:06:17:18
OTS MS ON ZOE.

ZOE:
Make a fist.

	56	1:06:17:18	1:06:19:15	01:27
	ZOE TO MAX:
Make a fist.

SCENE 60		1:06:20:17
CU ON NEEDLE GOING INTO MAX'S ARM.

SCENE 61		1:06:22:18
OTS MCU ON ZOE.

MAX:
(deep breath)

ZOE:
Relax.

	57	1:06:23:05	1:06:24:23	01:18
	ZOE TO MAX:
Relax.

SCENE 62		1:06:25:00
CU ON NEEDLE DRAWING BLOOD.

SCENE 63		1:06:27:07
OTS CU ON MAX WATCHING.

MAX:
Like a vampire. Sucking me dry.

ZOE TAKES OFF BAND FROM MAX'S ARM.

MAX:
Zoe, thank you for being so gentle.

ZOE:
Your other arm.

	58	1:06:28:10	1:06:30:20	02:10
	MAX TO ZOE:
Like a vampire.

	59	1:06:31:15	1:06:33:23	02:08
	MAX TO ZOE:
Sucking me dry.

	60	1:06:41:10	1:06:44:18	03:08
	MAX TO ZOE:
Zoe, thank you for being so gentle.

	61	1:06:45:00	1:06:47:06	02:06
	ZOE TO MAX:
Your other arm.

SCENE 64		1:06:47:07
CU ON BLOOD SAMPLE AS ZOE PLACES IT ON TRAY.

SCENE 65		1:06:52:08
OTS MS ON MAX AS HE ROLLS UP OTHER SLEEVE REVEALING LARGE
FRESH TATTOO READING:

    ZOE

ZOE:
What is that?

	62	1:07:01:15	1:07:03:20	02:05
	TATTOO ON MAX' ARM/
ZOE TO MAX:
- ZOE
- What is that?

SCENE 66		1:07:04:01
MCU ON MAX.

MAX:
You like it? 

	63	1:07:04:01	1:07:05:19	01:18
	MAX TO ZOE:
You like it? 

SCENE 67		1:07:05:06
WIDE FS ON DUO FACING. MAX PUTS HIS HAND ON HER LEG. ZOE LEAPS UP.

ZOE:
This has to stop!

	64	1:07:07:03	1:07:10:15	03:12
	ZOE TO MAX/
ABBY TO ZOE:
- This has to stop!
- Is there a problem in here, Zoe?

SCENE 68		1:07:08:16
MS ON ZOE AS ABBY JOINS HER FROM BG. SHE LOOKS DOWN AT MAX
SEATED IN FG.

ABBY:
Is there a problem in here, Zoe?

MAX:
No. I'm just giving my weekly sample.

ABBY:
Get out of here, you creepy old fuck!

	65	1:07:10:20	1:07:14:04	03:14
	MAX TO ABBY:
No. I'm just giving my weekly sample.

	66	1:07:14:09	1:07:17:10	03:01
	ABBY TO MAX:
Get out of here, you creepy old fuck!

SCENE 69		1:07:16:16
WIDE MS WITH GIRLS STANDING R AS MAX GETS UP L. GIRLS BACK UP AS HE PASSES THEM HEADING OFF INTO BG TO LEAVE ROOM.

MAX:
Zoe.

ZOE:
This guy is crazy. He won't leave me alone.

ABBY:
You can't let people do that to you, Zoe

	67	1:07:22:00	1:07:23:15	01:15
	MAX TO ZOE:
Zoe.

	68	1:07:24:15	1:07:27:15	03:00
	ZOE TO ABBY:
This guy is crazy. He won't leave me alone.

	69	1:07:27:20	1:07:32:00	04:10
	ABBY TO ZOE:
You can't let people do that to you, Zoe.
Be stronger next time.

SCENE 70		1:07:29:20
MCU ON ZOE AND ABBY.

(MUSIC OUT)

ABBY:
Be stronger next time. (sighs) Come on. The party is waiting.

(MUSIC IN)

THEY MOVE OS INTO FG.
	70	1:07:33:05	1:07:36:00	02:25
	ABBY TO ZOE:
Come on. The party is waiting.

SCENE 71		1:07:38:09
INT. MEDICAL CENTER - PARTY - NIGHT
CU ON CORK POPPING SETTING OFF MONTAGE WITH STUDENTS CHUGGING FROM KEG,  TOASTING, DANCING, WINE BEING POURED INTO GLASS.

(MUSIC CONTINUES)

STUDENTS:
Chug! Chug! Chug! Yeah!

	71	1:07:41:05	1:07:45:00	03:25
	STUDENTS CHANTING/
STUDENTS TOASTING:
- Chug! Chug! Chug!
- Yeah!

SCENE 72		1:07:48:02
WIDE FS ON PARTY AS ZOE AND ABBY MOVE THROUGH CROWD TO FG.

STUDENT:
Oh, yeah!

ABBY:
Doctor's orders. Mingle. 

	72	1:07:52:10	1:07:55:10	03:00
	ABBY TO ZOE:
Doctor's orders. Mingle. Drink.

SCENE 73		1:07:54:14
MS ON ZOE AND ABBY.

ABBY:
Drink.

ZOE:
You know me, social gatherings--

ABBY:
We see these people every day, Zoe.

PETER MOVES UP BEHIND GIRLS AND KISSES ABBY.

PETER:
Hey, babe, where you've been?

ABBY:
Trying to get this shy one out of her shell.  Let's grab a beer.

PETER:
We tapped the first keg already. But we got two more chilling in the morgue. Can one of you help me?

HE TURNS MOVING INTO BG.

	73	1:07:55:15	1:07:58:05	02:20
	ZOE TO ABBY:
You know me, social gatherings--

	74	1:07:58:10	1:08:00:15	02:05
	ABBY TO ZOE:
We see these people every day, Zoe.

	75	1:08:00:20	1:08:02:15	01:25
	PETER TO ABBY:
Hey, babe, where you've been?

	76	1:08:02:20	1:08:05:05	02:15
	ABBY TO PETER:
Trying to get this shy one out of her shell.

	77	1:08:05:10	1:08:07:15	02:05
	ABBY TO ZOE/
PETER TO GIRLS:
- Let's grab a beer.
- We tapped the first keg already.

	78	1:08:07:20	1:08:10:10	02:20
	PETER TO GIRLS:
But we got two more chilling in the morgue. Can one of you help me?

	79	1:08:10:15	1:08:15:06	04:21
	ZOE TO ABBY:
I got it. I'll socialize after, I swear.

SCENE 74		1:08:11:10
FS ON PARTY WITH PETER MOVING TO BG AND GIRLS IN FG.

ZOE:
I got it. I'll socialize after, I swear.

ZOE FOLLOWS PETER INTO BG.

			
SCENE 75		1:08:15:07
INT. MEDICAL CENTER BASEMENT HALL - NIGHT
FS ON ZOE MOVING TO CAMERA.

(NEW MUSIC IN)

SCENE 76		1:08:19:07
REAR MFS FOLLOWING ZOE MOVING UP HALLWAY TOWARDS MORGUE.

(CRASHING SOUND)

SHE TURNS TO CAMERA.

ZOE:
Peter?

SHE OPENS DOOR TO MORGUE.

	80	1:08:26:15	1:08:28:10	01:25
	ZOE CALLS OUT:
Peter?

SCENE 77		1:08:33:02
INT. MORGUE - NIGHT
MFS ON ZOE ENTERING MORGUE. SHE CLOSES DOOR AND MOVES THROUGH ROOM PAST COVERED BODIES ON TABLES.

ZOE:
Peter, where are you?

SUDDENLY PETER SITS UP FROM TABLE IN BG COVERED IN SHEET. ZOE REACTS FALLING BACK AGAINST OTHER TABLE.

	81	1:08:36:03	1:08:38:15	02:12
	ZOE CALLS OUT:
Peter, where are you?

SCENE 78		1:08:41:14
MFS ON PETER SITTING UP.

PETER:
(chuckles)

SCENE 79		1:08:42:23
MFS ON ZOE.

ZOE:
You're an asshole!

	82	1:08:45:10	1:08:47:15	02:05
	ZOE TO PETER/
PETER TO ZOE:
- You're an asshole!
- Come on.

SCENE 80		1:08:46:15
MS BACK ON PETER HOPPING OFF TABLE AND MOVING TO CADAVER
DRAWERS IN BG.

PETER:
Come on. You know every one of us has wanted to do that.

ZOE O.S.:
No, just idiots like you.

PETER OPENS DRAWER REVEALING KEGS INSIDE. HE PULLS ONE OUT.

PETER:
Sorry. I'm a dick, I know this.

	83	1:08:47:20	1:08:50:00	02:10
	PETER TO ZOE:
You know every one of us has wanted to do
that.

	84	1:08:50:05	1:08:53:10	03:05
	ZOE TO PETER:
No, just idiots like you.

	85	1:08:53:15	1:08:56:14	02:29
	PETER TO ZOE:
Sorry. I'm a dick, I know this.

SCENE 81		1:08:56:19
MFS BACK ON ZOE RECOVERING.

PETER O.S.:
Now, can we please go...

	86	1:08:56:19	1:08:59:20	03:01
	PETER TO ZOE:
Now, can we please go get drunk?

SCENE 82		1:08:58:14
MS ON PETER PUTTING KEG ON DOLLY.

PETER:
...get drunk?

ZOE O.S.:
Just don't ever do that to me again.

PETER WHEEL DOLLY OSL.

PETER:
(chuckles)

	87	1:09:00:05	1:09:03:07	03:02
	ZOE TO PETER:
Just don't ever do that to me again.

SCENE 83		1:09:03:08
MS ON ZOE. SHE MOVES OVER TO DRAWER AND PULLS OUT ANOTHER
KEG AND PUTS IT ANOTHER DOLLY AND WHEELS IT TOWARDS DOOR.

SCENE 84		1:09:20:21
MFS ON DOOR OPENING.

SCENE 85		1:09:22:04
MS ON ZOE WHEELING KEG TO CAMERA.

SCENE 86		1:09:23:10
OTS MS ON MAX PEERING INTO MORGUE. ZOE FREEZES.

ZOE:
Max. What are you doing down here?

HE CLOSES DOOR AND LOOKS AT ZOE IN RFG.

MAX:
Relax, Zoe. I just wanna talk.

	88	1:09:25:00	1:09:26:22	01:22
	ZOE TO MAX:
Max.

	89	1:09:27:03	1:09:29:10	02:07
	ZOE TO MAX:
What are you doing down here?

	90	1:09:31:00	1:09:33:10	02:10
	MAX TO ZOE:
Relax, Zoe. 

	91	1:09:33:15	1:09:36:07	02:22
	MAX TO ZOE:
I just wanna talk.

SCENE 87		1:09:36:08
MCU ON ZOE.

ZOE:
There's nothing for us to talk about.

	92	1:09:36:15	1:09:38:13	01:28
	ZOE TO MAX:
There's nothing for us to talk about.

SCENE 88		1:09:38:18
MS ON MAX APPROACHING FG.

MAX:
See... 

	93	1:09:38:18	1:09:42:10	03:22
	MAX TO ZOE:
See... we are connected.

SCENE 89		1:09:40:08
FS ON DUO WITH ZOE R BACKING AWAY AS MAX L APPROACHES HER.

MAX;
...we are connected.

ZOE:
There is no "we", Max.

MAX:
We're meant...to be together!

HE RUSHES UP AND GRABS HER.

ZOE:
Let go of me!

SHE BREAKS FREE. MAX PUNCHES HER IN THE FACE KNOCKING HER DOWN.

MAX:
Give me a chance.

HE GRABS HER LEGS PULLING HER TOWARDS HIM.

ZOE:
(screams)

	94	1:09:42:15	1:09:46:05	03:20
	ZOE TO MAX/
MAX TO ZOE:
- There is no "we", Max.
- We're meant...

	95	1:09:46:10	1:09:49:19	03:09
	MAX TO ZOE/
ZOE TO MAX:
- to be together!
- Let go of me!

	96	1:09:52:05	1:09:55:10	03:05
	MAX TO ZOE/
ZOE TO MAX:
- Give me a chance.
- No, Max, get off me!

SCENE 90		1:09:54:15
FS ON MAX STRUGGLING WITH ZOE ON FLOOR.

ZOE:
No, Max, get off me! Help me!

MAX COVERS HER MOUTH.

MAX:
Shhhh.

ZOE STRUGGLES AND MANAGES TO SHOVE MAX ASIDE SLAPPING HIS FACE.

ZOE:
Somebody help me!

	97	1:09:55:15	1:09:57:10	01:25
	ZOE CALLS OUT:
Help me!

	98	1:10:03:08	1:10:05:19	02:11
	ZOE CALLS OUT:
Somebody help me!

SCENE 91		1:10:06:00
MCU ON MAX ON TOP OF ZOE.

MAX:
I like it when you fight. You are mine.

HE BEGINS LICKING HER FACE.

ZOE:
(grunts, moans)

	99	1:10:06:00	1:10:08:00	02:00
	MAX TO ZOE:
I like it when you fight.

	100	1:10:08:05	1:10:11:09	03:04
	MAX TO ZOE:
You are mine.

SCENE 92		1:10:18:23
OTS MCU ON ZOE STRUGGLING TO FIGHT MAX OFF. SHE SUDDENLY
REACTS TO SOMETHING OS.

ZOE:
(gasps)

SCENE 93		1:10:21:04
MCU ON MAX ON TOP OF ZOE AS HE TURNS TO BG.

(GROWLING SOUND)

			
SCENE 94		1:10:22:15
MS ON CORPSE STANDING OVER DUO.

CORPSE:
(growls)

SCENE 95		1:10:23:15
MS BACK ON DUO REACTING. MAX STANDS UP IN SHOCK AS CORPSE
CHARGES AT HIM WITH MOUTH OPEN PINNING HIM AGAINST WALL AS
HE BITES INTO MAX'S NECK.

MAX:
Ahhh!

SCENE 96		1:10:28:03
CU ON ZOE REACTING.

	101	1:10:28:10	1:10:31:15	03:05
	MAX CALLS OUT:
Zoe! Zoe!

SCENE 97		1:10:28:20
MCU ON CORPSE BITING FLESH OUT OF MAX.

MAX:
Zoe! 

SCENE 98		1:10:29:14
MS ON ZOE.

MAX O.S.:
Zoe!

SHE SCRAMBLES ACROSS FLOOR TO HER FEET AS MAX IS BEING TORN
APART MY CORPSE IN BG.

MAX:
(cries out) 

ZOE MAKES IT OUT DOOR AND RUNS OUT.

MAX O.S.:
Zoe!

	102	1:10:35:07	1:10:37:11	02:04
	MAX CALLS OUT:
Zoe!

	103	1:10:37:16	1:10:39:10	01:24
	MAX CALLS OUT:
Zoe!

SCENE 99		1:10:37:17
INT. BASEMENT HALLWAY - NIGHT
FS ON ZOE RUNNING INTO BG DOWN HALLWAY.

MAX O.S.:
Zoe! Ahhh!

SCENE 100		1:10:40:17
INT. MEDICAL CENTER - PARTY - NIGHT
MCU ON ABBY LAUGHING AND DANCING.

(NEW PARTY MUSIC IN)

SCENE 101		1:10:43:08
WIDE FS ON PARTY WITH ABBY AND PETER CENTER.

ZOE O.S.:
Everybody, we have to...

	104	1:10:43:08	1:10:45:10	02:02
	ZOE TO STUDENTS:
Everybody, we have to get the fuck out of here!

SCENE 102		1:10:44:08
MS ON ZOE RUNNING INTO PART.

ZOE:
...get the fuck out of here!

ABBY O.S.:
What?

ZOE:
Now! He's awake!

	105	1:10:45:15	1:10:48:12	02:27
	ZOE TO STUDENTS/
ABBY TO ZOE:
- Now! He's awake!
- Zoe, what's going on? 

SCENE 103		1:10:46:15
OTS MCU ON ABBY AS ZOE RUSHES UP TO HER.

ABBY:
Zoe, what's going on? What happened?

ZOE LOOKS AROUND AT OTHER STUDENTS.

ZOE:
Please move! Why the hell aren't you moving? Come on!

	106	1:10:48:17	1:10:52:09	03:22
	ZOE TO STUDENTS:
Please move! Why the hell aren't you moving? Come on!

SCENE 104		1:10:52:14
OTS MFS ON GROUP AS PETER LOOKS AT DR. BEEMAN IN RFG.

PETER:
Dr. Beeman, you okay?

ZOE TURNS TO LOOK AS WELL.

	107	1:10:52:14	1:10:54:20	02:06
	PETER TO DR BEEMAN:
Dr. Beeman, you okay?

SCENE 105		1:10:53:23
MCU ON DR. BEEMAN WITH HAIR IN HER FACE. SHE TURNS TO CAMERA REVEALING HALF HER FACE MISSING.

(NEW MUSIC IN)

DR. BEEMAN LUNGES AT NEARBY STUDENT AND RIPS CHUNK FROM HIS
NECK.

STUDENT:
Ahhh!

SCENE 106		1:10:57:17
WIDE MFS AS DR. BEEMAN TEARS STUDENT APART AS STUDENTS LOOK
ON. PETER GRABS DR. BEEMAN TRYING TO PULL HER OFF STUDENT.

ZOE:
Peter, no! Get away from her!

ABBY:
Peter!

	108	1:10:59:01	1:11:01:19	02:18
	ZOE TO PETER/
ABBY TO PETER:
- Peter, no! Get away from her!
- Peter!

SCENE 107		1:11:01:20
MCU ON STUDENT ON FLOOR AS DR. BEEMAN GETS OFF. HE BEGINS
SPEWING BLOOD.

SCENE 108		1:11:04:05
MS ON CORPSE FROM MORGUE AS HE RUSHES INTO PARTY.

CORPSE:
(roars)

SCENE 109		1:11:05:01
MCU ON DR. BEEMAN AS PETER HOLDS HER AS CORPSE ATTACKS PETER FROM BEHIND RIPPING CHUNK FROM HIS NECK SENDING BLOOD SPRAYING EVERYWHERE.

PETER:
Ahhh!

			
SCENE 110		1:11:07:08
MS ON ZOE AND ABBY REACTING.

ZOE:
Abby!

	109	1:11:07:08	1:11:08:16	01:08
	ZOE TO ABBY:
Abby!

SCENE 111		1:11:08:17
MS ON PETER FALLING ONTO FLOOR SPEWING BLOOD.

SCENE 112		1:11:10:02
MS BACK ON ZOE AND ABBY WITH PANICKED STUDENTS IN BG. ZOE
GRABS ABBY'S HAND PULLING HER.

ZOE:
Come on! Come on!

	110	1:11:10:02	1:11:13:00	02:28
	ZOE TO ABBY:
Come on! Come on!

SCENE 113		1:11:11:13
MFS ON GIRLS AND STUDENTS FLEEING OUT OF ROOM BUT ARE BLOCKED AS MORE ROTTERS RUSH IN GRABBING THEM AND RIPPING BITS OUT OF THEM.

(STUDENTS SCREAM, ROTTERS ROAR)

SCENE 114		1:11:21:01
MFS ON ZOE ON TABLE TRYING TO OPEN WINDOW.

SCENE 115		1:11:22:13
CU ON ROTTER ON TOP OF VICTIM AS IT SPEWS BLOOD AND BILE INTO VICTIMS FACE.

SCENE 116		1:11:24:09
FS ON ZOE OPENING WINDOW IN BG AS STUDENTS RUNS AROUND ROOM IN FG.

SCENE 117		1:11:25:20
MCU ON MORGUE CORPSE EATING VICTIM.

			
SCENE 118		1:11:27:02
FS ON ZOE CLIMBING OUT WINDOW AS ABBY STANDS BELOW IT
WATCHING CARNAGE IN FG.

(ALARM BELL)

ABBY:
Zoe!

ZOE REACHES DOWN TOWARDS ABBY.

ZOE:
Give me your hand!

ABBY:
Come on, help me up there! Help!

ABBY GRABS ZOE'S HAND

ZOE:
Abby, no!

	111	1:11:27:02	1:11:30:08	03:06
	ABBY TO ZOE:
Zoe! Come on, help me up there!

	112	1:11:30:13	1:11:32:20	02:07
	ABBY TO ZOE/
ZOE TO ABBY:
- Help!
- Abby, no!

SCENE 119		1:11:31:19
OTS MFS ON ABBY REACHING UP TO ZOE AS DR. BEEMAN RUSHES UP
BEHIND ABBY AND ATTACKS HER. BLOOD SHOOTS OUT FORM ABBY'S
NECK.

ZOE:
Abby! Abby!

	113	1:11:35:20	1:11:38:07	02:17
	ZOE TO ABBY:
Abby! Abby!

SCENE 120		1:11:39:07
CU ON ABBY WITH BLOOD SHOOTING OUT OF HER NECK AS SHE IS SWARMED BY ROTTERS.

	114	1:11:41:00	1:11:42:08	01:08
	ZOE TO ABBY:
Abby!

SCENE 121		1:11:41:14
OTS ON ABBY BEING EATEN AS ZOE LOOKS DOWN FROM WINDOW.

ZOE:
Abby!

			
SCENE 122		1:11:43:11
MCU ON ABBY WITH EYES CLOSED AS ROTTERS EAT HER. ZOOM IN TO HER EYE AS IT OPENS. CAMERA GOES INTO HER EYE AND INTO BLACKNESS AS MAIN TITLE GRAPHIC FORMS OVER BLACK:

    DAY OF THE DEAD:
    BLOODLINE

TITLE GRAPHIC AND MUSIC FADES OUT.

	115	1:11:51:18	1:11:58:05	06:17
	MAIN TITLE GRAPHIC:
DAY OF THE DEAD:
BLOODLINE

SCENE 123		1:11:59:00
EXT. COUNTRY LANDSCAPE - DAY
AERIAL FLYOVER OF ROLLING HILLS.

(MUSIC IN)

ZOE V.O.:
It's been five years since the first outbreak. When reports came out from around the world...

	116	1:11:59:20	1:12:03:00	03:10
(ITALICS)	ZOE V.O.:
It's been five years since the first outbreak.

	117	1:12:03:05	1:12:05:11	02:06
(ITALICS)	ZOE V.O.:
When reports came out from around the world...

SCENE 124		1:12:05:16
INT. UNDISCLOSED LOCATION
CU ON HANDS WRITING.

ZOE V.O.:
...about the virus becoming an international emergency, it was too late. 

	118	1:12:05:16	1:12:08:15	02:29
(ITALICS)	about the virus becoming an international emergency...

	119	1:12:08:20	1:12:12:10	03:20
(ITALICS)	it was too late. Few of us survived.

SCENE 125		1:12:10:22
CU ON MAGAZINE COVER WITH PHOTO OF SICKLY WOMAN. BYLINE READS:

    WORLDWIDE SPREAD OF ROTTERS
    NOW GLOBAL EPIDEMIC

ZOE V.O.:
Few of us survived. The rest became Rotters.

	120	1:12:12:15	1:12:15:23	03:08
(ITALICS)	ZOE V.O.:
The rest became Rotters.

SCENE 126		1:12:16:00
EXT. HIGH ROCK BUNKER - DAY
HIGH FS ON ZOE JOGGING.

ZOE V.O.:
I was one of the lucky ones to have made it to one of the refugee camps in time only to be assigned to High Rock Bunker...

	121	1:12:18:15	1:12:22:20	04:05
(ITALICS)	ZOE V.O.:
I was one of the lucky ones to have made
it to one of the refugee camps in time...

	122	1:12:23:01	1:12:26:09	03:08
(ITALICS)	only to be assigned to High Rock Bunker...

SCENE 127		1:12:26:14
INT. HIGH ROCK BUNKER - DAY
MONTAGE SHOWING CU ON NEEDLES ON TRAY, BLOOD SAMPLE BEING
EXTRACTED FROM ROTTER, RADIO EQUIPMENT.

(MUSIC CONTINUES)

ZOE V.O.:
...an intelligence and recon military station to gather data of Rotters for CDC. Problem is...

	123	1:12:26:14	1:12:29:10	02:26
(ITALICS)	an intelligence and recon military station...

	124	1:12:29:15	1:12:33:05	03:20
(ITALICS)	to gather data of Rotters for CDC.

	125	1:12:33:10	1:12:34:20	01:10
(ITALICS)	ZOE V.O.:
Problem is...

SCENE 128		1:12:34:08
EXT. HIGH ROCK BUNKER - DAY
MFS ON ZOE JOGGING. SHE PAUSES CATCHING HER BREATH.

(MUSIC CONTINUES)

ZOE V.O.:
...it's been a year since we've heard...

	126	1:12:35:01	1:12:38:05	03:04
(ITALICS)	it's been a year since we've heard from HQ.

SCENE 129		1:12:37:06
MCU ON ZOE.

ZOE V.O.:
...from HQ.

SUDDENLY A ROTTER RUSHES UP TO FENCE BESIDE HER.

ROTTER:
(screams)

ROTTER IS SHOT IN HEAD BY UNSEEN GUNMAN AND DROPS OUT OF FRAME.

	127	1:12:40:00	1:12:44:10	04:10
(ITALICS)	ZOE V.O.:
And probably forever since we saw a survivor.

SCENE 130		1:12:40:21
MFS ON MIGUEL LOWERING HIS RIFLE.

ZOE V.O.:
And probably forever since we...

SCENE 131		1:12:42:21
MCU ON ZOE.

ZOE V.O.:
...saw a survivor.

ZOE LOOKS AT MIGUEL OS AND NODS.

SCENE 132		1:12:45:23
FS ON ZOE JOGGING AWAY FROM FENCE IN BG CONTAINING ROTTERS
AS SHE MOVES PAST PEOPLE GARDENING.

ZOE V.O.:
So this is our home now part military base...

CROSS-DISSOLVE TO:
INT. HIGH ROCK BUNKER - DAY
LS ON ZOE JOGGING THROUGH OPEN DOOR IN BG IN TO MOTOR POOL AREA.

(MUSIC CONTINUES)

ZOE V.O.:
...part refugee camp.

SOLDIER O.S.:
Yes, sir.

SOLDIER #2 O.S.:
Come on, move it.

ZOE CONTINUES MOVING L ACROSS MOTOR POOL AS SOLDIERS MOVE
ABOUT.

ZOE V.O.:
You make do with what you have, scavenge what's left of life. After all, this is going to be our home for a little while. 

SOLDIER:
(over PA) (indistinct)

	128	1:12:46:15	1:12:48:15	02:00
(ITALICS)	ZOE V.O.:
So this is our home now...

	129	1:12:48:20	1:12:52:15	03:25
(ITALICS)	part military base, part refugee camp.

	130	1:12:52:20	1:12:57:10	04:20
(ITALICS)	ZOE V.O.:
You make do with what you have, scavenge
what's left of life.

	131	1:12:57:15	1:12:59:11	01:26
(ITALICS)	ZOE V.O.:
After all...

	132	1:12:59:16	1:13:02:15	02:29
(ITALICS)	this is going to be our home for a little while.

SCENE 133		1:13:04:21
INT. COLESHILL - TOWNSHIP - DAY
MFS ON ZOE MOVING THROUGH MAKESHIFT REFUGEE RESIDENCE PAST
TENTS, TRAILERS AND COTS WITH PEOPLE MILLING ABOUT.

(MUSIC OUT)

(GUITAR MUSIC IN)

SOLDIER:
(over PA) Please report to station four right now.

ZOE APPROACHES WOMAN HOLDING BABY IN LFG.

ZOE:
Morning, Shannon. How are your headaches?

SHANNON:
Much better. Thank you, Zoe.

ZOE LOOKS AT BABY.

ZOE:
You little devil...

	133	1:13:08:20	1:13:10:19	01:29
	ZOE TO SHANNON:
Morning, Shannon. How are your headaches?

	134	1:13:11:00	1:13:13:00	02:00
	SHANNON TO ZOE:
Much better. Thank you, Zoe.

	135	1:13:13:05	1:13:16:13	03:08
	ZOE TO BABY:
You little devil better let your mom sleep tonight.

SCENE 134		1:13:13:23
CU ON BABY.

ZOE O.S.:
...better let your mom sleep tonight.

SCENE 135		1:13:16:14
WIDE FS ON "TOWN" WITH ZOE AND SHANNON IN LFG.

WOMAN:
(over PA) Curfew announcement. Today's lockdown will occur at fifteen--

KID RUNS FROM BG PAST TO ZOE 

	136	1:13:20:20	1:13:24:05	03:15
	ZOE TO JEREMY/
JEREMY TO ZOE:
- Obeying the speed limit, Jeremy?
- Never.

SCENE 136		1:13:22:01
MFS ON ZOE MOVING TO BG THROUGH TOWN AS BY KID ON SCOOTER RACES PAST HER.

WOMAN:
(over PA) (Indistinct)

ZOE:
Obeying the speed limit, Jeremy?

JEREMY:
Never.

SHE APPROACHES MAN AND WOMAN STANDING BY TRAILER.

ALPHONSE:
Hey, Doc, you gonna hit the shower after your morning jog? Let me know if you need a hand.

LUCY:
Ease up, Alphonse. She's taken.

ALPHONSE:
She knows I'm only joking, Lucy. I'm just keeping myself fresh till the right girl comes along.

ZOE:
You might be waiting a while.

ZOE WALKS OFF.

ALPHONSE:
That's cold, Doc. Real cold.

LUCY:
Come on, Alphonse.

SHE MOVES OS FOLLOWED BY ALPHONSE.

	137	1:13:24:10	1:13:26:17	02:07
	ALPHONSE TO ZOE:
Hey, Doc, you gonna hit the shower after
your morning jog?

	138	1:13:26:22	1:13:29:20	02:28
	ALPHONSE TO ZOE/
LUCY TO ALPHONSE:
- Let me know if you need a hand.
- Ease up, Alphonse. She's taken.

	139	1:13:30:01	1:13:34:00	03:29
	ALPHONSE TO LUCY:
She knows I'm only joking, Lucy. I'm just keeping myself fresh till the right girl comes along.

	140	1:13:34:05	1:13:38:10	04:05

	ZOE TO ALPHONSE/
ALPHONSE TO ZOE:
- You might be waiting a while.
- That's cold, Doc. Real cold.

	141	1:13:38:15	1:13:40:15	02:00
	LUCY TO ALPHONSE:
Come on, Alphonse.

SCENE 137		1:13:42:06
INT. LAB - DAY
MFS ON ZOE OPENING CABINET. SHE TAKES OUT ITEM THEN MOVES L
ACROSS LAB OVER TO WORK STATION WHERE ELYSE IS SEATED AT DESK.

ELYSE:
Do you think the Lieutenant is right and we're just wasting our time here? Maybe God doesn't want us to reverse what happened.

ZOE SITS.

ZOE:
Doesn't matter what Miguel thinks. We have a job to do.

	142	1:13:42:06	1:13:46:10	04:04
	ELYSE TO ZOE:
Do you think the Lieutenant is right and we're just wasting our time here?

	143	1:13:46:15	1:13:49:00	02:15
	ELYSE TO ZOE:
Maybe God doesn't want us to reverse what
happened.

	144	1:13:49:05	1:13:53:12	04:07
	ZOE TO ELYSE:
Doesn't matter what Miguel thinks. We have a job to do.

SCENE 138		1:13:53:13
MS ON ELYSE IN FG AND ZOE IN BG.

ELYSE:
Got your back.

	145	1:13:54:05	1:13:56:00	01:25
	ELYSE TO ZOE:
Got your back.

SCENE 139		1:13:56:18
MS ON ZOE. SHE PUTS EYE DROPPER INTO FLASK FILLED WITH
LIQUID.

(BEEPING)

ZOE:
Elyse, can you pass me Rotter sample number 8?

	146	1:14:04:00	1:14:06:08	02:08
	ZOE TO ELYSE:
Elyse, can you pass me Rotter sample
number 8?

SCENE 140		1:14:06:13
MS ON ELYSE OPENING CASE.

ELYSE:
Sure thing.

	147	1:14:06:13	1:14:08:15	02:02
	ELYSE TO ZOE:
Sure thing.

SCENE 141		1:14:09:20
FS ON DUO. ELYSE L, ZOE R AS ELYSE HANDS ZOE SAMPLE.

ELYSE:
Here you go.

ELYSE PICKS UP PHOTO OF ROTTER.

ELYSE:
I remember this one. Guy had a nasty set of bite marks on his hands.

ZOE:
What do you think happened to him?

ELYSE:
I'd say he had his hands down the wrong girl's pants.

	148	1:14:13:01	1:14:14:23	01:22
	ELYSE TO ZOE:
Here you go.

	149	1:14:16:05	1:14:18:13	02:08
	ELYSE TO ZOE:
I remember this one.

	150	1:14:18:18	1:14:22:03	03:15
	ELYSE TO ZOE:
Guy had a nasty set of bite marks on his hands.

	151	1:14:22:08	1:14:23:13	01:05
	ZOE TO ELYSE:
What do you think happened to him?

	152	1:14:24:19	1:14:27:02	02:13
	ELYSE TO ZOE:
I'd say he had his hands down the wrong girl's pants.

SCENE 142		1:14:27:03
MS ON ZOE.

ZOE:
(chuckles)

(DOOR OPENS) 

ZOE TURNS TO CAMERA.

WENDY O.S.:
Zoe? 

	153	1:14:31:05	1:14:35:12	04:07
	WENDY TO ZOE:
Zoe? Lily's fever shot up.

SCENE 143		1:14:32:01
MS ON WENDY ENTERING LAB.

WENDY:
Lily's fever shot up.

			
SCENE 144		1:14:35:17
MCU ON ZOE.

WENDY O.S.:
The medicine you gave her didn't work.

(MUSIC IN)

ZOE:
Meet me in the med ward.

	154	1:14:35:17	1:14:37:19	02:02
	WENDY TO ZOE:
The medicine you gave her didn't work.

	155	1:14:38:00	1:14:40:14	02:14
	ZOE TO WENDY:
Meet me in the med ward.

SCENE 145		1:14:40:15
MS ON WENDY EXITING.

SCENE 146		1:14:42:16
MS ON ELYSE GIVING ZOE A LOOK AS ZOE MOVES OSL.

SCENE 147		1:14:45:10
INT. MED WARD - DAY
MS ON WENDY AND HUSBAND.

(MUSIC CONTINUES)

LILY O.S.:
(whimpers)

SCENE 148		1:14:47:15
OTS MCU ON LILY IN BED AS ZOE CHECKS HER BREATHING.

ZOE:
Where does it hurt, sweetie?

LILY:
Everywhere.

ZOE:
You're such a brave little girl. Just close your eyes and rest. I'll try and make you feel better, okay?

ZOE COVERS HER UP THEN GETS UP MOVING OSR.

	156	1:14:52:10	1:14:56:14	04:04
	ZOE TO LILY/
LILY TO ZOE:
- Where does it hurt, sweetie?
- Everywhere.

	157	1:14:56:19	1:14:59:19	03:00
	ZOE TO LILY:
You're such a brave little girl.

	158	1:15:00:00	1:15:05:18	05:18
	ZOE TO LILY:
Just close your eyes and rest. I'll try and make you feel better, okay?

SCENE 149		1:15:11:06
INT. MESS HALL - DAY
WIDE FS ON GROUP GATHERED AROUND TABLE.

(MUSIC CONTINUES)

ELLE:
As long as Jeff can promise a heavy crop, we'll make it through winter.

	159	1:15:11:06	1:15:15:02	03:26
	ELLE TO GROUP:
As long as Jeff can promise a heavy crop,
we'll make it through winter.

SCENE 150		1:15:15:07
OTS MS ON ELLE AND JEFF FACING OTHERS ACROSS TABLE.

JEFF:
I'll see what I can do. Let's just hope Mother Nature cooperates.

MIGUEL:
Any other pressing issues?

ELLE:
Yeah, we found more rats in the warehouse, but Steve's taking care of it.

MIGUEL:
I've noticed a lot of sloppiness...

	160	1:15:15:07	1:15:17:20	02:13
	JEFF TO GROUP:
I'll see what I can do. Let's just hope
Mother Nature cooperates.

	161	1:15:18:01	1:15:19:13	01:12
	MIGUEL TO GROUP:
Any other pressing issues?

	162	1:15:19:18	1:15:23:06	03:18
	ELLE TO GROUP:
Yeah, we found more rats in the warehouse, but Steve's taking care of it.

	163	1:15:23:11	1:15:26:15	03:04
	MIGUEL TO GROUP:
I've noticed a lot of sloppiness as of late.

SCENE 151		1:15:25:04
MS ON ALPHONSE AND OTHER MAN. 

(SOUND OF DOOR OPENING)

MAN LOOKS OS.

MIGUEL O.S.:
...as of late

	164	1:15:26:20	1:15:30:15	03:25
	MIGUEL TO GROUP:
We're at war, people. One error can ruin all the work we've done here.

SCENE 152		1:15:27:05
FS ON ZOE APPROACHING CAMERA.

MIGUEL O.S.:
We're at war, people. One error can ruin all the work we've done here
			
SCENE 153		1:15:30:04
MCU ON BACA SMILING AS HE SEES ZOE APPROACHING.

MIGUEL O.S.:
I won't tolerate any mistakes. 

	165	1:15:30:20	1:15:34:00	03:10
	MIGUEL TO GROUP & ZOE:
I won't tolerate any mistakes.
Zoe, you're late.

SCENE 154		1:15:32:10
WIDE FS ON GROUP SEATED AROUND TABLE AS ZOE JOINS THEM FROM
OSL.

MIGUEL:
Zoe, you're late.

ZOE:
I'm sorry for interrupting, but it's serious.

MIGUEL:
What is it?

ZOE:
he antibiotics I used on Lily aren't working. She's worse. I believe it's bacterial pneumonia, which is highly ...

	166	1:15:34:05	1:15:37:01	02:26
	ZOE TO GROUP:
I'm sorry for interrupting, but it's serious.

	167	1:15:38:10	1:15:41:15	03:05
	MIGUEL TO ZOE/
ZOE TO GROUP:
- What is it?
- The antibiotics I used on Lily aren't working.

	168	1:15:41:20	1:15:46:15	04:25
	ZOE TO GROUP:
She's worse. I believe it's bacterial pneumonia, which is highly contagious.

SCENE 155		1:15:46:01
MS ON ALPHONSE AND MAN.

ZOE O.S.:
...contagious. I've quarantined her for now, but still--

	169	1:15:46:20	1:15:49:10	02:20
	ZOE TO GROUP/
MIGUEL TO ZOE:
- I've quarantined her for now, but still--
- You're the town doctor.

SCENE 156		1:15:48:22
MS ON MIGUEL AND OTHERS LOOKING AT ZOE IN FG.

MIGUEL:
You're the town doctor. You're telling me there's nothing you can do?

	170	1:15:49:15	1:15:51:20	02:05
	MIGUEL TO ZOE/
ZOE TO MIGUEL:
- You're telling me there's nothing you can do?
- I don't have the antibiotics...

SCENE 157		1:15:51:04
OTS MS ON ZOE LOOKING AT MIGUEL AND JEFF.

ZOE:
I don't have the antibiotics to properly treat what Lily has. We need to go on a supply run.

MIGUEL:
We've already ransacked every place within the designated range for your bullshit Rotter research.

ZOE:
Then we need to go past our usual search distance. Be bolder.

	171	1:15:52:01	1:15:55:09	03:08
	ZOE TO MIGUEL:
to properly treat what Lily has. We need to go on a supply run.

	172	1:15:55:14	1:16:00:15	05:01
	MIGUEL TO ZOE:
We've already ransacked every place within the designated range for your bullshit Rotter research.

	173	1:16:00:20	1:16:04:11	03:21
	ZOE TO MIGUEL:
Then we need to go past our usual search distance. Be bolder.

SCENE 158		1:16:04:16
WIDE FS ON GROUP SEATED AROUND TABLE AS ZOE MOVES R ACROSS BG TO LARGE MAP SHE POINTS TO SCHOOL.

ZOE:
I was a med student at Whittendale University. The medical supply cache was secured inside a locked vault. I know the code.

MIGUEL:
No. It's too far.

ZOE:
I know it's far, but it is worth the risk. We would have enough medication to save Lily and to stop her illness from spreading.

MIGUEL:
Or we keep Lily isolated.

	174	1:16:04:16	1:16:08:00	03:14
	ZOE TO GROUP:
I was a med student at Whittendale University.

	175	1:16:08:05	1:16:11:15	03:10
	ZOE TO GROUP:
The medical supply cache was secured
inside a locked vault.

	176	1:16:12:05	1:16:15:10	03:05
	ZOE TO GROUP/
MIGUEL TO ZOE:
- I know the code.
- No. It's too far.

	177	1:16:15:15	1:16:18:17	03:02
	ZOE TO MIGUEL:
I know it's far, but it is worth the risk.

	178	1:16:18:22	1:16:22:10	03:18
	ZOE TO MIGUEL:
We would have enough medication to save Lily and to stop her illness from spreading.

	179	1:16:22:15	1:16:24:09	01:24
	MIGUEL TO ZOE:
Or we keep Lily isolated.

SCENE 159		1:16:24:10
MCU ON ZOE.

ZOE:
Keeping her isolated will not help. Her sickness will spread inside this bunker. Many of us...

	180	1:16:26:00	1:16:28:15	02:15
	ZOE TO MIGUEL:
Keeping her isolated will not help.

	181	1:16:28:20	1:16:33:20	05:00
	ZOE TO MIGUEL:
Her sickness will spread inside this bunker. Many of us will die.

SCENE 160		1:16:33:01
WIDE FS ON GROUP ALL LOOKING AT ZOE STANDING IN RBG.

ZOE:
...will die. It is a medical certainty.

OTHERS AROUND TABLE EXCHANGE LOOKS, MIGUEL, BACA, ELLE.

MIGUEL:
Okay. My brother, Baca, is gonna lead your little field trip.

	182	1:16:34:01	1:16:36:15	02:14
	ZOE TO MIGUEL:
It is a medical certainty.

	183	1:16:42:00	1:16:46:14	04:14
	MIGUEL TO ZOE:
Okay. My brother, Baca, is gonna lead your little field trip.

SCENE 161		1:16:46:19
OTS MS ON BACA AND MIGUEL WHO IS LOOKING AT ZOE.

MIGUEL:
You leave tomorrow at dawn and you come right back No sightseeing, no side tracks. Are we absolutely clear?

ZOE:
Yes, sir.

	184	1:16:46:19	1:16:48:15	01:26
	MIGUEL TO ZOE:
You leave tomorrow at dawn and you come
right back. 

	185	1:16:48:20	1:16:52:10	03:20
	MIGUEL TO ZOE:
No sightseeing, no side tracks. Are we
absolutely clear?

	186	1:16:52:15	1:16:54:16	02:01
	ZOE TO MIGUEL:
Yes, sir.

SCENE 162		1:16:54:17
INT. ZOE'S ROOM - NIGHT
CU ON GEAR INCLUDING PISTOL AS ZOE GATHERS IT UP.

(MUSIC CONTINUES)

SCENE 163		1:16:57:00
MFS ON ZOE MOVING ITEMS OVER TO BED.

(DOOR OPENS)

SHE TURNS TO LOOK.

SCENE 164		1:17:01:11
MCU ON ZOE IN FG TURNING TO BG AS BACA ENTERS ROOM. HE MOVES UP BEHIND HER. 

SCENE 165		1:17:13:23
MCU ON ZOE AS BACA PUTS HIS ARMS AROUND HER WAIST.

BACA:
It's gonna be okay. I missed you.

SHE TURNS TO FACE HIM. THEY KISS. HE TAKES OFF HIS SHIRT AS THEY CONTINUE KISSING. HE TAKES OFF HER SHIRT THEN HER BRA. THEY MOVE OVER TO BED.

	187	1:17:14:10	1:17:16:10	02:00
	BACA TO ZOE:
It's gonna be okay. 

	188	1:17:20:20	1:17:23:05	02:15
	BACA TO ZOE:
I missed you.

SCENE 166		1:17:50:15
MCU ON COUPLE FALLING ONTO BED AS THEY KISS.

(SCREAMS ECHO)

MAX:
(echoing voice) You are mine.

	189	1:17:59:15	1:18:02:10	02:25
(ITALICS)	MAX TO ZOE V.O.:
You are mine.

	190	1:18:02:15	1:18:05:05	02:20
(ITALICS)	ZOE CALLS OUT V.O.:
Somebody help me!

SCENE 167		1:18:03:12
MCU ON COUPLE AS ZOE PUSHES BACA OFF OF HER.

EMMA:
(echoing voice) Somebody help me!

SCENE 168		1:18:05:21
MCU ON COUPLE WITH BACA LOOKING DOWN AT ZOE.

BACA:
What's wrong?

ZOE:
Nothing.

BACA:
(scoffs) What does that mean?

ZOE:
I have to go out.

SHE GETS UP MOVING OS INTO FG.

BACA:
Really?
	191	1:18:07:10	1:18:09:15	02:05
	BACA TO ZOE:
What's wrong?

	192	1:18:09:20	1:18:11:15	01:25
	ZOE TO BACA:
Nothing.

	193	1:18:13:00	1:18:15:00	02:00
	BACA TO ZOE:
What does that mean?

	194	1:18:16:00	1:18:18:00	02:00
	ZOE TO BACA:
I have to go out.

	195	1:18:19:10	1:18:22:00	02:20
	BACA TO ZOE:
Really? We talked about this last time.

SCENE 169		1:18:20:09
MCU ON ZOE MOVING TO CLOSET IN BG.

BACA O.S.:
We talked about this last time.

ZOE:
I just-- I have a lot on my mind.
	196	1:18:22:05	1:18:24:15	02:10
	ZOE TO BACA:
I just-- I have a lot on my mind.

SCENE 170		1:18:24:20
MCU ON BACA.

BACA:
What, and us? That's not important? 

	197	1:18:24:20	1:18:27:10	02:20
	BACA TO ZOE:
What, and us? 

	198	1:18:27:20	1:18:30:15	02:25
	BACA TO ZOE:
That's not important? I love you, Zoe.

SCENE 171		1:18:29:03
MCU BACK ON ZOE PUTTING SHIRT ON.

BACA O.S.:
I love you, Zoe.

ZOE:
Look, I care about you. I do.

	199	1:18:30:20	1:18:34:15	03:25
	ZOE TO BACA:
Look, I care about you. I do.

	200	1:18:34:20	1:18:39:00	04:10
	ZOE TO BACA:
But I need to go and check on Lily right now.

SCENE 172		1:18:35:07
MCU BACK ON BACA.

ZOE O.S.:
But I need to go and check on...

SCENE 173		1:18:37:17
MCU BACK ON ZOE.

ZOE:
...Lily right now.

SHE MOVES TO DOOR IN BG.

SCENE 174		1:18:40:01
MCU BACK ON BACA.

(DOOR OPENS / CLOSES)

SCENE 175		1:18:44:21
LAST FRAME OF REEL 1.

			

COMBINED DIALOGUE CONTINUITY 	REEL 2	SUBTITLE/SPOTTING LIST	
Scene # / First Frame of Scene
Scene Description 	# In / Out / Elapsed 	Title	
SCENE 1		2:00:00:00
INT. MEDICAL WARD - NIGHT
MS ON ZOE ENTERING ROOM.

(MUSIC IN)

SHE MOVES L PAST CAMERA OVER TO LILY LYING IN BED. SHE SITS DOWN AND TOUCHES LILY'S FOREHEAD.

SCENE 2		2:00:18:07
OTS MCU ON LILY AS ZOE DABS CLOTH ON HER FOREHEAD. LILY WAKES UP.

LILY:
Hey, Zoe.

	201	2:00:23:15	2:00:27:15	04:00
	LILY TO ZOE/
ZOE TO LILY:
- Hey, Zoe.
- Hey, sweetie.

SCENE 3		2:00:25:04
CU ON ZOE.

ZOE:
Hey, sweetie. Tomorrow morning...

	202	2:00:29:05	2:00:34:15	05:10
	ZOE TO LILY:
Tomorrow morning, I'm going outside to try and find something to make you better.

SCENE 4		2:00:30:07
OTS MCU BACK ON LILY.

ZOE:
...I'm going outside to try and find something to make you better.

LILY:
There are Rotters out...

	203	2:00:34:20	2:00:38:20	04:00
	LILY TO ZOE/
ZOE TO LILY:
- There are Rotters out there.
- No, it's okay.

SCENE 5		2:00:36:14
CU ON ZOE.

LILY O.S.:
...there.

ZOE:
No, it's okay. They don't scare me.

	204	2:00:39:10	2:00:41:10	02:00
	ZOE TO LILY:
They don't scare me.

SCENE 6		2:00:40:19
WIDE FS WITH ZOE SEATED ON SIDE OF BED BESIDE LILY.

ZOE:
Do me a favor. 

SHE TAKES OFF NECKLACE.

ZOE:
Will you hold on to this for me while I'm gone? It was my mom's. 

SHE PLACES IT ON PILLOW BESIDE LILY.

ZOE:
I used to protect me when...

	205	2:00:42:00	2:00:44:00	02:00
	ZOE TO LILY:
Do me a favor. 

	206	2:00:44:15	2:00:47:05	02:20

	ZOE TO LILY:
Will you hold on to this for me while I'm gone?

	207	2:00:47:10	2:00:49:22	02:12
	ZOE TO LILY:
It was my mom's. 

	208	2:00:51:10	2:00:54:15	03:05
	ZOE TO LILY:
I used to protect me when I was a little girl.

SCENE 7		2:00:52:21
CU ON CRUCIFIX ON PILLOW.

ZOE O.S.:
...I was a little girl.

SCENE 8		2:00:55:06
CU ON ZOE.

ZOE:
Now, it'll do the same for you.

	209	2:00:55:06	2:00:57:11	02:05
	ZOE TO LILY:
Now, it'll do the same for you.

SCENE 9		2:00:57:12
OTS MCU ON LILY.

LILY:
Thank you.

	210	2:00:57:20	2:01:01:15	03:25
	LILY TO ZOE/
ZOE TO LILY:
- Thank you.
- Good night, sweetie. 

SCENE 10		2:00:59:12
BACK TO WIDE FS.

ZOE:
Good night, sweetie. 

LILY:
Good night.

ZOE GETS UP MOVING R.

	211	2:01:02:20	2:01:04:20	02:00
	LILY TO ZOE:
Good night.

SCENE 11		2:01:05:11
MCU ON LILY AS DOOR CLOSES CAUSING BLACK FRAME.

SCENE 12		2:01:19:23
INT. MOTOR POOL - DAY
FS ON HUMVEES AS SOLDIERS MILL ABOUT GETTING READY.

(NEW MUSIC IN)

SOLDIER:
(over PA) Attention...
	212	2:01:19:23	2:01:21:20	01:27
(ITALICS)	SOLDIER OVER P.A.:
Attention all civilians.

SCENE 13		2:01:20:23
MS ON BACA MOVING L TO ALPHONSE THEY CLASP HANDS THEY BEGIN
GETTING INTO HUMVEE.

SOLDIER:
(over PA) ...all civilians. Main team ready to leave in T minus three minutes. Protocol...

	213	2:01:22:01	2:01:25:10	03:09
(ITALICS)	SOLDIER OVER P.A.:
Main team ready to leave in T minus three minutes.

	214	2:01:25:15	2:01:28:10	02:25
	SOLDIER OVER P.A./
FRANK TO ELLE:
- Protocol...
- I'll be back before you know it.

SCENE 14		2:01:26:08
MCU ON FRANK AND ELLE KISSING GOOD-BYE.

SOLDIER:
(over PA) (indistinct)

FRANK:
I'll be back before you know it.

SOLDIER:
(over PA) All civilians are to clear perimeter right now.

FOCUS SHIFTS TO BACK IN BG.

	215	2:01:28:15	2:01:31:14	02:29
(ITALICS)	SOLDIER OVER P.A.:
All civilians are to clear perimeter right now.

SCENE 15		2:01:31:15
MS ON MIGUEL. HE NODS.

(WALLA FROM SOLDIERS O.S.)
			
SCENE 16		2:01:34:11
MCU ON BACA. HE NODS BACK.

SOLDIER:
(over PA) I repeat, clear perimeter right now.

BACA GETS INTO HUMVEE WITH ZOE SEATED IN PASSENGER SEAT L.

SOLDIER:
(over PA)  Main team ready to leave in T minus three minutes.

BACA:
Sorry about last night. 

ZOE:
I mean, you know, I shouldn't have reacted that way.

BACA STARTS ENGINE.

SOLDIER:
(over PA) (indistinct)

(BUZZER SOUNDS)

	216	2:01:35:10	2:01:39:05	03:25
(ITALICS)	SOLDIER OVER P.A.:
I repeat, clear perimeter right now.

	217	2:01:41:15	2:01:43:10	01:25
	BACA TO ZOE:
Sorry about last night. 

	218	2:01:43:15	2:01:46:20	03:05
	ZOE TO BACA:
I mean, you know, I shouldn't have reacted that way.

SCENE 17		2:01:49:02
WIDE FS ON MOTOR POOL AREA AS LARGE BUNKER DOORS OPEN IN
RBG.

BACA O .S.:
Let's go get you your meds.

	219	2:01:49:15	2:01:51:15	02:00
	BACA TO ZOE:
Let's go get you your meds.

SCENE 18		2:01:51:16
MCU ON ZOE AND BACA.

SOLDIER:
(over PA) ...free and clear. All personnel

SCENE 19		2:01:56:02
BACK TO WIDE FS AS HUMVEE BEGIN ROLLING TOWARDS OPEN BUNKER
DOOR AND OUTSIDE.

SOLDIER:
(over PA) (indistinct) ...All personnel (Indistinct)

SCENE 20		2:02:02:21
EXT. HIGH ROCK BUNKER - DAY
FS ON HUMVEES MOVING OUT THROUGH FRONT GATES AS GUARDS OPEN THEM. THEN MOVE PAST DEAD ROTTERS ON GROUND.

SCENE 21		2:02:17:17
EXT. COUNTRYSIDE - DAY
AERIAL FS ON CONVOY MOVING UP ROAD.

(MUSIC CONTINUES)

SOLDIER:
(over radio) (indistinct) how's our status.

SOLDIER #2:
(over radio) (indistinct)

	220	2:02:35:15	2:02:40:15	05:00
(ITALICS)	SOLDIER OVER WALKIE:
(indistinct)

SCENE 22		2:02:38:19
INT. HUMVEE - DAY
MCU ON BACA AND ZOE AS SHE HOLDS HER ARM OUT WINDOW.

SOLDIER #2:
(over radio) (indistinct)

ZOE:
I used to do this as a kid.

BACA MAKES A FACE.

ZOE:
What?

(MUSIC OUT)

BACA:
You just never talked about your childhood before. Your mom? 

	221	2:02:42:20	2:02:45:10	02:20
	ZOE TO BACA:
I used to do this as a kid.

	222	2:02:48:00	2:02:50:00	02:00
	ZOE TO BACA:
What?

	223	2:02:50:05	2:02:53:10	03:05
	BACA TO ZOE:
You just never talked about your childhood before.

	224	2:02:55:15	2:02:58:20	03:05
	BACA TO ZOE:
Your mom? Your dad?

SCENE 23		2:02:57:01
MCU ON ZOE.

BACA O.S.:
Your dad?

ZOE:
There isn't much to talk about. How about you?

	225	2:02:59:01	2:03:01:05	02:04
	ZOE TO BACA:
There isn't much to talk about.

	226	2:03:03:00	2:03:05:04	02:04
	ZOE TO BACA:
How about you?

SCENE 24		2:03:05:09
OTS MS ON BACA DRIVING.

BACA:
My dad was an Army man. Except when he took Miguel and I hunting.

ZOE:
Hard to believe you two are brothers. You're so different.

BACA:
Miguel's always been the way he is. Always... wanted to be the superior one.

	227	2:03:05:09	2:03:07:19	02:10
	BACA TO ZOE:
My dad was an Army man.

	228	2:03:08:00	2:03:10:00	02:00
	BACA TO ZOE:
Never smiled.

	229	2:03:11:07	2:03:14:00	02:23
	BACA TO ZOE:
Except when he took Miguel and I hunting.

	230	2:03:14:20	2:03:17:05	02:15
	ZOE TO BACA:
Hard to believe you two are brothers.

	231	2:03:17:10	2:03:21:10	04:00
	ZOE TO BACA/
BACA TO ZOE:
- You're so different.
- Miguel's always been the way he is.

	232	2:03:22:10	2:03:26:10	04:00
	BACA TO ZOE:
Always... wanted to be the superior one.

SCENE 25		2:03:26:11
MCU ON ZOE.

BACA O.S.:
Always wanted to control things.

	233	2:03:26:15	2:03:29:15	03:00
	BACA TO ZOE:
Always wanted to control things.

SCENE 26		2:03:28:14
MCU ON BACA.

BACA:
Like my dad.

	234	2:03:31:00	2:03:33:00	02:00
	BACA TO ZOE:
Like my dad.

SCENE 27		2:03:33:20
EXT. COUNTRY ROAD - DAY
FS ON CONVOY MOVING UP ROAD.

SCENE 28		2:03:36:18
INT. HUMVEE - DAY
MCU ON ALPHONSE IN PASSENGER SEAT.

ALPHONSE:
You know what I miss, man? A nice, greasy cheeseburger with fries.

	235	2:03:39:15	2:03:44:04	04:19
	ALPHONSE TO THOMAS:
You know what I miss, man? A nice, greasy
cheeseburger with fries.

SCENE 29		2:03:44:09
MCU ON THOMAS IN BACK SEAT.

THOMAS:
I'd have to go with deep dish pizza, Chicago style.

	236	2:03:44:09	2:03:47:12	03:03
	THOMAS TO ALPHONSE:
I'd have to go with deep dish pizza, Chicago style.

SCENE 30		2:03:47:17
MCU BACK ON ALPHONSE.

ALPHONSE:
Solid. 

HE TURNS TO ELYSE ALSO IN BACK SEAT.

ALPHONSE:
What about you, Elyse?

ELYSE:
I miss Maggie's Place. It was a diner in Wichita my mom used to take me to.

ALPHONSE SHAKES HIS HEAD.

ALPHONSE:
Mm.

ELYSE:
Best damn apple pie you ever tasted.

ALPHONSE:
Nice. Frank, what do you miss, man? Ice cream sundaes?

	237	2:03:47:17	2:03:50:13	02:26
	ALPHONSE TO THOMAS & ELYSE:
Solid.
What about you, Elyse?

	238	2:03:51:05	2:03:54:20	03:15
	ELYSE TO ALPHONSE:
I miss Maggie's Place.

	239	2:03:55:01	2:03:58:15	03:14
	ELYSE TO ALPHONSE:
It was a diner in Wichita my mom used to
take me to.

	240	2:03:58:20	2:04:00:21	02:01
	ELYSE TO ALPHONSE:
Best damn apple pie you ever tasted.

	241	2:04:01:02	2:04:04:10	03:08
	ALPHONSE TO ELYSE & FRANK:
Nice.
Frank, what do you miss, man?

	242	2:04:04:15	2:04:06:15	02:00
	ALPHONSE TO FRANK:
Ice cream sundaes? Chicken nuggets?

SCENE 31		2:04:05:21
MCU ON FRANK DRIVING.

ALPHONSE O.S.:
Chicken nuggets?

FRANK:
I miss people shutting the fuck up.

	243	2:04:06:20	2:04:09:15	02:25
	FRANK TO ALPHONSE:
I miss people shutting the fuck up.

SCENE 32		2:04:08:19
MCU ON ALPHONSE.

SCENE 33		2:04:13:02
EXT. COUNTRY ROAD - DAY
FS ON CONVOY MOVING UP ROAD.

SCENE 34		2:04:16:14
MCU ON BACA'S HUMVEE AS SMOKE BILLOWS FROM HOOD VENT.

SCENE 35		2:04:20:13
AERIAL FS ON CONVOY.

FRANK:
(over walkie) Fuck! Something's wrong. Everybody pull over. All right, people. Look sharp. Stay focused.

(MUSIC IN)

	244	2:04:20:13	2:04:23:20	03:07
(ITALICS)	FRANK OVER WALKIE:
Fuck! Something's wrong. Everybody pull over.

	245	2:04:24:01	2:04:27:10	03:09
(ITALICS)	FRANK OVER WALKIE:
All right, people. Look sharp. Stay focused.

SCENE 36		2:04:26:10
FS ON HUMVEES STOPPED ON ROAD AS HEAD VEHICLE SMOKES. EVERYONE BEGINS GETTING OUT.

SCENE 37		2:04:32:06
POV SCANNING WOODS.

SCENE 38		2:04:34:05
MS ON FRANK AND SOLDIERS LOOKING AROUND.

SCENE 39		2:04:35:11
WIDE FS ON GROUP STANDING BY HUMVEES AS LUCY AND THOMAS
OPEN HOOD OF SMOKING HUMVEE.

BACA:
Set up a perimeter!

ALPHONSE LOOKS INTO WOODS.

ALPHONSE:
This is a bad spot. We won't see any Rotters until they're on us.

ELYSE:
 It's not like we had any say where we broke down, Alphonse.

FRANK:
You guys wanna keep it down and watch your six.

LUCY CLIMBS UP ONTO ENGINE.

BACA:
Talk to me, Lucy. Come on!

LUCY:
Fucking radiator again. Savin said it was good to go.

	246	2:04:35:11	2:04:37:10	01:29
	BACA TO GROUP:
Set up a perimeter!

	247	2:04:38:00	2:04:42:05	04:05
	ALPHONSE TO GROUP:
This is a bad spot. We won't see any Rotters until they're on us.

	248	2:04:42:10	2:04:46:05	03:25
	ELYSE TO ALPHONSE/
FRANK TO GROUP:
- It's not like we had any say where we broke down, Alphonse.
- You guys wanna keep it down and watch your six.

	249	2:04:46:10	2:04:50:03	03:23
	BACA TO LUCY:
Talk to me, Lucy.

	250	2:04:50:08	2:04:52:05	01:27
	BACA TO LUCY/
LUCY TO BACA:
- Come on!
- Fucking radiator again.

	251	2:04:52:10	2:04:54:11	02:01
	LUCY TO BACA:
Savin said it was good to go.

SCENE 40		2:04:54:16
MCU ON BACA IN FG, FRANK IN BG.

BACA:
All right. Well, how long to fix it?

	252	2:04:54:16	2:04:56:06	01:20
	BACA TO LUCY:
All right. Well, how long to fix it?

SCENE 41		2:04:56:11
FS ON LUCY LOOKING AT ENGINE AS BACA LOOKS AROUND IN BG.

LUCY:
Not sure. The coolant isn't getting to the engine block.

	253	2:04:56:11	2:05:00:01	03:20
	LUCY TO BACA:
Not sure. The coolant isn't getting to the engine block.

SCENE 42		2:05:00:06
MCU ON DEREK LOOKING OVER AT BACA.

DEREK:
The Lieutenant's gonna be pissed if we show up late!

BACA:
Yeah, I'm aware. All right, well, come on, Lucy. 

	254	2:05:00:06	2:05:03:10	03:04
	DEREK TO BACA/
BACA TO DEREK:
- The Lieutenant's gonna be pissed if we show up late!
- Yeah, I'm aware.

	255	2:05:03:15	2:05:06:14	02:29
	BACA TO LUCY:
All right, well, come on, Lucy. We don't have much time until nightfall.

SCENE 43		2:05:04:20
FS ON LUCY AND BACA.

BACA:
We don't have much time until nightfall.

LUCY:
I know.

ZOE POPS HEAD OUT WINDOW LOOKING AROUND.

FRANK O.S.:
All right, you heard the man. Second team, take the east.

	256	2:05:06:19	2:05:08:10	01:21
	LUCY TO BACA:
I know.

	257	2:05:08:15	2:05:12:05	03:20
	FRANK TO GROUP:
All right, you heard the man. First team, secure west perimeter.

SCENE 44		2:05:10:07
ZOE'S POV SCANNING WOODS.

FRANK O.S.:
First team, secure west perimeter.

	258	2:05:12:10	2:05:14:10	02:00
	FRANK TO GROUP:
Second team, take the east.

SCENE 45		2:05:15:16
AERIAL ESTABLISHING ON ROAD AS SUN SETS.

			
SCENE 46		2:05:22:08
EXT. COUNTRY ROAR - NIGHT
CU ON ENGINE AS LUCY WORKS ON IT.

(MUSIC CONTINUES)

SCENE 47		2:05:28:10
MCU ON ALPHONSE AND THOMAS

THOMAS:
(indistinct)

THOMAS MOVES OSR.

SCENE 48		2:05:32:04
WIDE FS IN GROUP GUARDING HUMVEES AS LUCY WORKS ON ENGINE.
THOMAS TURNS TO LUCY.

THOMAS:
This is taking too long. We should turn around. We can come back in a few days.

ZOE MOVES UP FACING THOMAS.

ZOE:
Lily can't wait a few days.

THOMAS:
I'm sorry. I just don't see the math in risking eight lives for one!

FRANK:
Shhh.

	259	2:05:40:05	2:05:42:17	02:12
	THOMAS TO GROUP:
This is taking too long.

	260	2:05:42:22	2:05:47:05	04:13
	THOMAS TO GROUP:
We should turn around. We can come back
in a few days.

	261	2:05:48:02	2:05:50:07	02:05
	ZOE TO THOMAS/
THOMAS TO ZOE:
- Lily can't wait a few days.
- I'm sorry.

	262	2:05:50:12	2:05:54:00	03:18
	THOMAS TO ZOE:
I just don't see the math in risking eight lives for one!

SCENE 49		2:05:54:05
MCU ON THOMAS.

THOMAS:
Sick kid or not.

	263	2:05:54:05	2:05:57:00	02:25
	THOMAS TO ZOE/
ZOE TO THOMAS:
- Sick kid or not.
- Let me put it this way.

SCENE 50		2:05:55:07
BACK TO FS ON GROUP GUARDING HUMVEES WITH THOMAS AND ZOE
FACING L.

ZOE:
Let me put it this way. What if Lily was your kid? Your sick one in the bunker?

SHE LOOKS OVER AT FRANK WHO LOOKS DOWN. SHE LOOKS BACK AT
THOMAS.

ZOE:
Because if we don't succeed, it could be.

	264	2:05:57:05	2:06:01:19	04:14
	ZOE TO THOMAS:
What if Lily was your kid? Your sick one in the bunker?

	265	2:06:02:00	2:06:05:04	03:04
	ZOE TO THOMAS:
Because if we don't succeed, it could be.

SCENE 51		2:06:05:05
MCU ON THOMAS.

(SOUND OF ROTTERS)

THOMAS TURNS TO BG.

SCENE 52		2:06:06:07
WIDE FS ON GROUP REACTING BY RAISING GUNS.

THOMAS:
Fuck!

(NEW MUSIC IN)

BACA:
Rotters! Everybody in position!

SOLDIERS MOVES INTO POSITIONS AIMING INTO WOODS.

BACA:
Lucy!

LUCY:
Almost there. Give me one more minute.

	266	2:06:06:15	2:06:08:16	02:01
	THOMAS REACTING:
Fuck!

	267	2:06:09:00	2:06:12:13	03:13
	BACA TO GROUP:
Rotters! Everybody in position!

	268	2:06:13:00	2:06:16:00	03:00
	BACA TO LUCY/
LUCY TO BACA:
- Lucy!
- Almost there. Give me one more minute.

SCENE 53		2:06:16:18
POV ON WOODS.

(SOUND OF ROTTERS)

SCENE 54		2:06:17:23
MCU ON ALPHONSE.

ALPHONSE:
Sounds like a swarm!
	269	2:06:17:23	2:06:22:05	04:12
	ALPHONSE TO GROUP/
BACA TO LUCY:
- Sounds like a swarm!
- Lucy, come on, we gotta go! Hurry up!

SCENE 55		2:06:19:04
BACK TO POV SCANNING WOODS.

BACA O.S.:
Lucy, come on, we gotta go! Hurry up!

SCENE 56		2:06:22:21
MS ON ELYSE AND FRANK.

LUCY O.S.:
Yes!

(SOUND OF ROTTERS)

	270	2:06:22:21	2:06:26:10	03:19
	LUCY TO BACA/
BACA TO GROUP:
- Yes! I got it!
- Everyone back to the vehicles, now!

SCENE 57		2:06:23:13
MS ON LUCY.

LUCY:
I got it!

SHE GRABS LIGHT.

SCENE 58		2:06:24:17
MFS ON GROUP AIMING INTO WOODS.

BACA:
Everyone back to the vehicles, now! Move, move, move, move!

EVERYONE HOPS INTO HUMVEES.

THOMAS:
Go, go!

	271	2:06:26:15	2:06:28:16	02:01
	BACA TO GROUP:
Move, move, move, move!

	272	2:06:30:05	2:06:31:12	01:07
	THOMAS TO GROUP:
Go, go!

SCENE 59		2:06:31:13
INT. HUMVEE - NIGHT
MS ON BACA JUMPING INTO FRONT SEAT AND STARTING ENGINE.

BACA:
Come on! Come on!

	273	2:06:33:20	2:06:36:14	02:24
	BACA TO ENGINE/
ZOE TO BACA:
- Come on! Come on!
- Come on, come on, go!

SCENE 60		2:06:34:20
MCU ON  ZOE.

ZOE:
Come on, come on, go!

SCENE 61		2:06:36:19
MCU ON ALPHONSE AND THOMAS LOOKING OUT HUMVEE WINDOWS.

THOMAS:
Go! Now!

	274	2:06:36:19	2:06:38:19	02:00
	THOMAS TO BACA:
Go! Now!

SCENE 62		2:06:38:20
MCU BACK ON BACA TRYING TO START ENGINE.

SCENE 63		2:06:42:10
MCU ON ROTTER SLAMMING UP AGAINST WINDOW.

SCENE 64		2:06:43:00
CU ON ZOE REACTING.

ZOE:
(screams)

SCENE 65		2:06:44:06
BACK ON ROTTER CLAWING AT WINDOW AS EVERYONE LOOKS ON IN HORROR.

SCENE 66		2:06:47:06
CU ON STEERING WHEEL AS BACA STARTS ENGINE.

SCENE 67		2:06:48:05
EXT. COUNTRY ROAD - NIGHT
FS ON HUMVEES RACING UP ROAD MOWING DOWN ROTTERS AS THEY
SWARM VEHICLES WHICH RACE OS AS ROTTERS CHASE AFTER THEM.

ROTTERS:
(roar)
			
SCENE 68		2:06:58:18
EXT. CITY - NIGHT
FS ON ABANDONED STREET AS CONVOY MAKES ITS WAY TO CAMERA.

(MUSIC OUT)

BACA O.S.:
(over walkie) Team Two, give me a status report.

FRANK O.S.:
(over walkie) All clear. Looks like we lost them. Over.

BACA O.S.:
(over walkie) Copy. Casualty report? Over.

FRANK O.S.:
(over walkie) No casualties. Looks like we dodged a big one. Over. 

BACA O.S.:
(over walkie) And not a moment too soon. We're here, guys.

CONVOY STOPS AT CAMERA.

	275	2:06:59:15	2:07:02:15	03:00
(ITALICS)	BACA OVER WALKIE:
Team Two, give me a status report.

	276	2:07:02:20	2:07:06:10	03:20
(ITALICS)	FRANK OVER WALKIE:
All clear. Looks like we lost them.
Over.

	277	2:07:06:15	2:07:10:05	03:20
(ITALICS)	BACA OVER WALKIE:
Copy. Casualty report? Over.

	278	2:07:10:10	2:07:14:10	04:00
(ITALICS)	FRANK OVER WALKIE:
No casualties. Looks like we dodged a big one. Over.

	279	2:07:14:15	2:07:16:15	02:00
(ITALICS)	BACA OVER WALKIE:
And not a moment too soon.

	280	2:07:16:20	2:07:19:01	02:11
(ITALICS)	BACA OVER WALKIE:
We're here, guys.

SCENE 69		2:07:19:02
MS ON ALPHONSE GETTING OUT OF HUMVEE FOLLOWED BY OTHERS.

(MUSIC IN)

SCENE 70		2:07:29:06
WIDE FS WITH GROUP GATHERED AS BACA MOVES TO FG.

BACA:
Lucy, Derek, Thomas, you stay here. Everyone else on me.

LUCY NODS. BACA LEADS TEAM R AS OTHERS SCOPE OUT AREA.

	281	2:07:30:10	2:07:34:08	03:28
	BACA TO GROUP:
Lucy, Derek, Thomas, you stay here.
Everyone else on me.

SCENE 71		2:07:38:09
POV SCANNING STREET.

BACA O.S.:
Alphonse...

	282	2:07:39:05	2:07:41:02	01:27
	BACA TO ALPHONSE:
Alphonse, go!

SCENE 72		2:07:39:23
WIDE FS AS ALPHONSE HOLDS DOOR OPEN IN BG AND OTHERS ENTER
BUILDING. SIGN ON DOOR READS:

    WHITTENDALE UNIVERSITY

BACA:
...go!

			
SCENE 73		2:07:44:05
INT. UNIVERSITY MEDICAL BUILDING - NIGHT
FS ON TEAM MOVING UP DARK HALLWAY WITH FLASHLIGHTS.

(MUSIC CONTINUES)

ZOE:
Right, then the first left.

BACA NODS AND MOVES AROUND CORNER

	283	2:07:47:00	2:07:49:11	02:11
	ZOE TO GROUP:
Right, then the first left.

SCENE 74		2:07:49:12
MFS ON TEAM MOVING UP HALLWAY.

ZOE:
Straight ahead. Take a left at the end.

	284	2:07:55:00	2:07:58:05	03:05
	ZOE TO GROUP:
Straight ahead. Take a left at the end.

SCENE 75		2:08:10:08
FS ON TEAM MOVING UP HALLWAY.

(CRASHING NOISE)

THEY PAUSE.

SCENE 76		2:08:13:07
CU ON RAT MOVING ACROSS FLOOR.

SCENE 77		2:08:15:08
FS BACK ON TEAM AS THEY RESUME MOVING UP HALLWAY WITH FLASHLIGHTS. THEY PAUSE AT TURN TO DOOR R. FRANK LOOKS IN.

SCENE 78		2:08:33:03
POV LOOKING INTO ROOM FILLED WITH DEBRIS AS FLASHLIGHT IS SHONE INTO IT.
			
SCENE 79		2:08:36:21
MS BACK ON TEAM.

FRANK:
Clear.

BACA:
Let's move.

THEY RESUME MOVING UP HALLWAY. THEY PAUSE AS BACA LOOKS IN DOOR L THEN CONTINUE UP TO CORNER IN FG.

FRANK:
Go!

	285	2:08:36:21	2:08:38:10	01:19
	FRANK TO GROUP:
Clear.

	286	2:08:39:00	2:08:40:15	01:15

	BACA TO GROUP:
Let's move.

	287	2:08:57:10	2:08:58:14	01:04
	FRANK TO BACA:
Go!

SCENE 80		2:08:58:15
FS ON BACA THEN TEAM AS THEY APPEAR FROM OSR AROUND CORNER
AND CONTINUE TO CAMERA UP HALLWAY WITH FLASHLIGHTS.

SCENE 81		2:09:14:07
MCU ON ZOE SHINING LIGHT ON WALL.

SCENE 82		2:09:15:05
CU ON PLAQUE ON WALL AS LIGHT HITS IT:

    Pharmacy

ZOE O.S.:
Here. This one on the left.

	288	2:09:15:05	2:09:17:10	02:05
	ZOE TO GROUP:
Here. This one on the left.

SCENE 83		2:09:16:21
MS BACK ON TEAM. ZOE MOVES UP TO DOOR.

SCENE 84		2:09:21:16
CU ON COMBINATION LOCK ON DOOR AS SHE TURNS TUMBLERS THEN
SLIDES OPEN LOCK.

SCENE 85		2:09:23:18
MS ON TEAM AS FRANK PULLS DOOR OPEN.

SCENE 86		2:09:29:09
INT. PHARMACY VAULT - NIGHT
MS ON ZOE LEADING OTHER INTO VAULT.

ZOE:
Clear.

ZOE SHINES LIGHT AROUND ROOM.

ELYSE:
Wow.

ZOE:
These are vaccines, these are antibiotics. Grab those first.

ELYSE:
(whistles) 

TEAM BEGINS GRABBING MEDICINE FROM SHELVES AND PUTTING THEM
INTO PACKS.

	289	2:09:31:00	2:09:32:15	01:15
	ZOE TO GROUP:
Clear.

	290	2:09:34:15	2:09:38:00	03:15
	ZOE TO GROUP:
These are vaccines, these are antibiotics. Grab those first.

SCENE 87		2:09:49:01
MCU ON BACA.

BACA:
(into walkie) Lucy, what's your sit-rep?

LUCY:
(over walkie) All clear out here. Over.

BACA:
(into walkie) Copy that. Stay put. We'll be out in five.

LUCY:
(over walkie) Yes, sir.

	291	2:09:51:00	2:09:52:10	01:10
	BACA INTO WALKIE:
Lucy, what's your sit-rep?

	292	2:09:52:15	2:09:55:00	02:15
(ITALICS)	LUCY OVER WALKIE:
All clear out here. Over.

	293	2:09:55:05	2:09:58:15	03:10
	BACA INTO WALKIE/
LUCY OVER WALKIE:
- Copy that. Stay put. We'll be out in five.
- Yes, sir.

SCENE 88		2:09:59:00
MS ON ZOE LOOKING AT SHELVES.

ZOE:
All right, we got it. 

	294	2:10:01:00	2:10:03:18	02:18
	ZOE TO GROUP:
All right, we got it. Let's go.

SCENE 89		2:10:02:02
MCU ON ALPHONSE.

ZOE O.S.:
Let's go.

HE MOVES OS AS OTHERS GRAB WHAT THEY CAN.

BACA O.S.:
All right, people, we gotta move.

	295	2:10:04:15	2:10:06:14	01:29
	BACA TO GROUP:
All right, people, we gotta move.

SCENE 90		2:10:06:15
INT. HALLWAY - NIGHT
FS ON TEAM AS THEY EMERGE FROM VAULT AND PUT ON PACKS FILLED WITH MEDICINE THEN BEGIN MOVING UP HALLWAY TO BG.

SCENE 91		2:10:19:01
FS ON TEAM MOVING TO CAMERA UP HALLWAY AND OS INTO FG. ZOE
PAUSES AT DOOR SHINING LIGHT ON PLAQUE READING:

    Epidemiology

SHE WATCHES AS TEAM MOVES AROUND CORNER IN DISTANCE. SHE
OPENS DOOR AND ENTERS HER OLD LAB.

SCENE 92		2:10:39:03
INT. LAB - NIGHT
MFS ON ZOE SHINING FLASHLIGHT AROUND LAB. SHE MOVES UP TO
WALL SHINING LIGHT ON OLD FAMILY PHOTOS. SHE REACHES OVER
AND TAKES ONE OFF WALL.

SCENE 93		2:10:57:11
MS ON ZOE. SHE STUFFS PHOTO IN HER POCKET.

SCENE 94		2:11:04:02
LS ON ZOE MOVING L ACROSS BG.

SCENE 95		2:11:05:08
MCU ON ZOE SHINING LIGHT ON ITEMS ON SHELF. SHE GRABS THEM
AND PUTS THEM INTO HER PACK.

SCENE 96		2:11:16:06
CU ON BOTTLE AS SHE PICKS IT UP. LABEL READS:

    AMMONIA

SHE PUTS IT IN HER PACK.

	296	2:11:17:15	2:11:19:02	01:17
	LABEL ON BOTTLE/OPTIONAL TITLE:
AMMONIA

SCENE 97		2:11:22:00
LS ON ZOE.

(SOUND OF BREATHING)

SCENE 98		2:11:23:15
CU ON PILLS ON SHELF AS ZOE GRABS THEM.

SCENE 99		2:11:25:10
BACK TO LS POV ON ZOE MOVING AROUND LAB.

(SOUND OF BREATHING)

SCENE 100		2:11:28:17
MS ON ZOE LOADING MORE ITEMS INTO HER PACK.

SCENE 101		2:11:36:12
BACK TO LS POV ON ZOE.

(HEAVY BREATHING)

SCENE 102		2:11:39:09
MS ON ZOE MOVING TO CAMERA. HEARING SOMETHING SHE PAUSES
TURNING BACK AND SHINING LIGHT.

SCENE 103		2:11:42:18
MS ON DOOR OPENING REVEALING ROTTER.

SCENE 104		2:11:43:11
MCU ON ZOE IN FG LOOKING AT ROTTER IN DOORWAY IN BG. SHE SHINES LIGHT ON HIM AND POINTS GUN. SHE FIRES HITTING HIM. SHE TURNS AND RUNS.

SCENE 105		2:11:48:03
INT. HALLWAY - NIGHT
MS ON ZOE EMERGING FROM LAB AND SLAMMING DOOR CLOSED. SHE FIRES SEVERAL ROUNDS THROUGH DOOR AS SHE FALLS DOWN.

SCENE 106		2:11:51:15
MCU ON ROTTER REACTING TO GUNSHOTS.

SCENE 107		2:11:54:16
MS ON ZOE GETTING UP AND RUNNING DOWN HALLWAY LEAVING ITEM
ON GROUND.

SCENE 108		2:11:57:07
MCU ON BACA AND TEAM.

(SOUND OF ROTTERS OS)

BACA:
Where's Zoe?

FRANK:
I don't know. Shot's came from the south wing.

BACA:
Shit! Go, go!

	297	2:11:58:00	2:12:01:00	03:00
	BACA TO GROUP/
FRANK TO BACA:
- Where's Zoe?
- I don't know. Shot's came from the south wing.

	298	2:12:01:05	2:12:02:09	01:04
	BACA TO GROUP:
Go, go!

SCENE 109		2:12:02:10
CU ON ITEM ZOE LEFT OF GROUND AS ROTTER PICKS IT UP. AS HE SMELLS IT WE SEE IT IS MAX.

MAX:
(roars)

SCENE 110		2:12:02:11
FS ON ROTTERS RUNNING UP HALLWAY TO CAMERA.

ROTTERS:
(growl)

SCENE 111		2:12:25:14
MS ON ZOE.

SCENE 112		2:12:27:21
WIDE POV ON STAIRS AS ROTTERS RUSH DOWN AND SOME EVEN LEAP
OVER RAIL FALLING TO FLOOR BELOW.

			
SCENE 113		2:12:35:05
MS ON ZOE LOOKING DOWN HALLWAY INTO BG.

(SOUND OF ROTTERS)

SCENE 114		2:12:37:06
MS ON ZOE FACING CAMERA AND TEAM IN BG AS SHE TURNS AROUND
STARTLED BY BACA.

BACA:
Jesus, Zoe. What the hell happened? Are you okay?

ZOE:
I'm fine. I'm fine.

BACA:
Well, we need to move now.

THEY BEGIN MOVING OSR.

FRANK:
Shit.

	299	2:12:38:10	2:12:41:12	03:02
	BACA TO ZOE:
Jesus, Zoe. What the hell happened? Are you okay?

	300	2:12:41:17	2:12:45:05	03:18
	ZOE TO BACA/
BACA TO ZOE:
- I'm fine. I'm fine.
- Well, we need to move now.

SCENE 115		2:12:46:15
OTS FS ON ROTTERS RUSHING UP HALLWAY TOWARDS FRANK.

FRANK:
Rotters are coming! Move! Go!

HE BLASTS THEM, BUT A ROTTER GRABS HIM FROM BEHIND BITING HIM.

FRANK:
Ahh!

ALPHONSE O.S.:
Frank!

	301	2:12:46:15	2:12:50:03	03:18
	FRANK TO GROUP:
Rotters are coming! Move! Go!

	302	2:12:57:20	2:12:59:18	01:28
	ALPHONSE TO GROUP:
I don't have a clear shot!

SCENE 116		2:12:58:13
MCU ON ALPHONSE TAKING AIM.

ALPHONSE:
I don't have a clear shot!

SCENE 117		2:12:59:19
MCU ON FRANK BEING ATTACKED BY ROTTER.

FRANK:
Ahh!

ALPHONSE SHOOTS ROTTER IN HEAD. IT FALLS TO FLOOR.

SCENE 118		2:13:01:20
MFS ON TEAM LOOKING AT FRANK IN FG.

BACA:
Come on, Frank, let's go!

FRANK:
(moaning)

BACA:
My God, he's infected!

	303	2:13:02:19	2:13:04:17	01:28
	BACA TO FRANK:
Come on, Frank, let's go!

	304	2:13:04:22	2:13:07:19	02:27
	BACA TO GROUP/
FRANK TO GROUP:
- My God, he's infected!
- Go!

SCENE 119		2:13:06:04
FS ON FRANK. HE COCKS HIS RIFLE.

FRANK:
Go!

ROTTER RUSHES IN FROM OSL ATTACKING HIM.

FRANK:
Get outta here! Go!

FRANK SHOOTS ROTTER IN HEAD WITH PISTOL. OTHER ROTTERS SWARM IN EATING FRANK.

FRANK:
Ahh!

	305	2:13:08:00	2:13:10:17	02:17
	FRANK TO GROUP:
Get outta here! Go!

SCENE 120		2:13:16:14
MFS ON TEAM AS THEY TURN TO DOORS IN BG.

SCENE 121		2:13:18:03
MCU ON FRANK STABBING ROTTERS ATTACKING HIM.

FRANK:
Ahh!

BACA O.S.:
We gotta move!

			
SCENE 122		2:13:27:19
EXT. STREET - NIGHT
MFS ON BACA AND TEAM EMERGING FROM BUILDING RUNNING R
TOWARDS HUMVEES.

(MUSIC CONTINUES)

BACA:
Go! Now! Move, move!

TEAM PILE INTO HUMVEES. PAN R FOLLOWING BACA GETTING IN.
WHIP L TO LUCY.

LUCY:
Baca, where's Frank?

	306	2:13:27:19	2:13:30:00	02:11
	BACA TO GROUP:
Go! Now! Move, move!

	307	2:13:31:17	2:13:33:20	02:03
	LUCY TO BACA:
Baca, where's Frank?

SCENE 123		2:13:33:04
INT. HALLWAY - NIGHT
MCU ON ROTTERS EATING FRANK.

SCENE 124		2:13:34:20
EXT. STREET - NIGHT
MS ON BACA GETTING INTO HUMVEE.

BACA:
He's gone! Get in! Let's go! Move, move, move!

OTHERS GET IN TO HUMVEES.

	308	2:13:34:20	2:13:36:20	02:00
	BACA TO LUCY:
He's gone! Get in!

	309	2:13:37:22	2:13:40:10	02:18
	BACA TO GROUP:
Let's go! Move, move, move!

SCENE 125		2:13:40:23
FS ON HUMVEES BACKING UP THEN RACING INTO BG DOWN STREET.

SCENE 126		2:13:54:13
EXT. COUNTRYSIDE - DAY
AERIAL POV ON CONVOY MOVING UP ROAD INTO BG.

(NEW MUSIC IN)

SCENE 127		2:14:08:19
EXT. HIGH ROCK BUNKER - DAY
FS ON CONVOY MOVING FROM BG UP TO FRONT GATES AS GUARDS OPEN THEM.

(MUSIC CONTINUES)

CONVOY DRIVES THROUGH GATES AND OSR.

SCENE 128		2:14:15:12
FS ON CONVOY MOVING UP TO CAMERA AS MIGUEL AND SOLDIER MEET THEM.

	310	2:14:23:00	2:14:25:00	02:00
	MIGUEL TO OFFICER:
Go check the Humvees.

SCENE 129		2:14:23:11
MS ON MIGUEL AND SOLDIER.

MIGUEL:
Go check the Humvees.

SCENE 130		2:14:26:12
OTS MS ON BACA, ZOE AND TEAM MOVING UP FACING MIGUEL.

MIGUEL:
You're way fucking late, Baca.

BACA:
We ran into some car trouble. And we lost Frank, too. He's dead.

	311	2:14:27:00	2:14:29:03	02:03
	MIGUEL TO BACA:
You're way fucking late, Baca.

	312	2:14:29:08	2:14:32:15	03:07
	BACA TO MIGUEL:
We ran into some car trouble.

	313	2:14:33:05	2:14:37:00	03:25
	BACA TO MIGUEL:
And we lost Frank, too. He's dead.

	314	2:14:37:05	2:14:40:07	03:02
	MIGUEL TO BACA:
This is why we don't go on wild, fucking
goose chase supply runs.

SCENE 131		2:14:37:11
MCU ON MAX HANGING ON TO UNDERSIDE OF HUMVEE.

MIGUEL O.S.:
This is why we don't go on wild, fucking goose chase supply runs.

SCENE 132		2:14:40:12
OTS CU ON MIGUEL FACING BACA AND TEAM.

MIGUEL:
So people don't die for nothing.

ZOE:
It wasn't for nothing! We got the meds, Miguel.

	315	2:14:40:12	2:14:44:10	03:28
	MIGUEL TO BACA/
ZOE TO MIGUEL:
- So people don't die for nothing.
- It wasn't for nothing! We got the meds,
Miguel.

SCENE 133		2:14:43:17
MCU BACK ON MAX DROPPING DOWN UNDER HUMVEE.

SCENE 134		2:14:45:04
OTS CU BACK ON MIGUEL.

MIGUEL:
It's Lieutenant. And you should have aborted the minute you had vehicle problems.

ZOE:
We needed to get the supplies. 

	316	2:14:45:04	2:14:48:05	03:01
	MIGUEL TO ZOE:
It's Lieutenant. And you should have aborted the minute you had vehicle problems.

	317	2:14:48:10	2:14:51:06	02:26
	ZOE TO MIGUEL:
We needed to get the supplies. 

SCENE 135		2:14:51:07
WIDE FS ON TEAM AND MIGUEL AS ELLE JOINS THEM.

ELLE:
Where's Frank? 

MIGUEL:
Why don't you tell her, Zoe?

ZOE TURNS TO ELLE.

ZOE:
I'm so sorry, Elle.

	318	2:14:52:09	2:14:54:03	01:24
	ELLE TO GROUP:
Where's Frank? 

	319	2:14:55:05	2:14:57:10	02:05
	MIGUEL TO ZOE:
Why don't you tell her, Zoe?

	320	2:15:02:22	2:15:05:10	02:18
	ZOE TO ELLE:
I'm so sorry, Elle.

SCENE 136		2:15:04:08
OTS MCU ON ELLE FACING ZOE.

ELLE:
This is all on you!  It was your idea to go out there!

ELLE TURNS AND STORMS OFF.

	321	2:15:07:00	2:15:09:10	02:10
	ELLE TO ZOE:
This is all on you! 

	322	2:15:10:00	2:15:12:20	02:20
	ELLE TO ZOE:
It was your idea to go out there!

SCENE 137		2:15:21:02
CU ON MAX HIDING IN BUSHES.

SCENE 138		2:15:23:17
MAX'S POV FROM BUSHES ON HUMVEES DRIVING INTO BG AS KIDS PLAY SOCCER IN FG AS GUARDS LOOK ON.

KIDS:
(grunts)

AFTER KICKING BALL AROUND JEREMY KICKS IT OS.

SCENE 139		2:15:40:18
FS ON BALL FLYING INTO BUSHES.

SCENE 140		2:15:42:07
BACK TO MAX'S POV AS JEREMY APPROACHES.

MAX O.S.:
(heavy breathing)

SCENE 141		2:15:47:02
FS ON JEREMY MOVING DOWN INTO WOODED AREA. HE WALKS THROUGH
TREES LOOKING FOR BALL.

SCENE 142		2:15:58:13
MCU ON JEREMY MOVING THROUGH WOODS. HE TURNS TO CAMERA.

SCENE 143		2:15:58:14
FS ON KIDS AND GUARDS IN DISTANCE.

JEREMY O.S.:
Hey, wait up!

	323	2:15:58:14	2:16:02:21	04:07
	JEREMY TO KIDS/
MALE VOICE OVER P.A.:
- Hey, wait up!
- All residents return to the bunker now.

SCENE 144		2:16:00:04
CU ON LOUD SPEAKER.

MALE VOICE:
(over PA) All residents return to the bunker now.

SCENE 145		2:16:03:02
FS BACK ON KIDS AND GUARDS WALKING INTO BG.

MALE VOICE:
(over PA) All residents return to the bunker now.

	324	2:16:03:02	2:16:06:16	03:14
(ITALICS)	MALE VOICE OVER P.A.:
All residents return to the bunker now.

SCENE 146		2:16:06:17
MCU ON JEREMY LOOKING AROUND FOR BALL.

MALE VOICE:
(over PA) All residents return to the bunker now. All residents return to the bunker now.

JEREMY CONTINUES MOVING AROUND THROUGH WOODS LOOKING FOR
BALL. SUDDENLY A HAND GRABS HIM. HE TURNS TO LOOK.

SCENE 147		2:16:25:23
OTS MCU ON DANIELS.

(MUSIC OUT)

DANIELS:
You didn't hear the shift buzzer?

JEREMY:
I wanna look for my ball.

DANIELS:
I'll find it. You go inside.

JEREMY WALKS OSR AND DANIELS MOVES OSL.

	325	2:16:25:23	2:16:30:01	04:08
	DANIELS TO JEREMY/
JEREMY TO DANIELS:
- You didn't hear the shift buzzer?
- I wanna look for my ball.

	326	2:16:30:10	2:16:32:20	02:10
	DANIELS TO JEREMY:
I'll find it. You go inside.

SCENE 148		2:16:38:09
CU ON DANIELS' HAND MOVING BRANCH ASIDE REVEALING BALL ON GROUND.

SCENE 149		2:16:40:16
CU ON DANIELS' FEET AS MAX GRABS HIS FOOT PULLING HIM TO THE GROUND.

(MUSIC IN)

DANIELS::
Ahhh!

SCENE 150		2:16:42:14
CU ON MAX.

MAX
(roars)

			
SCENE 151		2:16:43:14
MCU ON DUO AS MAX GETS ON TOP OF DANIELS AND BEGINS BITING HIS NECK.

DANIELS:
Ahh!

MAX TEARS A CHUCK OUT OF DANIELS' FACE.

MALE VOICE:
(over PA) Main gate...

	327	2:16:47:15	2:16:50:03	02:18
(ITALICS)	MALE VOICE OVER P.A.:
Main gate now closing.

SCENE 152		2:16:48:15
CU ON LOUD SPEAKER.

MALE VOICE:
(over PA) ...now closing.

SCENE 153		2:16:50:04
INT. BUNKER - DAY
MS ON SOLDIER PRESSING GATE BUTTON ON WALL. HE MOVES L
ACROSS MOTOR POOL AS DOOR BEGINS CLOSING. HE PASSES SAVIN LOOKING AT LUCY WHO'S WORKING ON ENGINE.

(MUSIC OUT)

(WALLA FROM SOLDIERS)

SAVIN:
Sorry, thought I checked it.

	328	2:16:55:20	2:16:58:05	02:15
	SAVIN TO LUCY:
Sorry, thought I checked it.

SCENE 154		2:16:56:22
MCU ON MAX SLIPPING IN AS DOOR CLOSES. HE MOVES L.

LUCY O.S.:
Sorry's not gonna cut it...

	329	2:16:58:10	2:17:02:03	03:23
	LUCY TO SAVIN:
Sorry's not gonna cut it when there's Rotters on your ass.

SCENE 155		2:16:59:17
MS ON SAVIN TAKING RATCHET FROM LUCY.

LUCY:
...when there's Rotters on your ass.

			
SCENE 156		2:17:02:04
FS ON MAX RUNNING BEHIND JEEP IN BG. HE POPS UP LOOKING ACROSS MOTOR POOL.

SCENE 157		2:17:05:15
MAX'S POV SCANNING MOTOR POOL AREA AS SOLDIERS MILL ABOUT.
LUCY HOPS DOWN FROM HUMVEE. SOLDIER APPROACHES FG.

(WALLA FROM SOLDIERS)

SCENE 158		2:17:14:04
MS ON MAX DUCKING DOWN.

SCENE 159		2:17:16:18
FS ON SOLDIER APPROACHING JEEP IN BG. HE MOVES TO REAR. HE GRABS GEAR AND HEADS BACK INTO FG AS MAX JUMPS OUT FROM BEHIND JEEP AND UP INTO AIR SHAFT.

SCENE 160		2:17:32:16
INT. MEDICAL WARD - DAY
WIDE FS WITH LILY IN BED L AND WENDY ON BED R WATCHING HER.

(MUSIC CONTINUES)

DOOR IN BG OPENS AS ZOE ENTERS WITH MEDICINE.

ZOE:
We got it. 

	330	2:17:36:04	2:17:38:05	02:01
	ZOE TO WENDY:
We got it. 

SCENE 161		2:17:39:08
MFS ON ZOE SITTING ON SIDE OF BED WITH LILY.

ZOE:
Hey, sweetie.

LILY:
You came back.

ZOE:
A promise is a promise.

	331	2:17:40:20	2:17:44:14	03:24
	ZOE TO LILY/
LILY TO ZOE:
- Hey, sweetie.
- You came back.

	332	2:17:44:20	2:17:47:09	02:19
	ZOE TO LILY:
A promise is a promise.

SCENE 162		2:17:47:10
MCU ON WENDY.

SCENE 163		2:17:50:08
MS ON ZOE AND LILY AS ZOE POURS CAP FULL OF MEDICINE.

ZOE:
This may taste a little bit gross, but you're a brave one, right?

ZOE LIFTS LILY'S HEAD AND POURS MEDICINE INTO HER MOUTH.

	333	2:17:51:15	2:17:56:02	04:17
	ZOE TO LILY:
This may taste a little bit gross, but you're a brave one, right?

SCENE 164		2:17:59:10
MCU ON WENDY.

	334	2:18:00:00	2:18:02:05	02:05
	ZOE TO LILY:
Just a little more.

SCENE 165		2:18:01:19
MFS BACK ON ZOE AND LILY.

ZOE:
Just a little more.

LILY DRINKS.

ZOE;
Good girl.

	335	2:18:02:10	2:18:03:23	01:13
	ZOE TO LILY:
Good girl.

SCENE 166		2:18:04:00
OTS CU ON LILY AS ZOE WIPES LILY'S MOUTH.

SCENE 167		2:18:06:02
CU ON ZOE.

SCENE 168		2:18:09:06
WIDE FS WITH ZOE AND LILY L AND WENDY R. ZOE GETS UP.

WENDY:
Zoe.

WENDY STANDS UP.

WENDY:
Thank you.

SHE HUGS ZOE.

	336	2:18:10:20	2:18:12:05	01:15
	WENDY TO ZOE:
Zoe.

	337	2:18:12:20	2:18:14:15	01:25
	WENDY TO ZOE:
Thank you.

SCENE 169		2:18:15:09
MCU ON DUO HUGGING.

WENDY:
Thank you so much.

ZOE:
You're welcome.

ZOE EXITS OSL THEN OUT DOOR IN BG. WENDY CROUCHES DOWN BY LILY.

WENDY:
Hey.

	338	2:18:16:05	2:18:18:05	02:00
	WENDY TO ZOE:
Thank you so much.

	339	2:18:18:10	2:18:20:10	02:00
	ZOE TO WENDY:
You're welcome.

	340	2:18:33:00	2:18:35:00	02:00
	WENDY TO LILY:
Hey.

SCENE 170		2:18:35:17
LAST FRAME OF REEL 2.

			

COMBINED DIALOGUE CONTINUITY 	REEL 3	SUBTITLE/SPOTTING LIST	
Scene # / First Frame of Scene
Scene Description 	# In / Out / Elapsed 	Title	
SCENE 1		3:00:00:00
INT. AIR SHAFT - DAY
POV LOOKING DOWN AIR SHAFT AS MAX CRAWLS TO CAMERA.

(MUSIC IN)

SCENE 2		3:00:11:03
INT. ZOE'S QUARTERS - DAY
OTS CU ON FAMILY PHOTOS AS ZOE LOOKS AT THEM.

(NEW MUSIC IN)

SCENE 3		3:00:15:16
FS ON ZOE SEATED ON BED LOOKING AT PHOTOS.

SCENE 4		3:00:23:02
OTS CU BACK ON PHOTOS AS SHE LOOKS AT THEM.

SCENE 5		3:00:30:12
MCU ON ZOE. SHE WIPES AWAY TEAR.

SCENE 6		3:00:41:02
CU ON PHOTOS.

SCENE 7		3:00:43:15
MFS ON ZOE LOOKING AT PHOTOS.

SCENE 8		3:00:55:10
INT. AIR SHAFT - NIGHT
FS ON MAX CRAWLING TO CAMERA.

(NEW MUSIC IN)

MAX:
(heavy breathing)

HE PAUSES SMELLING ITEM THEN CONTINUES CRAWLING.

			
SCENE 9		3:01:15:11
INT. COMMUNICATIONS ROOM - NIGHT
MS ON SAVIN SEATED AT DESK.

(NEW MUSIC IN)

SAVIN:
(into radio) This is High Rock Emergency Bunker. If anyone can hear this message, please respond on this frequency

(RADIO STATIC)

SAVIN:
(into radio) This is High Rock Emergency Bunker.

	341	3:01:15:11	3:01:17:00	01:19
	SAVIN INTO RADIO:
This is High Rock Emergency Bunker.

	342	3:01:17:05	3:01:20:15	03:10
	SAVIN INTO RADIO:
If anyone can hear this message, please
respond on this frequency.

	343	3:01:23:05	3:01:26:00	02:25
	SAVIN INTO RADIO:
This is High Rock Emergency Bunker.

SCENE 10		3:01:25:02
INT. MOTOR POOL - NIGHT
FS ON SOLDIERS WORKING ON TRUCK AS ZOE MOVES L PAST THEM.

SAVIN O.S.:
(into radio) This is High Rock Emergency Bunker. If anyone can hear this message, please respond.

ZOE OPENS DOOR TO COMMUNICATIONS ROOM AND ENTERS.

SAVIN O.S.:
(into radio) If anyone can hear this message--

ZOE:
You wanted to see me?

	344	3:01:30:20	3:01:35:00	04:10
	SAVIN INTO RADIO:
This is High Rock Emergency Bunker. If
anyone can hear this message--

	345	3:01:35:10	3:01:37:15	02:05
	ZOE TO MIGUEL:
You wanted to see me?

SCENE 11		3:01:38:16
MS ON MIGUEL AT DESK. HE LOOKS OS AT SAVIN.

MIGUEL:
Leave the room.

	346	3:01:38:16	3:01:40:15	01:29
	MIGUEL TO SAVIN:
Leave the room.

SCENE 12		3:01:39:16
MS ON SAVIN. HE PUTS DOWN HAND SET AND GETS UP.

SCENE 13		3:01:42:02
FS LOOKING INTO ROOM THROUGH OPEN DOOR AS SAVIN MOVES TO
DOOR PAST ZOE.

SCENE 14		3:01:45:01
MCU ON ZOE AS SAVIN MOVES PAST HER OSL.

(DOOR CLOSES)

(MUSIC OUT)

SCENE 15		3:01:50:12
MS ON MIGUEL LOOKING AT GUN.

MIGUEL:
I asked you here, Zoe, because I think you and I have had somewhat of a misunderstanding.

	347	3:01:50:12	3:01:54:20	04:08
	MIGUEL TO ZOE:
I asked you here, Zoe, because I think you and I have had somewhat of a misunderstanding.

SCENE 16		3:01:54:08
MCU ON ZOE LOOKING AT MIGUEL IN FG.

ZOE:
Misunderstanding?

	348	3:01:55:01	3:01:57:00	01:29
	ZOE TO MIGUEL:
Misunderstanding?

SCENE 17		3:01:57:01
MS ON MIGUEL. HE COCKS GUN AND GETS UP MOVING TO FACE ZOE.

(MUSIC IN)

MIGUEL:
Don't you ever talk back to me like that again in front of the others. I'm in charge here. My job is to keep the people here safe and I decide how that's done. Understood?

ZOE:
Yes... Lieutenant.

	349	3:02:02:20	3:02:05:12	02:22
	MIGUEL TO ZOE:
Don't you ever talk back to me like that again in front of the others.

	350	3:02:05:17	3:02:08:15	02:28
	MIGUEL TO ZOE:
I'm in charge here. My job is to keep the people here safe...

	351	3:02:08:20	3:02:11:20	03:00
	and I decide how that's done. Understood?

	352	3:02:12:20	3:02:16:06	03:16
	ZOE TO MIGUEL:
Yes... Lieutenant.

SCENE 18		3:02:16:07
OTS MCU ON MIGUEL FACING ZOE.

MIGUEL:
You're dismissed.

	353	3:02:16:11	3:02:18:20	02:09
	MIGUEL TO ZOE:
You're dismissed.

SCENE 19		3:02:18:21
INT. MOTOR POOL - NIGHT
FS ON ZOE EMERGING FROM COMMUNICATIONS ROOM AND MOVES OS INTO FG AS MIGUEL WATCHES THROUGH WINDOW.

SCENE 20		3:02:26:20
INT. AIR SHAFT - NIGHT
MS ON MAX CRAWLING THROUGH SHAFT. HE PAUSES LOOKING DOWN
THROUGH VENT.

(MUSIC CONTINUES)

SCENE 21		3:02:37:15
MAX'S POV LOOKING DOWN THROUGH VENT AT SOMEONE IN ROOM BELOW.

MAX O.S.:
(heavy breathing)

SCENE 22		3:02:39:16
MS BACK ON MAX LOOKING THROUGH VENT.

MAX:
(heavy breathing)

HE RESUMES CRAWLING R TO NEXT VENT. HE LOOKS DOWN.

SCENE 23		3:02:55:23
MAX'S POV ON SOMEONE ON LAYING BED BELOW.

MAX O.S.:
(heavy breathing)

SCENE 24		3:03:01:20
MS BACK ON MAX. 

SCENE 25		3:03:08:18
INT. BUNKER - NIGHT
FS ON ZOE MOVING TO CAMERA UP HALLWAY.

			
SCENE 26		3:03:11:22
INT. AIR SHAFT - NIGHT
MS ON MAX. HE LOOKS THROUGH VENT SEEING ZOE WALKING DOWN HALLWAY.

MAX:
(heavy breathing)

HE CONTINUES CRAWLING.

SCENE 27		3:03:23:12
INT. BUNKER - NIGHT
FS ON ZOE MOVING TO CAMERA AS BACA APPEARS IN BG INTER-CUT
WITH MAX WATCHING FROM AIR SHAFT ABOVE HALLWAY.

BACA:
Zoe, wait up. What did Miguel want?

ZOE:
Why don't you ask him, Baca? He's your brother.

BACA CATCHES UP WITH HER. THEY PAUSE FACING.

BACA:
Hey, hey, hey. Miguel shouldn't have blamed you for Frank, all right? That's not on you. Frank knew the risks we all take going outside. What's important is that you saved Lily and everyone else here. We're all thankful for it.

MAX:
(heavy breathing)

ZOE:
Thank you.

SHE KISSES BACA.

	354	3:03:25:20	3:03:30:10	04:20
	BACA TO ZOE:
Zoe, wait up. What did Miguel want?

	355	3:03:30:15	3:03:33:10	02:25
	ZOE TO BACA:
Why don't you ask him, Baca? He's your
brother.

	356	3:03:33:15	3:03:36:00	02:15
	BACA TO ZOE:
Hey, hey, hey.

	357	3:03:37:10	3:03:40:05	02:25
	BACA TO ZOE:
Miguel shouldn't have blamed you for Frank, all right?

	358	3:03:40:10	3:03:44:05	03:25
	BACA TO ZOE:
That's not on you. Frank knew the risks we all take going outside.

	359	3:03:44:10	3:03:48:15	04:05
	BACA TO ZOE:
What's important is that you saved Lily and everyone else here.

	360	3:03:48:20	3:03:51:05	02:15
	BACA TO ZOE:
We're all thankful for it.

	361	3:03:52:00	3:03:54:00	02:00
	ZOE TO BACA:
Thank you.

SCENE 28		3:03:56:04
INT. AIR SHAFT - NIGHT
MS ON MAX REACTING AS HE SEES COUPLE KISSING.

MAX:
(growls)

ZOE:
I should get back to work.

COUPLE RESUME WALKING DOWN HALLWAY.

MAX:
(growls)

SHE RACES INTO FG QUICKLY CRAWLING.

	362	3:04:04:00	3:04:06:05	02:05
	ZOE TO BACA:
I should get back to work.

SCENE 29		3:04:09:13
INT. UTILITY ROOM - NIGHT
FS ON STEVE SEATED AT DESK READING MAGAZINE.

(MUSIC CONTINUES)
(RADIO MUSIC IN)

(SOUND OF MAX UP IN AIR SHAFT)

STEVE LOOKS UP.

STEVE:
Fucking rats!

HE GRABS FLASHLIGHT AND HAMMER FROM DESK AND GETS UP MOVING
L OVER TO AIR SHAFT. HE OPENS AIR SHAFT AND LOOKS IN.

	363	3:04:16:00	3:04:18:20	02:20
	STEVE REACTING:
Fucking rats!

SCENE 30		3:04:28:00
INT. AIRSHAFT - NIGHT
POV LOOKING DOWN SHAFT AS STEVE CRAWLS IN IN BG SHINING FLASHLIGHT.

STEVE:
(grunts)

(RADIO MUSIC OUT)

STEVE BEGINS CRAWLING THROUGH SHAFT.

			
SCENE 31		3:04:48:03
FS ON MAX AS LIGHT HITS HIM AS AND HE CHARGES FG.

SCENE 32		3:04:49:05
MS ON STEVE REACTING.

SCENE 33		3:04:50:09
MS ON MAX CHARGING CAMERA.

SCENE 34		3:04:50:22
BLACK FRAME.

(MUSIC OUT)

FEMALE VOICE:
(over PA) Please make sure ration cards are stamped--

FADE IN TO:
INT. MESS HALL - NIGHT
WIDE FS ON ROOM WITH VARIOUS PEOPLE SEATED AT TABLES EATING. DOLLY L TO BACA, ALPHONSE AND OTHER PEOPLE IN LINE TO BE SERVED.

BACA:
I was at the game. I'm telling you, your pitchers couldn't throw a fastball to save their lives. You need a strong bullpen to have a good baseball team.

ALPHONSE:
I don't care what you say. The Yankees were the best ever, man. If it weren't for the Rotters, hell, we woulda won the last season.

	364	3:04:51:20	3:04:54:05	02:15
(ITALICS)	FEMALE VOICE OVER P.A.:
Please make sure ration cards are stamped--

	365	3:04:54:10	3:04:56:10	02:00
	BACA TO ALPHONSE:
I was at the game. I'm telling you...

	366	3:04:56:15	3:04:59:19	03:04
	your pitchers couldn't throw a fastball to save their lives.

	367	3:05:00:00	3:05:03:05	03:05
	BACA TO ALPHONSE:
You need a strong bullpen to have a good
baseball team.

	368	3:05:03:10	3:05:06:15	03:05
	ALPHONSE TO BACA:
I don't care what you say. The Yankees were the best ever, man.

	369	3:05:06:20	3:05:09:08	02:18
	ALPHONSE TO BACA:
If it weren't for the Rotters, hell, we woulda won the last season.

SCENE 35		3:05:09:13
CU ON ALPHONSE'S TRAY AS JEFF PUT SLOP ON IT.

BACA O.S.:
Yeah, keep telling...

	370	3:05:09:13	3:05:12:22	03:09
	BACA TO ALPHONSE:
Yeah, keep telling yourself that. My
Rangers woulda swept your guys.

SCENE 36		3:05:10:17
MCU ON BACA AND ALPHONSE.

BACA:
...yourself that. My Rangers woulda swept your guys.

ALPHONSE:
(scoffs) High Rock's finest.

BACA:
Compliments of the chef.

THEY BOTH TURN AND HEAD R AWAY FROM LINE.

FEMALE VOICE:
(over PA) Please make sure ration cards are stamped by station...

	371	3:05:13:03	3:05:17:05	04:02
	ALPHONSE TO BACA/
BACA TO ALPHONSE:
- High Rock's finest.
- Compliments of the chef.

	372	3:05:17:10	3:05:20:17	03:07
(ITALICS)	FEMALE VOICE OVER P.A.:
…by a station officer before proceeding to line.

SCENE 37		3:05:18:02
MFS ON LINE FOR FOOD AS MIGUEL 

FEMALE VOICE:
(over PA) ...officer before proceeding to line.

MIGUEL LEANS OVER SERVICE COUNTER.

MIGUEL:
The fuck is with this line, Jeff? People got work details.

JEFF:
Sorry, I got off to a late start this morning.  Steve was supposed to come in and fix the broken stove, but he hasn't shown up yet.

MIGUEL TURNS LOOKING R.

	373	3:05:20:22	3:05:23:15	02:23
	MIGUEL TO JEFF:
The fuck is with this line, Jeff? People got work details.

	374	3:05:23:20	3:05:26:05	02:15
	JEFF TO MIGUEL:
Sorry, I got off to a late start this morning. 

	375	3:05:26:10	3:05:30:21	04:11
	JEFF TO MIGUEL:
Steve was supposed to come in and fix the
broken stove, but he hasn't shown up yet.

SCENE 38		3:05:31:02
WIDE FS WITH MIGUEL L IN LINE LOOKING R AT WENDY AND ELLE
EATING AT TABLE.

MIGUEL:
Wendy, go talk to your boyfriend. Tell him to come up here and fix this stove immediately.

WENDY:
Yes, sir.

SHE GETS UP FROM TABLE.

	376	3:05:31:02	3:05:33:05	02:03
	MIGUEL TO WENDY:
Wendy, go talk to your boyfriend.

	377	3:05:33:10	3:05:36:00	02:20
	MIGUEL TO WENDY:
Tell him to come up here and fix this stove immediately.

	378	3:05:36:05	3:05:38:00	01:25
	WENDY TO MIGUEL:
Yes, sir.

SCENE 39		3:05:39:00
MCU ON MIGUEL AS WENDY MOVES INTO FG PAST HIM. HE TURNS TO
JEFF L. 

MIGUEL:
Move it faster.

MIGUEL TURNS AND HEADS TO BG.

	379	3:05:41:15	3:05:43:15	02:00
	MIGUEL TO JEFF:
Move it faster.

SCENE 40		3:05:45:06
INT. UTILITY ROOM - NIGHT
FS ON WENDY ENTERING ROOM.

(RADIO MUSIC IN)

WENDY:
Stevie? Where are you, honey?

SHE MOVES L OVER TO DESK.

WENDY:
You're needed in the mess hall. Sweetie? Miguel's pissed.

(MUSIC IN)

SHE MOVES L SEEING SOMETHING.

	380	3:05:47:20	3:05:49:15	01:25
	WENDY CALLS OUT:
Stevie?

	381	3:05:51:05	3:05:53:15	02:10
	WENDY CALLS OUT:
Where are you, honey?

	382	3:05:56:00	3:05:58:15	02:15
	WENDY CALLS OUT:
You're needed in the mess hall.

	383	3:06:00:15	3:06:02:15	02:00
	WENDY CALLS OUT:
Sweetie?

	384	3:06:03:05	3:06:05:15	02:10
	WENDY CALLS OUT:
Miguel's pissed.

SCENE 41		3:06:08:02
CU ON AIR SHAFT DRIPPING BLOOD.

SCENE 42		3:06:09:19
MCU ON WENDY APPROACHING VENT. SHE REACHES UP.

SCENE 43		3:06:24:14
CU ON VENT DRIPPING BLOOD AS WENDY UNDOES LATCH WHICH FLIES
OPEN AND STEVE'S DEAD BODY DROPS OUT.

(NEW MUSIC IN)
			
SCENE 44		3:06:25:19
CU ON WENDY.

WENDY:
(screams)

SCENE 45		3:06:26:22
WIDE FS AS STEVE'S WHOLE BODY DROPS OUT OF VENT ONTO FLOOR
IN FRONT OF WENDY.

WENDY:
(screams)

SHE TAKES OFF RUNNING.

SCENE 46		3:06:29:20
INT. BUNKER - NIGHT
MFS FOLLOWING WENDY AS SHE RUNS DOWN HALLWAY.

WENDY:
Help!

	385	3:06:29:20	3:06:31:15	01:25
	WENDY CALLS OUT:
Help!

SCENE 47		3:06:33:04
MFS ON WENDY OPENING DOOR TO HER ROOM TO HIDE. MAX APPEARS
BEHIND HER AND GRABS HER.

MAX:
(roars)

HE THROWS HER BACK AGAINST WALL IN HALLWAY KNOCKING HER TO
THE FLOOR.

SCENE 48		3:06:37:17
MFS ON WENDY ON FLOOR AS MAX GRABS HER LEGS AND BEGINS
DRAGGING HER DOWN HALLWAY.

WENDY:
(screams)

SCENE 49		3:06:42:05
FS LOOKING DOWN HALLWAY AS MAX DRAGS WENDY OSL IN BG.

WENDY:
(screams)
			
SCENE 50		3:06:44:01
INT. MEDICAL WARD - NIGHT
MCU ON LILY.

(MUSIC FADES OUT)

SCENE 51		3:06:45:15
WIDE FS WITH LILY ON BED L AND JEREMY ON FLOOR R AS THEY
PLAY CARDS. ZOE ENTERS IN BG.

ZOE:
Hey, Lily. Jeremy.

JEREMY:
Hi, Zoe.

ZOE:
It's past Lily's bedtime. She needs rest.

JEREMY GETS UP COLLECTING CARDS FROM LILY.

ZOE:
You can come back tomorrow, okay?

JEREMY:
Bye, Lily.

HE GRABS HIS SCOOTER AND HEADS FOR DOOR IN BG.

	386	3:06:47:05	3:06:49:20	02:15
	ZOE TO KIDS:
Hey, Lily. Jeremy.

	387	3:06:50:01	3:06:54:10	04:09
	JEREMY TO ZOE/
ZOE TO JEREMY:
- Hi, Zoe.
- It's past Lily's bedtime. She needs rest.

	388	3:06:55:10	3:06:58:00	02:20
	ZOE TO JEREMY:
You can come back tomorrow, okay?

	389	3:06:58:15	3:07:00:20	02:05
	JEREMY TO LILY/
LILY TO JEREMY:
- Bye, Lily.
- Bye.

SCENE 52		3:06:59:22
MS ON LILY LAYING DOWN.

LILY:
Bye.

ZOE CROUCHES DOWN BESIDE BED R.

ZOE:
Hey, sweetie.

LILY:
Hey.

(DOOR CLOSES)

ZOE CHECKS LILY'S BREATHING.

LILY HOLDS HER NECKLACE.

LILY:
I wanted to give you this back.
	390	3:07:01:01	3:07:04:00	02:29
	ZOE TO LILY/
LILY TO ZOE:
- Hey, sweetie.
- Hey.

	391	3:07:06:20	3:07:12:10	05:20
	LILY TO ZOE/
ZOE TO LILY:
- I wanted to give you this back.
- No, keep it. Looks better on you.

SCENE 53		3:07:09:02
MCU ON LILY LAYING IN FG AS ZOE LOOKS ON FROM BG.

ZOE:
No, keep it. Looks better on you.

SCENE 54		3:07:13:01
INT. AIR SHAFT - NIGHT
MS ON MAX CRAWLING TO CAMERA.

(MUSIC IN)

MAX:
(heavy breathing)

HE PAUSES LOOKING DOWN THROUGH VENT.

SCENE 55		3:07:16:20
MAX'S POV ON LILY AND ZOE BELOW.

SCENE 56		3:07:19:15
INT. MEDICAL WARD - NIGHT
MCU ON LILY LAYING IN FG AS ZOE LOOKS ON FROM BG.

ZOE:
Now, go to sleep.

LILY:
Not before my mom comes to say good night.

ZOE:
She'll be by after her work shift.

ZOE TUCKS HER IN.

ZOE:
Good night, sweetie.

LILY:
Good night.

ZOE:
Sweet dreams.

SHE KISSES LILY ON FOREHEAD.

	392	3:07:19:15	3:07:24:13	04:28
	ZOE TO LILY/
LILY TO ZOE:
- Now, go to sleep.
- Not before my mom comes to say good night.

	393	3:07:25:01	3:07:27:15	02:14
	ZOE TO LILY:
She'll be by after her work shift.

	394	3:07:29:15	3:07:31:20	02:05
	ZOE TO LILY/
LILY TO ZOE:
- Good night, sweetie.
- Good night.

	395	3:07:32:01	3:07:33:13	01:12
	ZOE TO LILY:
Sweet dreams.

SCENE 57		3:07:33:14
INT. AIR SHAFT - NIGHT
MAX'S POV ON LILY AND ZOE BELOW AS ZOE MOVES OUT OF VIEW.

SCENE 58		3:07:36:11
MS ON MAX.

			
SCENE 59		3:07:40:04
INT. BUNKER - NIGHT
MS ON ZOE MOVING UP HALLWAY TO CAMERA.

SCENE 60		3:07:46:21
REAR MCU ON ZOE MOVING DOWN HALLWAY.

(LOUD BANG)

ZOE TURNS TO CAMERA.

SCENE 61		3:07:49:03
ZOE'S POV ON EMPTY HALLWAY.

SCENE 62		3:07:50:13
MCU BACK ON ZOE. SHE TURNS BACK AROUND THEN REACTS.

SCENE 63		3:07:53:00
FS ON MAX STANDING DOWN HALLWAY.

(NEW MUSIC IN)

SCENE 64		3:07:54:10
MS ON ZOE REACTING. SHE TURNS AND STARTS RUNNING.

SCENE 65		3:07:58:10
FS ON MAX AS HE BEGINS RUNNING UP HALLWAY.

MAX:
(growls)

SCENE 66		3:08:02:03
CU ON ALARM BUTTON ON WALL AS ZOE PRESSES IT AS SHE RUNS PAST.

(ALARM BUZZER)

HALL LIGHTS BEGIN FLASHING.

			
SCENE 67		3:08:04:07
CU ON FLASHING LIGHT.

ALARM:
(over PA) Code Red.

	396	3:08:04:15	3:08:08:23	04:08
(ITALICS)	ALARM OVER P.A.:
Code Red. Intruder alert. Code Red.
Intruder alert.

SCENE 68		3:08:05:07
INT. COMMUNICATIONS ROOM - NIGHT
MS ON MIGUEL AT DESK REACTING TO ALARM. HE GETS UP MOVING TO BUNKER MAP ON WALL IN BG.

ALARM:
(over PA)  Intruder alert. Code Red. Intruder alert.

MIGUEL:
(into walkie) Alarm in the medical wing. I repeat...

	397	3:08:09:04	3:08:13:00	03:26
	MIGUEL INTO RADIO:
Alarm in the medical wing. I repeat, alarm in the medical wing. Go!

SCENE 69		3:08:10:22
INT. BUNKER - NIGHT
FS ON SOLDIER IN HALLWAY.

MIGUEL:
(over walkie) ...alarm in the medical wing. Go!

MEN START RUNNING L PAST CAMERA AND DOWN HALLWAY.

ALPHONSE:
Go, go, go! Go!

	398	3:08:13:05	3:08:15:05	02:00
	ALPHONSE TO GROUP:
Go, go, go!

	399	3:08:16:15	3:08:18:00	01:15
	ALPHONSE TO GROUP:
Go!

SCENE 70		3:08:18:23
MS ON ZOE RUNNING DOWN HALLWAY UP TO GATE WHICH HAS CHAIN AND PADLOCK ON IT.

ZOE:
Oh, come on! No, no, no!

	400	3:08:22:20	3:08:24:20	02:00
	ZOE TO LOCKED DOOR:
Oh, come on! No, no, no!

SCENE 71		3:08:24:21
FS ON MAX MOVING UP HALLWAY TO CAMERA.

MAX:
(growls)

			
SCENE 72		3:08:28:05
MCU ON ZOE TRYING TO OPEN LOCK AS SHE LOOKS OS AT MAX APPROACHING.

SCENE 73		3:08:33:01
OTS FS ON MAX SLOWLY APPROACHING ZOE IN FG. HE LIFTS UP HIS SLEEVE REVEALING HIS TATTOO READING:

    ZOE

ZOE:
Max? You recognize me? How are you still alive?

	401	3:08:47:22	3:08:49:06	01:14
	TATTOO/OPTIONAL TITLE:
ZOE

	402	3:08:50:00	3:08:51:20	01:20
	ZOE TO MAX:
Max?

	403	3:08:52:01	3:08:54:22	02:21
	ZOE TO MAX:
You recognize me? How are you still alive?

SCENE 74		3:08:54:23
MCU ON ZOE.

SCENE 75		3:08:56:21
OTS MCU ON MAX AS HE GRABS ZOE LIFTING HER OFF HER FEET, PRESSING BACK AGAINST GATE AS SHE STRUGGLES.

MAX:
(growls)

SCENE 76		3:09:04:09
FS ON SOLDIERS RUSHING UP HALLWAY TO CAMERA.

	404	3:09:04:12	3:09:05:22	01:10
	BACA TO ZOE:
Zoe!

SCENE 77		3:09:05:01
MCU ON MAX AND ZOE AS MAX REACTS SEEING SOLDIERS.

MAX:
(growls)

BACA O.S.:
Zoe!

MAX LETS HER GO AND BACKS UP AS SOLDIERS FIRE AT HIM HITTING HIM.

			
SCENE 78		3:09:06:22
FS ON SOLDIERS IN BG FIRING AT MAX IN FG AS HE GOES DOWN. ZOE STEPS IN BETWEEN THEM.

ZOE:
Don't kill him! He's not a Rotter!

ALPHONSE:
Zoe, get out of the fucking way!

ZOE:
Trust me! We need to catch him alive!

	405	3:09:07:20	3:09:10:15	02:25
	ZOE TO GROUP/
ALPHONSE TO ZOE:
- Don't kill him! He's not a Rotter!
- Zoe, get out of the fucking way!

	406	3:09:10:20	3:09:14:15	03:25
	ZOE TO GROUP/
ALPHONSE TO ZOE:
- Trust me! We need to catch him alive!
- Bullshit! He's a one of them!

SCENE 79		3:09:13:12
MS ON MAX WOUNDED ON GROUND WITH ZOE STANDING RFG.

ALPHONSE O.S.:
Bullshit! He's a one of them!

ZOE:
No! He's not!

	407	3:09:14:20	3:09:18:21	04:01
	ZOE TO GROUP:
No! He's not! His name is Max! He's a
patient of mine!

SCENE 80		3:09:16:08
FS ON SOLDIERS IN BG WITH GUNS AIMED AT MAX IN FG WITH ZOE
STANDING IN MIDDLE.

ZOE:
His name is Max! He's a patient of mine!

MAX:
(growls)

ZOE:
Baca, He's the breakthrough I've been searching for!

BACA GRABS A MESH NET FROM FLOOR L.
	408	3:09:19:02	3:09:22:22	03:20
	ZOE TO GROUP:
Baca! He's the breakthrough I've been searching for!

SCENE 81		3:09:22:23
MFS AS BACA TOSSES NET OVER MAX.
			
SCENE 82		3:09:25:14
INT. BUNKER - LATER
POV LOOKING THROUGH WINDOW IN DOOR WHERE WE SEE MAX WITH
COLLAR ON.

MAX:
(roars)

SCENE 83		3:09:28:07
INT. MEDICAL LAB - NIGHT
MS ON MAX WITH CHAINS ON AS SOLDIERS HOLD HIM.

MAX:
(roars)

ALPHONSE TIES CHAIN TO WALL.

SCENE 84		3:09:31:09
MS ON ZOE WATCHING.

SCENE 85		3:09:32:11
WIDE MFS ON MAX STRUGGLING WITH CHAINS AS ALPHONSE TIES HIM
TO WALL.

MAX:
(roars)

ALPHONSE:
We got you now, motherfucker!

	409	3:09:34:10	3:09:37:04	02:24
	ALPHONSE TO MAX:
We got you now, motherfucker!

SCENE 86		3:09:37:05
CU ON KEYS BEING CLIPPED TO ALPHONSE'S BELT.

SCENE 87		3:09:40:00
FS ON MIGUEL ENTERING LAB.

MIGUEL:
What the hell? Are you all fucking crazy? Why didn't you kill it?

	410	3:09:40:15	3:09:43:21	03:06
	MIGUEL TO GROUP:
What the hell? Are you all fucking crazy?

	411	3:09:44:02	3:09:45:20	01:18
	MIGUEL TO GROUP/
ZOE TO MIGUEL:
- Why didn't you kill it?
- Wait.

SCENE 88		3:09:44:22
MS ON ZOE MOVING TO FG.

ZOE:
Wait. He's alive.

	412	3:09:46:01	3:09:49:08	03:07
	ZOE TO MIGUEL:
He's alive. I need him for my research.

SCENE 89		3:09:47:14
WIDE MFS WITH SEVIN AND MIGUEL L FACING ZOE R. MAX AND SOLDIERS ARE IN BG.

ZOE:
I need him for my research.

MAX:
(growls)

MIGUEL:
Looks like a Rotter to me.

ZOE:
Yes. But we all know that Rotters always bite. He had the chance to bite me before, and he didn't. Prove it.

ZOE TURNS TO MAX.

BACA:
Zoe, you don't have to do that.

MIGUEL SIGNALS FOR HIM TO STAND DOWN.

	413	3:09:50:10	3:09:53:20	03:10
	MIGUEL TO ZOE/
ZOE TO MIGUEL:
- Looks like a Rotter to me.
- Yes.

	414	3:09:54:01	3:09:57:00	02:29
	ZOE TO MIGUEL:
But we all know that Rotters always bite.

	415	3:09:57:05	3:10:00:00	02:25
	ZOE TO MIGUEL:
He had the chance to bite me before, and he didn't.

	416	3:10:00:20	3:10:02:03	01:13
	MIGUEL TO ZOE:
Prove it.

	417	3:10:07:00	3:10:09:20	02:20
	BACA TO ZOE:
Zoe, you don't have to do that.

SCENE 90		3:10:09:21
MS ON MAX AS ZOE APPROACHES AS BACA AND LUCY POINT GUNS AT
HIM. ZOE RAISES HER ARM IN FRONT OF MAX'S FACE.

SCENE 91		3:10:21:03
CU ON MAX LOOKING AT ZOE'S ARM THEN AT HER.

MAX:
(roars)

SCENE 92		3:10:35:20
CU ON MIGUEL.

SCENE 93		3:10:39:03
MS BACK ON MAX AND ZOE AS SHE HOLDS OUT HER ARM.

ZOE:
See.

	418	3:10:41:10	3:10:43:01	01:21
	ZOE TO MIGUEL:
See?

SCENE 94		3:10:43:02
MCU ON BACA

ZOE O.S.
It means...

	419	3:10:44:00	3:10:46:05	02:05
	ZOE TO MIGUEL:
It means his brain is still working.

SCENE 95		3:10:44:18
WIDE MFS ON ROOM WITH ZOE FACING MIGUEL.

ZOE:
...his brain is still working. He got the bite, but something in his body stopped him from turning. He could be the breakthrough we need in beating the Rotter virus.

MIGUEL:
You can't cure being a Rotter.

ZOE:
I'm not talking about a cure for being a Rotter. I'm talking about a vaccine for the rest of us.

	420	3:10:46:10	3:10:49:13	03:03
	ZOE TO MIGUEL:
He got the bite, but something in his body stopped him from turning.

	421	3:10:49:18	3:10:51:23	02:05
	ZOE TO MIGUEL:
He could be the breakthrough we need in beating the Rotter virus.

	422	3:10:52:04	3:10:56:02	03:28
	MIGUEL TO ZOE/
ZOE TO MIGUEL:
- You can't cure being a Rotter.
- I'm not talking about a cure for being a Rotter.

	423	3:10:56:07	3:10:58:19	02:12
	ZOE TO MIGUEL:
I'm talking about a vaccine for the rest of us.

SCENE 96		3:10:59:00
MS ON ELLE.

ZOE O.S.:
A bite would no longer be a death sentence.

	424	3:10:59:00	3:11:01:02	02:02
	ZOE TO MIGUEL:
A bite would no longer be a death sentence.

SCENE 97		3:11:01:03
MS ON MIGUEL AND SAVIN.

SCENE 98		3:11:02:16
CU ON ZOE IN FG, MAX IN BG AS SHE LOOKS AT MIGUEL IN FG.

ZOE:
Please. Just give me a chance.

MIGUEL:
This is all a bunch of bullshit.

HE LOOKS R AT LUCY.

	425	3:11:02:16	3:11:04:15	01:29
	ZOE TO MIGUEL:
Please.

	426	3:11:05:05	3:11:08:10	03:05
	ZOE TO MIGUEL/
MIGUEL TO GROUP:
- Just give me a chance.
- This is all a bunch of bullshit.

	427	3:11:08:15	3:11:10:15	02:00
	MIGUEL TO SOLDIER/
ELLE TO MIGUEL:
- Shoot it.
- Miguel, wait!

SCENE 99		3:11:08:22
MCU ON LUCY POINTING GUN OS AT MAX.

MIGUEL O.S.:
Shoot it.

ELLE O.S.:
Miguel, wait!

SCENE 100		3:11:10:01
MS ON MIGUEL AND SAVIN LOOKING BACK AT ELLE IN DOORWAY.

ELLE:
If there's a chance Zoe can do it, we should let her try. This vaccine could've saved Frank.

MIGUEL TURNS TO ZOE AND OTHERS.

MIGUEL:
Fine. Do your tests. I want it locked up at all times.

LUCY LOWERS HER GUN.

MIGUEL:
If there are any issues, put it the fuck down.

	428	3:11:10:20	3:11:15:09	04:19
	ELLE TO MIGUEL:
If there's a chance Zoe can do it, we should let her try.

	429	3:11:15:20	3:11:19:15	03:25
	ELLE TO MIGUEL:
This vaccine could've saved Frank.

	430	3:11:25:09	3:11:30:00	04:21
	MIGUEL TO ZOE:
Fine. Do your tests. I want it locked up at all times.

	431	3:11:30:05	3:11:32:05	02:00
	MIGUEL TO BACA:
If there are any issues...

	432	3:11:32:10	3:11:34:19	02:09
	put it the fuck down.

SCENE 101		3:11:33:20
MCU ON BACA.

BACA:
Yes, sir.

	433	3:11:35:00	3:11:37:00	02:00
	BACA TO MIGUEL:
Yes, sir.

SCENE 102		3:11:36:10
CU ON ZOE IN FG, MAX IN BG.
CROSS-DISSOLVE TO:
INT. MEDICAL LAB - NIGHT
CU ON NOTEBOOK AS ZOE WRITES IN IT.

(MUSIC CONTINUES)

ZOE V.O.:
Only 12 hours since Max has been restrained and placed under observation, and already High Rock bunker...

	434	3:11:40:10	3:11:44:15	04:05
(ITALICS)	ZOE V.O.:
Only 12 hours since Max has been restrained and placed under observation...

	435	3:11:44:20	3:11:48:05	03:15
(ITALICS)	and already High Rock bunker is divided up on their opinions...

SCENE 103		3:11:46:13
EXT. HIGH ROCK BUNKER - DAY
FS ON ZOE JOGGING TO FG ALONG PERIMETER WALL.

ZOE V.O.:
... is divided up on their opinions on what we should do with him. Miguel is looking for any excuse he...

	436	3:11:48:10	3:11:50:15	02:05
	on what we should do with him.

	437	3:11:50:20	3:11:55:00	04:10
(ITALICS)	ZOE V.O.:
Miguel is looking for any excuse he can find to put him down.

SCENE 104		3:11:52:23
FS ON ZOE RUNNING L ALONG WOODS THEN TURNING AND RUNNING TO CAMERA ALONG FENCE HOLDING BACK ROTTERS.

ZOE V.O.:
...can find to put him down. With our current specimens of Rotters' blood running low I need to require additional samples to buy myself more time...

SHE PAUSES AT CAMERA WITH ROTTER ON OTHER SIDE OF FENCE
LOOKING AT HER.

ZOE V.O.:
...to find scientific proof Max is different. Max's vitals!

SHE RUSHES OSR.

	438	3:11:55:05	3:11:58:05	03:00
(ITALICS)	ZOE V.O.:
With our current specimens of Rotters' blood running low...

	439	3:11:58:10	3:12:02:15	04:05
(ITALICS)	I need to require additional samples to buy myself more time...

	440	3:12:02:20	3:12:06:10	03:20
(ITALICS)	to find scientific proof Max is different.

	441	3:12:06:15	3:12:08:20	02:05
(ITALICS)	ZOE V.O.:
Max's vitals!

SCENE 105		3:12:09:13
INT. MEDICAL LAB - DAY
CU ON X-RAY AS ZOE HOLDS IT UP TO THE LIGHT.

(MUSIC CONTINUES)

SCENE 106		3:12:12:11
MCU ON ZOE LOOKING AT X-RAY WITH MAX CHAINED TO WALL IN BG.

ZOE:
Look at this.
	442	3:12:13:05	3:12:16:15	03:10
	ZOE TO ELYSE:
Look at this. It's incredible.

SCENE 107		3:12:14:18
WIDE FS WITH ZOE AND ELYSE LOOKING AT X-RAY.

ZOE:
It's incredible. 

SCENE 108		3:12:17:08
MFS ON MAX.

ZOE O.S.:
Certain internal and external...

	443	3:12:18:00	3:12:20:15	02:15
	ZOE TO ELYSE:
Certain internal and external parts are dead...

SCENE 109		3:12:19:12
OTS MCU ON ZOE.

ZOE:
...parts are dead, while other parts are still very much alive.

ZOE POINTS TO X-RAY.

ZOE:
His heart, his eyes, legs, and his cranial area, all still retaining human function.

ELYSE:
Any clue as to why?

ZOE:
No, not yet.

MAX O.S.:
(growls)

ZOE LOOKS OVER AT HIM.

ZOE:
But I need to take his blood sample.

	444	3:12:20:20	3:12:23:20	03:00
	while other parts are still very much alive.

	445	3:12:24:01	3:12:27:14	03:13
	ZOE TO ELYSE:
His heart, his eyes, legs, and his cranial area...

	446	3:12:27:19	3:12:30:00	02:11
	all still retaining human function.

	447	3:12:30:05	3:12:33:10	03:05
	ELYSE TO ZOE/
ZOE TO ELYSE:
- Any clue as to why?
- No, not yet.

	448	3:12:36:10	3:12:38:15	02:05
	ZOE TO ELYSE:
But I need to take his blood sample.

SCENE 110		3:12:38:16
MFS ON MAX PULLING AT CHAINS.

SCENE 111		3:12:40:16
CU ON MEDICAL TRAY AS ZOE PICKS UP NEEDLE.

(NEW MUSIC IN)

ELYSE O.S.:
We're breaking protocol here, Zoe. He makes one more move, I'm shooting him.
	449	3:12:40:16	3:12:45:03	04:17
	ELYSE TO ZOE:
We're breaking protocol here, Zoe. He makes one more move, I'm shooting him.

SCENE 112		3:12:45:04
MFS ON ZOE AND ELYSE MOVING TO CAMERA.

ZOE:
Just relax, Max.

	450	3:12:46:20	3:12:49:05	02:15
	ZOE TO MAX:
Just relax, Max.

SCENE 113		3:12:48:04
MFS ON MAX PULLING AT CHAINS.

MAX:
(growls)

SCENE 114		3:12:51:04
MS ON ZOE AND ELYSE AS ZOE SLOWLY APPROACHES MAX IN FG.

ZOE:
You want me, right? Here I am.

	451	3:12:51:04	3:12:53:10	02:06
	ZOE TO MAX:
You want me, right?

	452	3:12:55:10	3:12:57:10	02:00
	ZOE TO MAX:
Here I am.

SCENE 115		3:12:58:04
OTS MFS ON MAX AS ZOE APPROACHES HIM.

ZOE:
Your Zoe. That's right. I know you came all this way just for me.

MAX:
(growls)

	453	3:13:00:15	3:13:03:10	02:25
	ZOE TO MAX:
Your Zoe.

	454	3:13:03:15	3:13:05:05	01:20
	ZOE TO MAX:
That's right.

	455	3:13:07:12	3:13:10:19	03:07
	ZOE TO MAX:
I know you came all this way just for me.

SCENE 116		3:13:15:08
CU ON ZOE L FACING MAX R. SHE GRABS HIS ARM AND SLIDES NEEDLE IN.

ZOE:
You like feeling my touch?

MAX LICKS HER FACE.

	456	3:13:24:06	3:13:27:01	02:25
	ZOE TO MAX:
You like feeling my touch?

SCENE 117		3:13:30:21
MS ON ELYSE WITH GUN AIMED.

ELYSE:
Hey! 
	457	3:13:30:21	3:13:34:15	03:24
	ELYSE TO MAX:
Hey! I'm gonna blow your head off, you piece of shit!

SCENE 118		3:13:32:00
CU BACK ON ZOE AND MAX AS HE LICKS HER FACE.

ELYSE O.S.:
I'm gonna blow your head off, you piece of shit!

ZOE:
No, don't, Elyse. I'm fine. 

MAX LOOKS DOWN AT HIS ARM.

	458	3:13:34:20	3:13:37:00	02:10
	ZOE TO ELYSE:
No, don't, Elyse.

	459	3:13:37:05	3:13:39:05	02:00
	ZOE TO ELYSE:
I'm fine. 

SCENE 119		3:13:41:19
CU ON MAX'S ARM AS ZOE PULLS NEEDLE OUT.

SCENE 120		3:13:43:02
OTS CU ON MAX AS ZOE HOLDS UP NEEDLE FILLED WITH BLOOD.

	460	3:13:43:02	3:13:45:10	02:08
	MAX TO ZOE:
Zoe.

SCENE 121		3:13:46:02
OTS CU ON ZOE HOLDING UP NEEDLE. SHE WIPES HER FACE WITH HER HAND. MAX FLINCHES. ZOE TURNS AND MOVES INTO BG.

SCENE 122		3:13:55:16
CU ON MAX.

MAX:
(growls)

SCENE 123		3:14:02:01
EXT. HIGH ROCK BUNKER - NIGHT
HIGH FG ON ENTRANCE.

(MUSIC CONTINUES)

SCENE 124		3:14:05:05
LAST FRAME OF REEL 3.

			

COMBINED DIALOGUE CONTINUITY 	REEL 4	SUBTITLE/SPOTTING LIST	
Scene # / First Frame of Scene
Scene Description 	# In / Out / Elapsed 	Title	
SCENE 1		4:00:00:18
INT. MEDICAL LAB - DAY
FS ON BACA ENTERING LAB.

(MUSIC STING)

MAX O.S.:
(heavy breathing)

SCENE 2		4:00:04:22
MCU ON MAX.

(DOOR CLOSES)

SCENE 3		4:00:07:16
MCU ON ZOE IN FG LOOKING THROUGH MICROSCOPE. MAX IN BG. BACA MOVES IN FROM OSR UP BEHIND ZOE.

BACA:
Hey.

MAX:
(growls)

ZOE TURNS TO BACA. THEY KISS.

	461	4:00:14:05	4:00:15:16	01:11
	BACA TO ZOE:
Hey.

SCENE 4		4:00:15:17
MCU ON MAX REACTING.

MAX:
(growls)

SCENE 5		4:00:16:15
BACK TO MCU ON ZOE AND BACA IN FG, MAX IN BG.

(MUSIC IN)

MAX:
(growls)

BACA:
So, what have you found?

ZOE:
Based on the blood sample I took, His hormone levels are off the chart. I have never seen anything like it.

BACA:
So, you think that's what stopped the virus?

	462	4:00:20:10	4:00:22:20	02:10
	BACA TO ZOE:
So, what have you found?

	463	4:00:23:01	4:00:26:21	03:20
	ZOE TO BACA:
Based on the blood sample I took, His
hormone levels are off the chart.

	464	4:00:27:02	4:00:29:15	02:13
	ZOE TO BACA:
I have never seen anything like it.

	465	4:00:29:20	4:00:32:06	02:16
	BACA TO ZOE:
So, you think that's what stopped the virus?

SCENE 6		4:00:32:07
MCU ON MAX.

ZOE O.S.:
Well, possibly. But...

	466	4:00:32:11	4:00:37:10	04:29
	ZOE TO BACA:
Well, possibly. But there are nine hormonal glands, and I don't know which one it is.

SCENE 7		4:00:34:17
OTS MCU ON ZOE LOOKING AT BACA.

ZOE:
...there are nine hormonal glands, and I don't know which one it is. If I can find the source, I might be able to extract it to produce a testable vaccine.

BACA:
Okay. All right, so what do you need?

ZOE:
I need live virus cells from living Rotters.

	467	4:00:37:15	4:00:42:10	04:25
	ZOE TO BACA:
If I can find the source, I might be able
to extract it to produce a testable vaccine.

	468	4:00:42:15	4:00:45:12	02:27
	BACA TO ZOE:
Okay. All right, so what do you need?

	469	4:00:46:10	4:00:49:20	03:10
	ZOE TO BACA:
I need live virus cells from living Rotters.

SCENE 8		4:00:48:22
OTS MCU ON BACA. BACA REACTS.

ZOE:
Look, maybe we can round some up from outside to bring in for tests.

BACA:
No! Absolutely not. I mean, you know how much I've risked letting that thing...

HE POINTS OS TO MAX.

	470	4:00:50:10	4:00:53:05	02:25
	ZOE TO BACA:
Look, maybe we can round some up from
outside to bring in for tests.

	471	4:00:53:10	4:00:55:10	02:00
	BACA TO ZOE:
No! Absolutely not. 

	472	4:00:55:15	4:00:58:10	02:25
	BACA TO ZOE:
I mean, you know how much I've risked
letting that thing stay here?

SCENE 9		4:00:57:08
MCU ON MAX.

BACA O.S.:
...stay here?

MAX PULLS AT CHAINS.

ZOE O.S.:
Look...

	473	4:00:58:15	4:01:01:15	03:00
	ZOE TO BACA:
Look, I need the live samples to compare to Max's.

SCENE 10		4:00:59:10
MS ON ZOE LOOKING L AT BACA.

ZOE:
...I need the live samples to compare to Max's. It is the only way to know which hormone it is. Please, Baca, there must be a safer way.

	474	4:01:01:20	4:01:04:12	02:22
	ZOE TO BACA:
It is the only way to know which hormone it is.

SCENE 11		4:01:02:19
WIDE MFS. BACA L, ZOE R.

ZOE:
Okay. When can we do it?

BACA:
Tonight.

	475	4:01:05:10	4:01:07:21	02:11
	ZOE TO BACA:
Please, Baca, there must be a safer way.

SCENE 12		4:01:07:22
OTS MFS ON BACA.

BACA:
The perimeter gate. We can use the doors to file them in one by one in a contained setting.

	476	4:01:13:10	4:01:15:15	02:05
	BACA TO ZOE:
The perimeter gate. 

	477	4:01:16:11	4:01:20:14	04:03
	BACA TO ZOE:
We can use the doors to file them in one by one in a contained setting.

	478	4:01:20:19	4:01:23:10	02:21
	ZOE TO BACA:
Okay. When can we do it?

	479	4:01:24:05	4:01:26:04	01:29
	BACA TO ZOE:
Tonight.

SCENE 13		4:01:26:05
CU ON ZOE.

SCENE 14		4:01:28:15
EXT. HIGH ROCK BUNKER - NIGHT
FS ON BUNKER DOOR OPENING REVEALING VEHICHLES INSIDE.

(MUSIC CONTINUES)

MALE VOICE:
(over PA) Main gate is now opening. Nine-A initiate. Please stand clear. (indistinct).

JEEPS DRIVE OUT OF BUNKER AND OSL.

BACA O.S.:
(over walkie) All right, team. We do this fast, we do this efficiently. Nobody play hero here. We let in one Rotter at a time.

	480	4:01:29:05	4:01:33:05	04:00
(ITALICS)	MALE VOICE OVER P.A.:
Main gate is now opening. Nine-A initiate. 

	481	4:01:33:10	4:01:37:20	04:10
(ITALICS)	MALE VOICE OVER P.A.:
Please stand clear. (indistinct)

	482	4:01:38:05	4:01:41:10	03:05
(ITALICS)

	BACA OVER WALKIE:
All right, team. We do this fast, we do this efficiently.

	483	4:01:41:15	4:01:44:19	03:04
(ITALICS)	BACA OVER WALKIE:
Nobody play hero here. We let in one Rotter at a time.

SCENE 15		4:01:44:16
FS ON JEEPS MOVING ACROSS GROUND.

BACA O.S.:
(over walkie) Bravo on the gate. I'll follow the Rotters. I don't want Zoe in there until we have that Rotter secure.

	484	4:01:45:00	4:01:47:00	02:00
(ITALICS)	BACA OVER WALKIE:
Bravo on the gate. I'll follow the Rotters.

	485	4:01:47:05	4:01:51:00	03:25
(ITALICS)	BACA OVER WALKIE:
I don't want Zoe in there until we have that Rotter secure.

SCENE 16		4:01:52:02
FS ON JEEPS MOVING TO CAMERA.

SCENE 17		4:02:00:12
FS ON ROTTERS SHAMBLING TOWARDS FENCE IN FG.

ROTTERS:
(grunting)

SCENE 18		4:02:06:11
FS ON BACA AND SOLDIERS GETTING OUT OF JEEPS AS THEY MOVES
TO FG. BACA HAS LASSO ON POLE.

DEREK:
Let's go fishing.

BACA:
Let's do this.

	486	4:02:11:05	4:02:13:20	02:15
	DEREK TO GROUP/
BACA TO GROUP:
- Let's go fishing.
- Let's do this.

SCENE 19		4:02:15:03
WIDE FS WITH SOLDIERS IN FG FACING ROTTERS ON OTHER SIDE OF FENCE IN BG. ALPHONSE APPROACHES GATE.

ROTTERS:
(growls)

SCENE 20		4:02:21:22
MS ON BACA.

BACA:
Let them in one at a time.

	487	4:02:21:22	4:02:25:17	03:25
	BACA TO GROUP/
ALPHONSE TO GROUP:
- Let them in one at a time.
- Weapons hot!

SCENE 21		4:02:23:18
MFS ON ALPHONSE AND ROTTERS.

ALPHONSE:
Weapons hot!

SCENE 22		4:02:25:18
MS BACK ON BACA AS HE LIGHTS FLARE.

SCENE 23		4:02:27:17
WIDE FS WITH BACA L, DEREK C AND SOLDIERS AND ZOE R.

BACA:
Ready! 

	488	4:02:28:20	4:02:30:04	01:14
	BACA TO GROUP:
Ready! 

SCENE 24		4:02:30:05
MS ON ALPHONSE AND ROTTERS.

BACA O.S.:
Go!

ALPHONSE OPENS GATE AS ONE ROTTER SLIPS IN AND SHAMBLES TO
CAMERA AS SOLDIERS SHOOT IT IN THE LEGS. ROTTER FALLS DOWN.

	489	4:02:31:00	4:02:32:15	01:15
	BACA TO GROUP:
Go!

SCENE 25		4:02:38:07
MS ON BACA.

BACA:
Derek...

	490	4:02:38:07	4:02:42:17	04:10
	BACA TO DEREK/
DEREK TO BACA:
- Derek, you're up! Hold him still!
- Hold's good.

SCENE 26		4:02:38:23
WIDE FS WITH ROTTER ON GROUND. BACA AND DEREK BY IT.

BACA:
...you're up! Hold him still!

DEREK SLIPS LASSO AROUND ROTTER'S NECK.

ROTTER:
(growls)

DEREK:
Hold's good.

			
SCENE 27		4:02:42:22
WIDE FS WITH BACA AND DEREK HOLDING ROTTER IN PLACE ON GROUND R. ROTTERS IN BG BEHIND FENCE.

BACA:
Zoe! 

ZOE RUSHES UP FROM LFG WITH CASE. SHE LAYS IN ON GROUND BY
ROTTER AND OPENS IT.

ALPHONSE:
We got multiple bogies incoming! We need...

	491	4:02:42:22	4:02:44:05	01:13
	BACA TO ZOE:
Zoe! 

	492	4:02:46:20	4:02:50:15	03:25
	BACA TO ZOE:
We got multiple bogies incoming! We need
to hurry!

SCENE 28		4:02:49:07
CU ON ROTTER AS ZOE STICKS NEEDLE IN ITS NOSE AND DRAWS BLOOD.

ALPHONSE O.S.:
...to hurry!

SCENE 29		4:02:51:21
MS ON ALPHONSE AT GATE WITH ROTTERS ON OTHER SIDE.

ROTTERS:
(growls)

SCENE 30		4:02:53:22
CU ON ROTTER AS ZOE DRAWS BLOOD. SHE LOOKS UP AT BACA.

ZOE:
Got it.

	493	4:02:56:05	4:02:57:10	01:05
	ZOE TO BACA:
Got it.

SCENE 31		4:02:56:17
MCU ON BACA AS HE SHOOTS ROTTER IN HEAD.

BACA:
Clear!

	494	4:02:58:20	4:02:59:23	01:03
	BACA TO GROUP:
Clear!

SCENE 32		4:03:00:04
WIDE FS WITH ZOE AND SOLDIERS IN FG LOOKING THROUGH FENCE AT ROTTERS IN BG.

ZOE:
Okay, we got the test sample! Just one more!

BACA LIGHTS ANOTHER FLARE AND WAVES IT AROUND.

	495	4:03:00:04	4:03:03:11	03:07
	ZOE TO GROUP:
Okay, we got the test sample! Just one more!

SCENE 33		4:03:06:15
MS ON ALPHONSE AND LUCY AT GATE WITH ROTTERS ON OTHER SIDE.

BACA O.S.:
Let's go! Move! Move your fucking asses!

ALPHONSE OPENS GATE LETTING ROTTER THROUGH.

BACA O.S.:
Go, go, go!

	496	4:03:06:15	4:03:11:15	05:00
	BACA TO GROUP:
Let's go! Move! Move your fucking asses!
Go, go, go!

SCENE 34		4:03:10:20
WIDE FS AS ROTTER SHAMBLES TOWARDS SOLDIERS IN BG AS THEY
SHOOT IT IN LEGS.

BACA:
Don't let him get away!

DEREK MOVES UP TO PUT LASSO AROUND ROTTER'S NECK AS BACA
HOLDS IT DOWN.

ALPHONSE O.S.:
What the hell is taking so long? 

DERECK:
I got him

ALPHONSE O.S.:
They're ready to breach!

ZOE GETS DOWN BESIDE ROTTER TO TAKE BLOOD.

	497	4:03:12:04	4:03:16:02	03:28
	BACA TO GROUP:
Don't let him get away! What the hell is taking so long?

	498	4:03:16:07	4:03:20:18	04:11
	DEREK TO BACA/
ALPHONSE TO GROUP:
- I got him.
- They're ready to breach! Fall back!
Fall back!

SCENE 35		4:03:19:12
MS BACK ON ALPHONSE AT GATE TRYING TO HOLD IT CLOSED AS ROTTER PULLS AT IT.

ALPHONSE:
Fall back! Fall back!

SCENE 36		4:03:20:23
MFS ON ROTTER O N GROUND AS IT'S HELD DOWN AND ZOE DRAWS BLOOD.

ALPHONSE O.S.:
Baca, the fence is buckling! 

BACA SHOOTS ROTTER IN HEAD.

ALPHONSE O.S.:
We can't...

	499	4:03:20:23	4:03:24:13	03:20
	ALPHONSE TO BACA:
Baca, the fence is buckling! We can't hold it!

SCENE 37		4:03:24:00
MS BACK ON ALPHONSE AT GATE TRYING TO HOLD FENCE FROM ROTTERS.

ALPHONSE:
...hold it!

ROTTERS FORCE GATES OPEN KNOCKING THOMAS TO THE GROUND.

ALPHONSE:
Run! 

ROTTERS RUSH THROUGH OPEN GATE AS SOLDIERS IN FG RUN TO CAMERA. ROTTERS RUSH UP TO THOMAS ON GROUND.

THOMAS:
Ahhh!

SOLDIERS IN FG BEGIN FIRING AT ROTTERS AS THEY SWARM IN.

	500	4:03:24:18	4:03:26:06	01:18
	ALPHONSE TO GROUP:
Run! 

SCENE 38		4:03:33:10
MFS ON ZOE AND SOLDIERS GETTING INTO JEEPS WHILE FIRING AT
ROTTERS IN FG.

SCENE 39		4:03:34:00
MS ON ROTTERS EATING THOMAS.

			
SCENE 40		4:03:35:04
CU ON ELYSE BEHIND WHEEL OF JEEP.

ELYSE:
Go, go, go, go!

ROTTER RUSHES UP AND BITES HER ARM.

ELYSE:
Go!

	501	4:03:35:04	4:03:37:01	01:27
	ELYSE TO GROUP:
Go, go, go, go!

	502	4:03:37:06	4:03:38:06	01:00
	ELYSE TO GROUP:
Go!

SCENE 41		4:03:38:22
FS ON JEEPS AS THEY RACE OFF INTO BG AS ROTTER FALLS TO GROUND.

SCENE 42		4:03:42:14
REAR FS ON ROTTER CHASING AFTER JEEPS.

ROTTERS:
(growls)

SCENE 43		4:03:44:10
MCU ON THOMAS BEING EATEN.

THOMAS:
Ahhh!

SCENE 44		4:03:46:23
FS ON ROTTERS RUNNING INTO BG AFTER JEEPS.

SCENE 45		4:03:50:10
INT. MEDICAL LAB - NIGHT
MS ON MIGUEL ENTERING LAB.

(NEW MUSIC IN)

MIGUEL:
Zoe.

	503	4:03:51:00	4:03:52:18	01:18
	MIGUEL CALLS OUT:
Zoe.

SCENE 46		4:03:52:19
CU ON MAX.

MAX:
(growls)

			
SCENE 47		4:03:57:09
MS ON MIGUEL MOVING TO FG.

SCENE 48		4:03:59:17
OTS MS ON MAX AS MIGUEL APPROACHES HIM.

MAX:
(growls)

MIGUEL:
You think I'm scared of you? I've killed hundreds of you fucking Rotters. I can't wait to put a bullet in you, too.

MAX PULLS AT CHAINS.

	504	4:04:03:00	4:04:05:00	02:00
	MIGUEL TO MAX:
You think I'm scared of you?

	505	4:04:05:05	4:04:08:12	03:07
	MIGUEL TO MAX:
I've killed hundreds of you fucking Rotters. I can't wait to put a bullet in you, too.

SCENE 49		4:04:12:05
CU ON MAX'S ZOE TATTOO.

SCENE 50		4:04:13:14
MCU ON MIGUEL.

MIGUEL:
She's your girlfriend.

	506	4:04:16:15	4:04:19:00	02:15
	MIGUEL TO MAX:
She's your girlfriend.

SCENE 51		4:04:18:04
CU ON MAX.

SCENE 52		4:04:22:04
MCU ON MIGUEL LOOKING AT MAX.

MIGUEL:
That conniving bitch.

MAX:
(roars)

SAVIN:
(over walkie) Commander, come quick! Something's happening outside!

MIGUEL TURNS AND RUSHES OUT OF ROOM IN BG.

	507	4:04:22:04	4:04:23:20	01:16
	MIGUEL TO MAX:
That conniving bitch.

	508	4:04:27:10	4:04:30:10	03:00
(ITALICS)	SAVIN OVER WALKIE:
Commander, come quick! Something's happening outside!

SCENE 53		4:04:34:14
EXT. HIGH ROCK BUNKER - NIGHT
FS ON MIGUEL AND SAVIN RUNNING OUT OF BUNKER TO CAMERA.

MALE VOICE:
(over PA) ...in imediate shutdown procedure. All personnel please fall back.

(ALARM BUZZER SOUNDS)

BACA O.S.:
Get the gates!

	509	4:04:35:10	4:04:40:05	04:25
(ITALICS)	MALE VOICE OVER P.A.:
Immediate shutdown procedure. All personnel please fall back.

	510	4:04:40:10	4:04:43:08	02:28
	BACA TO GROUP: 
Get the gates! Move your fucking asses!

SCENE 54		4:04:40:23
FS ON JEEPS RACING TO FG WITH ROTTERS RUNNING AFTER THEM.

BACA:
Move your fucking asses!

SCENE 55		4:04:43:13
HIGH FS ON BUNKER ENTRANCE AS JEEPS RACE INSIDE FOLLOWED BY
ROTTERS CLOSE BEHIND.

BACA:
They're right behind us! Go! Go! Go!

	511	4:04:43:13	4:04:46:05	02:22
	BACA TO GROUP:
They're right behind us! 

	512	4:04:46:20	4:04:49:15	02:25
	BACA TO GROUP: 
Go! Go! Go!

SCENE 56		4:04:52:09
INT. HIGH ROCK BUNKER - NIGHT
REAR MS ON MIGUEL FIRING AT ROTTERS OUTSIDE AS BUNKER DOORS
CLOSE.

SCENE 57		4:04:55:20
EXT. HIGH ROCK BUNKER - NIGHT
MCU ON ROTTERS CLAWINIG AT BUNKER DOORS.

ROTTERS:
(growls)
			
SCENE 58		4:04:57:14
INT. HIGH ROCK BUNKER - NIGHT
MS ON MIGUEL MOVING TO CAMERA.

MIGUEL:
How the fuck did the Rotters get inside the perimeter fence?

	513	4:04:57:14	4:05:00:15	03:01
	MIGUEL TO GROUP:
How the fuck did the Rotters get inside the perimeter fence?

SCENE 59		4:04:59:23
WIDE MFS ON ZOE AND ELYSE WHO IS HOLDING HER WOUNDED ARM AS
MIGUEL APPROACHES ZOE.

ZOE:
We were getting blood samples.

MIGUEL:
You just let them in?

(SOUND OF ROTTERS OUTSIDE)

MIGUEL AND ZOE LOOK DOWN AT GROUND.

	514	4:05:03:05	4:05:06:00	02:25
	ZOE TO MIGUEL/
MIGUEL TO ZOE:
- We were getting blood samples.
- You just let them in?

SCENE 60		4:05:09:05
CU ON BLOOD DRIPPING AT ELYSE'S FEET FROM BITE WOUND.

SCENE 61		4:05:10:20
MS ON MIGUEL PULLING OUT HIS GUN.

SCENE 62		4:05:12:05
OTS MS ON ELYSE HOLDING HER WOUNDED ARM.  SHE LOOKS AT
MIGUEL AND ZOE. MIGUEL POINTS GUN AT ELYSE.

(SOUND OF ROTTERS OUTSIDE)

ZOE:
What the hell are you doing?

MIGUEL:
My job. Protecting you people.

ELYSE:
Lieutenant, please. Zoe can help.

	515	4:05:18:00	4:05:20:10	02:10
	ZOE TO MIGUEL:
What the hell are you doing?

	516	4:05:20:15	4:05:23:15	03:00
	MIGUEL TO ZOE:
My job. Protecting you people.

	517	4:05:23:20	4:05:27:12	03:22
	ELYSE TO MIGUEL:
Lieutenant, please. Zoe can help.

SCENE 63		4:05:27:17
MCU WITH MIGUEL POINTING GUN AT ELYSE AS BACA AND SAVIN
LOOK ON.

MIGUEL:
It's too late. There's nothing she can do.

	518	4:05:27:17	4:05:30:00	02:13
	MIGUEL TO ELYSE/
ZOE TO MIGUEL:
- It's too late. There's nothing she can do.
- It's not a head bite!

SCENE 64		4:05:29:12
MS ON MIGUEL, ELYSE AND ZOE.

ZOE:
It's not a head bite! The infection takes time with a bite like hers! The vaccine can work if it hasn't spread...

	519	4:05:30:05	4:05:32:10	02:05
	ZOE TO MIGUEL:
The infection takes time with a bite like hers!

	520	4:05:32:15	4:05:35:15	03:00
	ZOE TO MIGUEL:
The vaccine can work if it hasn't spread yet!

SCENE 65		4:05:34:09
WIDE FS ON EVERYONE LOOKING AT MIGUEL L POINTING GUN AT ELYSE.

ZOE:
...yet!

MIGUEL:
Do you have the vaccine right now?

ZOE SAYS NOTHING.

MIGUEL:
I didn't think so.

MIGUEL SHOOTS ELYSE IN THE HEAD SPRAYING BLOOD IN ZOE'S FACE. EVERYONE REACTS. 

	521	4:05:36:05	4:05:38:15	02:10
	MIGUEL TO ZOE:
Do you have the vaccine right now?

	522	4:05:42:00	4:05:43:08	01:08
	MIGUEL TO ZOE:
I didn't think so.

SCENE 66		4:05:48:14
OTS MCU ON ZOE LOOKING AT ELYSE DEAD ON GROUND. SHE TURNS
TO MIGUEL IN FG.

ZOE:
Are you fucking insane?

MIGUEL:
One bite, one bullet.

ZOE:
Just because you have a gun, it does not mean you get to decide who lives and who fucking dies!

MIGUEL POINTS GUN AT ZOE.

MIGUEL:
Are you sure about that? I thought I told you to not talk
...

	523	4:05:48:14	4:05:50:13	01:29
	ZOE TO MIGUEL:
Are you fucking insane?

	524	4:05:50:20	4:05:52:08	01:18
	MIGUEL TO ZOE:
One bite, one bullet.

	525	4:05:52:13	4:05:56:20	04:07
	ZOE TO MIGUEL:
Just because you have a gun, it does not mean you get to decide who lives and who fucking dies!

	526	4:05:57:01	4:05:59:16	02:15
	MIGUEL TO ZOE:
Are you sure about that? 

	527	4:05:59:21	4:06:02:00	02:09
	MIGUEL TO ZOE:
I thought I told you to not talk back to me.

SCENE 67		4:06:01:12
OTS MCU ON BACA LOOKING AT MIGUEL.

MIGUEL:
...back to me.

BACA:
Miguel. Put the gun down.

MIGUEL LOOKS AROUND AT OTHERS.

	528	4:06:02:05	4:06:05:20	03:15
	BACA TO MIGUEL:
Miguel. Put the gun down.

SCENE 68		4:06:13:13
OTS MS ON MIGUEL LOWERING GUN.

MIGUEL:
12 hours. Then I kill it. Vaccine or no vaccine.

	529	4:06:15:15	4:06:18:10	02:25
	MIGUEL TO ZOE:
12 hours. Then I kill it.

	530	4:06:18:15	4:06:21:03	02:18
	MIGUEL TO ZOE:
Vaccine or no vaccine.

SCENE 69		4:06:21:04
MCU ON ZOE LOOKING DOWN AT ELYSE.

SCENE 70		4:06:24:18
FS ON MIGUEL MOVING TO CAMERA AS BACA CATCHES UP TO HIM.

BACA:
Miguel! Wait up!

MIGUEL ENTERS COMMUNICATION ROOM IN FG AS BACA FOLLOWS AND
CLOSES DOOR. INT. COMMUNICATION ROOM - NIGHT

BACA:
The fuck was that back there? Pointing a gun on Zoe like that? Are you out of your fucking...

	531	4:06:26:15	4:06:29:10	02:25
	BACA TO MIGUEL:
Miguel! Wait up!

	532	4:06:34:15	4:06:38:20	04:05
	BACA TO MIGUEL:
The fuck was that back there? Pointing a gun on Zoe like that?

	533	4:06:39:01	4:06:41:05	02:04
	BACA TO MIGUEL/
MIGUEL TO BACA:
- Are you out of your fucking mind?
- No, I'm a commanding officer...

SCENE 71		4:06:40:07
OTS MS ON MIGUEL FACING BACA.

BACA:
...mind?

MIGUEL:
No, I'm a commanding officer whose own fucking brother went behind his back and put this whole place in danger!

BACA:
Zoe needed those samples for all of us, and you know that!

MIGUEL:
So you follow her orders now? Let me remind you who's in charge! Not her, not you, not anybody else.

BACA:
Miguel, you're cracking! I get it, but that back there was bullshit!

MIGUEL:
No, I'm the only one thinking rationally. Everyone's chasing her empty promises about this vaccine.

	534	4:06:41:10	4:06:44:12	03:02
	MIGUEL TO BACA:
whose own fucking brother went behind his back and put this whole place in danger!

	535	4:06:44:17	4:06:47:01	02:14

	BACA TO MIGUEL:
Zoe needed those samples for all of us, and you know that!

	536	4:06:47:06	4:06:50:05	02:29
	MIGUEL TO BACA:
So you follow her orders now? Let me remind you who's in charge!

	537	4:06:50:10	4:06:52:19	02:09
	MIGUEL TO BACA:
Not her, not you, not anybody else.

	538	4:06:53:00	4:06:56:10	03:10
	BACA TO MIGUEL:
Miguel, you're cracking! I get it, but that back there was bullshit!

	539	4:06:56:15	4:06:58:15	02:00
	MIGUEL TO BACA:
No, I'm the only one thinking rationally.

	540	4:06:58:20	4:07:01:05	02:15
	MIGUEL TO BACA:
Everyone's chasing her empty promises about this vaccine.

SCENE 72		4:07:01:10
MCU ON MIGUEL.

MIGUEL:
I'm your brother, Baca. Your own flesh and blood. Believe me when I tell you she's fooling you.

	541	4:07:01:10	4:07:04:10	03:00
	MIGUEL TO BACA:
I'm your brother, Baca. Your own flesh and blood.

	542	4:07:04:15	4:07:07:09	02:24
	MIGUEL TO BACA:
Believe me when I tell you she's fooling you.

SCENE 73		4:07:07:10
OTS MS ON BACA.

MIGUEL:
Don't you see what she's doing? Why do you think she keeps this thing alive?

BACA:
What are you trying to say?

MIGUEL:
That Rotter has her name engraved on his arm. Wake up, Baca!

BACA TURNS AND EXITS IN BG.

	543	4:07:08:05	4:07:12:07	04:02
	MIGUEL TO BACA:
Don't you see what she's doing? Why do you think she keeps this thing alive?

	544	4:07:13:05	4:07:15:00	01:25
	BACA TO MIGUEL:
What are you trying to say?

	545	4:07:15:05	4:07:19:10	04:05
	MIGUEL TO BACA:
That Rotter has her name engraved on his arm. Wake up, Baca!

SCENE 74		4:07:31:06
INT. ZOE'S ROOM - NIGHT
OTS MCU ON ZOE LOOKIG INTO MIRROR WIPING BLOOD FROM HER FACE.

(MUSIC CONTINUES)

ZOE:
(wimpers)

SHE TAKES OFF HER SHIRT.

(DOOR OPENING)

SCENE 75		4:08:07:06
MCU ON BACA ENTERING ROOM.

SCENE 76		4:08:13:08
OTS MCU ON ZOE LOOKING IN MIRROR AS BACA MOVES UP BEHIND HER.

SCENE 77		4:08:14:23
WIDE MFS ON COUPLE. BACA L, ZOE R.

BACA:
I'm sorry about Elyse. I know you two were close.

ZOE TURNS TO FACES HIM.

ZOE:
Thanks, Baca.

BACA:
Zoe, I need you to tell me that you can really do this vaccine.

	546	4:08:21:05	4:08:23:15	02:10
	BACA TO ZOE:
I'm sorry about Elyse.

	547	4:08:24:20	4:08:27:01	02:11
	BACA TO ZOE:
I know you two were close.

	548	4:08:27:20	4:08:29:20	02:00
	ZOE TO BACA:
Thanks, Baca.

	549	4:08:38:00	4:08:41:13	03:13
	BACA TO ZOE:
Zoe, I need you to tell me that you can really do this vaccine.

SCENE 78		4:08:41:14
MCU ON ZOE LOOKING L AT BACA.

ZOE:
You losing faith in me?

BACA:
Of course not. It's just-- I mean, you don't get it. Thomas, Elyse. I ordered them out there for you, for your vaccine. And they died.

ZOE:
You're blaming me?

	550	4:08:45:00	4:08:47:08	02:08
	ZOE TO BACA:
You losing faith in me?

	551	4:08:48:10	4:08:52:00	03:20
	BACA TO ZOE:
Of course not. It's just..

	552	4:08:53:20	4:08:56:05	02:15
	BACA TO ZOE:
I mean, you don't get it.

	553	4:08:57:05	4:09:00:00	02:25

	BACA TO ZOE:
Thomas, Elyse...

	554	4:09:00:05	4:09:04:00	03:25
	BACA TO ZOE:
I ordered them out there for you, for your vaccine.

	555	4:09:04:05	4:09:06:05	02:00
	BACA TO ZOE:
And they died.

	556	4:09:07:15	4:09:09:12	01:27
	ZOE TO BACA:
You're blaming me?

SCENE 79		4:09:09:17
BACK TO WIDE MFS ON COUPLE FACING. BACA L, ZOE R.

ZOE:
Do you really think I would risk their lives if I didn't think it was worth it?

BACA:
Honestly, I don't know what to believe with you right now.

ZOE:
What the fuck does that mean?

BACA POINTS OFF.

BACA:
What the fuck is that thing to you? That thing has your name carved into his forearm.

	557	4:09:09:17	4:09:12:15	02:28
	ZOE TO BACA:
Do you really think I would risk their lives if I didn't think it was worth it?

	558	4:09:12:20	4:09:15:22	03:02
	BACA TO ZOE/
ZOE TO BACA:
- Honestly, I don't know what to believe with you right now.
- What the fuck does that mean?

	559	4:09:16:03	4:09:18:10	02:07
	BACA TO ZOE:
What the fuck is that thing to you? 

	560	4:09:18:15	4:09:23:05	04:20
	BACA TO ZOE:
That thing has your name carved into his
forearm.

SCENE 80		4:09:26:02
MCU ON BACA.

BACA:
You're hiding something from me, Zoe. So I need you to tell me. Who was that thing to you?

	561	4:09:28:10	4:09:31:15	03:05
	BACA TO ZOE:
You're hiding something from me, Zoe.

	562	4:09:31:20	4:09:34:07	02:17
	BACA TO ZOE:
So I need you to tell me.

	563	4:09:36:00	4:09:38:15	02:15
	BACA TO ZOE:
Who was that thing to you?

SCENE 81		4:09:37:14
BACK TO WIDE MFS ON COUPLE FACING. BACA L, ZOE R.

ZOE:
He was a fucking psycho who tried to rape me. Tried to take what he wanted from me.

(ECHOING VOICE)

ZOE:
That's who he was. There. You happy now? Do you feel better?

	564	4:09:41:20	4:09:44:05	02:15
	ZOE TO BACA:
He was a fucking psycho...

	565	4:09:44:10	4:09:47:00	02:20
	who tried to rape me.

	566	4:09:47:20	4:09:50:15	02:25
	ZOE TO BACA:
Tried to take what he wanted from me.

	567	4:09:52:05	4:09:54:05	02:00
	ZOE TO BACA:
That's who he was.

	568	4:09:56:05	4:09:58:00	01:25
	ZOE TO BACA:
There.

	569	4:09:58:05	4:10:00:00	01:25
	ZOE TO BACA:
You happy now?

	570	4:10:01:23	4:10:03:22	01:29
	ZOE TO BACA:
Do you feel better?

SCENE 82		4:10:03:23
MCU ON BACA.

BACA:
Why didn't you just tell me?

	571	4:10:05:00	4:10:08:00	03:00
	BACA TO ZOE/
ZOE TO BACA:
- Why didn't you just tell me?
- Because...

SCENE 83		4:10:06:10
MCU ON ZOE.

ZOE:
Because...every time...I talk, think...or look at him... I have to relive the worst fucking day of my life.

	572	4:10:08:20	4:10:11:05	02:15
	ZOE TO BACA:
every time...

	573	4:10:11:10	4:10:15:00	03:20
	I talk, think...

	574	4:10:15:05	4:10:17:15	02:10
	or look at him...

	575	4:10:18:10	4:10:23:00	04:20
	I have to relive the worst fucking day of my life.

SCENE 84		4:10:22:04
MCU ON BACA.

			
SCENE 85		4:10:24:20
MCU ON ZOE.

ZOE:
Right now, I just need you to trust me and believe in me, Baca. And if you can't, I'll go it alone.

	576	4:10:24:20	4:10:28:10	03:20
	ZOE TO BACA:
Right now, I just need you to trust me and believe in me, Baca.

	577	4:10:31:20	4:10:34:00	02:10
	ZOE TO BACA:
And if you can't...

	578	4:10:37:15	4:10:39:08	01:23
	I'll go it alone.

SCENE 86		4:10:39:09
MCU ON BACA.

SCENE 87		4:10:42:12
MCU ON ZOE. SHE GRABS SHIRT FROM HOOK ON WALL AND MOVES OSL
LEAVING BACA'S REFLECTION IN MIIRROR.

SCENE 88		4:10:49:10
INT. MEDICAL LAB - NIGHT
FROM  BLACKNESS, DOOR OPENS LETTING IN LIGHT REVEALING FS
ON MAX CHAINED TO WALL.

(NEW MUSIC IN)

SCENE 89		4:10:52:04
FS ON ZOE ENTERING LAB. SHE TURNS ON LIGHTS. SHE LOOKS AT MAX IN FG THEN MOVES R OVER TO HER WORK STATION AND SITS.

MAX:
(heavy breathing)
			
SCENE 90		4:11:10:05
FS ON MAX.
			
SCENE 91		4:11:13:17
MS ON ZOE.

MAX O.S.:
(growls)

ZOE GLANCES OVER AT HIM THEN BACK TO HER DESK. SHE LOOKS AT PAPERWORK THEN UP AT X-RAYS.

SCENE 92		4:11:31:11
INT. MESS HALL - NIGHT
WIDE MS ON SAVIN, ELLE, DEREK, JEFF AND BACK STANDING IN CIRCLE. SAVIN RAISES CUP, AS DO OTHERS.

(MUSIC CONTINUES)

SAVIN:
Let's drink tonight for those who are no longer here.

ELLE:
To Frank. Loving husband.

DERCK:
Well, you know, here's to Thomas. A guy that made each one of us a better person.

JEFF:
And to Elyse. I'll miss her dearly.

BACA:
To friends.

GROUP:
To friends.

THEY TOAST.

	579	4:11:35:10	4:11:38:15	03:05
	SAVIN TO GROUP:
Let's drink tonight for those who are no longer here.

	580	4:11:39:05	4:11:42:19	03:14
	ELLE TOASTING:
To Frank. Loving husband.

	581	4:11:43:00	4:11:45:00	02:00
	DEREK TOASTING:
Well, you know, here's to Thomas.

	582	4:11:45:05	4:11:48:05	03:00
	DEREK TOASTING:
A guy that made each one of us a better person.

	583	4:11:48:10	4:11:51:20	03:10
	JEFF TOASTING:
And to Elyse. I'll miss her dearly.

	584	4:11:55:00	4:11:58:14	03:14
	BACA TOASTING/
JEFF TOASTING:
- To friends.
- To friends.

SCENE 93		4:11:58:15
LS ON GROUP STANDING ACROSS ROOM IN BG AS THEY DRINK.

SCENE 94		4:12:01:01
INT. MEDICAL LAB - NIGHT
MCU ON ZOE.

(NEW MUSIC IN)

MAX O.S.:
(growls)

SCENE 95		4:12:06:09
WIDE FS ON LAB WITH ZOE R AS ALPHONSE AND LUCY ENTER L
CARRYING CUPS.

			
SCENE 96		4:12:13:01
MS ON TRIO AS ALPHONSE APPROACHES ZOE IN RFG.

(MUSIC OUT)

ALPHONSE:
Hey, Doc. Figured you could use this.

HE PUTS CUP DOWN ON DESK IN FRONT OF ZOE.

ALPHONSE:
I know you been going at it a while.

ZOE:
Thanks, Alphonse.

ZOE PUTS ON GLOVES.

	585	4:12:13:15	4:12:17:10	03:25
	ALPHONSE TO ZOE:
Hey, Doc. Figured you could use this.

	586	4:12:17:15	4:12:19:10	01:25
	ALPHONSE TO ZOE:
I know you been going at it a while.

	587	4:12:19:15	4:12:21:15	02:00
	ZOE TO ALPHONSE:
Thanks, Alphonse.

SCENE 97		4:12:22:05
OTS MCU ON LUCY MOVING UP TO MAX IN FG.

(MUSIC IN)

MAX:
(heavy breathing)

LUCY:
Man, you're ugly.

MAX:
(growls)

	588	4:12:31:00	4:12:33:07	02:07
	LUCY TO MAX:
Man, you're ugly.

SCENE 98		4:12:33:08
MCU ON DUO AS MAX FLINCHES FORWARD HELD AT BAY BY CHAINS AS
LUCY REACTS.

ALPHONSE O.S.:
Don't get too close.

LUCY POINTS GUN AT MAX.

LUCY:
 The Lieutenant is right, we should just kill this slippery fuck.

	589	4:12:34:15	4:12:36:06	01:21
	ALPHONSE TO LUCY:
Don't get too close.

	590	4:12:37:15	4:12:43:00	05:15
	LUCY TO COUPLE/
ALPHONSE TO LUCY:
- The Lieutenant is right, we should just kill this slippery fuck.
- Stand down, Lucy.

SCENE 99		4:12:42:04
MCU ON ALPHONSE.

ALPHONSE:
Stand down, Lucy.

SCENE 100		4:12:42:18
MCU ON LUCY FACING MAX AS HE GRABS HER BY THE THROAT AND
SLAMS HER AGAINST THE WALL CAUSING HER TO DROP HER GUN.

SCENE 101		4:12:44:20
OTS MS ON LUCY AS MAX HOLDS HER BY THROAT AND ALPHONSE
RUSHES UP FROM BG.

SCENE 102		4:12:45:09
CU ON ZOE.

ZOE:
Max!

	591	4:12:45:09	4:12:46:19	01:10
	ZOE TO MAX:
Max!

SCENE 103		4:12:46:00
MFS ON MAX, LUCY AND ALPHONSE AS ALPHONSE PULLS LUCY AWAY.
SHE BACKS UP HOLDING HER THROAT.

LUCY:
(gasping)

ZOE RUSHES UP TO LUCY.

ZOE:
Did he bite you?

	592	4:12:50:00	4:12:51:11	01:11
	ZOE TO LUCY:
Did he bite you?

SCENE 104		4:12:51:12
OTS CU ON MAX.

SCENE 105		4:12:52:09
MS ON ZOE AND LUCY.

LUCY:
I don't think so.

	593	4:12:52:09	4:12:54:00	01:21
	LUCY TO ZOE:
I don't think so.

SCENE 106		4:12:53:12
MCU ON MAX AND ALPHONSE AS MAX GRABS KEYS OFF ALPHONSE'S BELT.

SCENE 107		4:12:57:00
OTS FS ON LUCY AND ZOE IN BG AS ZOE CHECKS HER OUT.AND ALPHONSE BACKS UP POINTING GUN AT MAX IN FG.

ZOE:
No, you're good. He didn't get you. Lucy, you need to get some ice on that head wound.

ALPHONSE MOVES OVER TO GIRLS.

ZOE:
Al, take her down to the med ward.

ALPHONSE:
Come with me.

HE LEADS LUCY INTO BG TOWARDS DOOR.

	594	4:12:58:10	4:13:01:19	03:09
	ZOE TO LUCY:
No, you're good. He didn't get you.

	595	4:13:02:10	4:13:04:15	02:05
	ZOE TO LUCY:
Lucy, you need to get some ice on that head wound.

	596	4:13:04:20	4:13:07:18	02:28
	ZOE TO ALPHONSE/
ALPHONSE TO ZOE:
- Al, take her down to the med ward.
- Come with me.

SCENE 108		4:13:07:19
MCU ON MAX.

SCENE 109		4:13:08:23
CU ON KEYS AS MAX SLIPS THEM INTO HIS POCKET.

SCENE 110		4:13:10:08
MCU ON ZOE TURNING TO MAX IN FG AS DUO EXIT IN BG. SHE APPROACHES MAX.
			
SCENE 111		4:13:17:03
OTS MCU ON MAX.

ZOE:
One day, and you're back trying to fuck up my life again.
	597	4:13:20:20	4:13:23:01	02:11
	ZOE TO MAX:
One day...

	598	4:13:23:20	4:13:27:02	03:12
	and you're back trying to fuck up my life again.

SCENE 112		4:13:29:22
OTS MS ON ZOE, SHE TURNS MOVING R HEADING BACK TO HER DESK.

MAX:
Zoe.

ZOE TURNS BACK TO MAX IN SHOCK.

	599	4:13:31:15	4:13:34:21	03:06
	MAX TO ZOE:
Zoe.

SCENE 113		4:13:36:22
MFS ON MAX.

MAX:
(growls)

SCENE 114		4:13:39:20
MCU ON ZOE.

ZOE:
What?

	600	4:13:45:00	4:13:46:15	01:15
	ZOE TO MAX:
What?

SCENE 115		4:13:45:20
CU BACK ON MAX. HE PULLS AT CHAINS.

MAX:
(growls)

SCENE 116		4:13:52:20
OTS MFS ON ZOE MOVING UP TO MAX IN FG.

ZOE:
You're nothing but filth.

MAX:
You are mine.

SHE TURNS HEADING BACK TO HER DESK IN RBG.

	601	4:14:00:10	4:14:02:20	02:10
	ZOE TO MAX:
You're nothing...

	602	4:14:03:01	4:14:05:10	02:09
	but filth.

	603	4:14:06:03	4:14:12:00	05:27
	MAX TO ZOE:
You are mine.

SCENE 117		4:14:19:12
MFS ON MAX. HE PULLS AT CHAINS.

MAX:
(growls)

SCENE 118		4:14:25:14
MFS ON ZOE SEATED AT DESK.

SCENE 119		4:14:28:04
CU ON VIAL AS ZOE FILLS IT WITH BLOOD. SHE PLACES IT INTO CENTRIFUGE.

			
SCENE 120		4:14:36:11
MFS ON MAX PULLING AT CHAINS.

MAX:
(growls)

SCENE 121		4:14:38:01
CU ON GLASS SLIDE AS ZOE PUTS BLOOD DROP ON IT.

SCENE 122		4:14:45:09
MS BACK ON MAX PULLING AT CHAINS.

SCENE 123		4:14:51:07
MFS ON ZOE LOOKING OVER AT MAX. SHE TURNS BACK TO HER WORK. SHE PLACES SLIDE UNDER MICROSCOPE.

	604	4:14:56:00	4:14:59:00	03:00
	MAX TO ZOE/
ZOE TO MAX:
- Zoe!
- Shut up!

SCENE 124		4:14:56:18
MS BACK ON MAX.

MAX:
(growls) Zoe!

SCENE 125		4:14:57:08
MFS BACK ON ZOE LOOKING AT MAX IN FG.

ZOE:
Shut up!

SHE TURNS BACK TO WORK.

MAX:
(growls)

ZOE GETS UP MOVES OVER TO MAX.

ZOE:
I have had enough of this! I know what you're trying to do, and it is not going to work. I only have a few hours to stop this virus and nothing you say or do is going to fucking stop me!
	605	4:15:04:10	4:15:07:12	03:02
	ZOE TO MAX:
I have had enough of this!

	606	4:15:08:20	4:15:11:05	02:15
	ZOE TO MAX:
I know what you're trying to do, and it is not going to work.

	607	4:15:11:10	4:15:13:15	02:05
	ZOE TO MAX:
I only have a few hours to stop this virus...

	608	4:15:13:20	4:15:17:10	03:20
	and nothing you say or do is going to fucking stop me!

SCENE 126		4:15:17:11
MCU ON MAX.

			
SCENE 127		4:15:20:12
MCU ON ZOE. SHE TURNS AND MOVES BACK TO DESK IN BG AND SITS.

(NEW MUSIC IN)

SCENE 128		4:15:25:05
CU ON SLIDE AS ZOE ADJUSTS IT SETTING OFF RESEARCH MONTAGE
AS ZOE TESTS BLOOD. ZOE LOOKS THROUGH MICROSCOPE, CU ON BLOOD CELLS, CU OF SAMPLE BEING PUT INTO CASE, ZOE REMOVING BLOOD VIAL FROM CENTRIFUGE, BLOOD BEING EXTRACTED FROM VIAL, BLOOD DROP BEING PUT ON GLASS SLIDE.

ZOE V.O.:
Commencement of testing for patient 15009, Max. Beginning with current hypothesis of samples. Homo sapiens' blood and anomaly cells otherwise known as Rotter's blood. Current tests show that homo sapiens' blood, despite the different amounts. all react consistently with our tests.

	609	4:15:28:00	4:15:32:15	04:15
(ITALICS)	ZOE TO V.O.:
Commencement of testing for patient 15009, Max.

	610	4:15:32:20	4:15:35:11	02:21
(ITALICS)	ZOE TO V.O.:
Beginning with current hypothesis of samples.

	611	4:15:35:16	4:15:37:23	02:07
(ITALICS)	ZOE TO V.O.:
Homo sapiens' blood and anomaly cells...

	612	4:15:38:04	4:15:40:15	02:11
(ITALICS)	otherwise known as Rotter's blood.

	613	4:15:40:20	4:15:44:10	03:20
(ITALICS)	ZOE TO V.O.:
Current tests show that homo sapiens' blood, despite the different amounts...

	614	4:15:44:15	4:15:47:05	02:20
(ITALICS)	all react consistently with our tests.

SCENE 129		4:15:46:12
RESEARCH MONTAGE CONTINUES WITH BLOOD SLIDES BEING PRESSED TOGETHER, CU ON MICROSCOPE, CU ON BLOOD CELLS, BEING ATTACKED BY VIRUS, MCU ON ZOE,  CU ON CENTRIFUGE BEING CLOSED THEN REOPENED AS IT SPINS, BLOOD DROP BEING PUT ON GLASS SLIDE, ZOE LOOKING INTO MICROSCOPE. 

ZOE V.O.:
The virus shows no signs of letting up. It has, and always will, infect us at alarming rates. Patient 15009's blood, however shows signs of dormant activity within all human blood cells. 

	615	4:15:47:10	4:15:49:10	02:00
(ITALICS)	ZOE TO V.O.:
The virus shows no signs of letting up.

	616	4:15:49:15	4:15:53:15	04:00
(ITALICS)	ZOE TO V.O.:
It has, and always will, infect us at alarming rates.

	617	4:15:53:20	4:15:56:12	02:22
(ITALICS)	ZOE TO V.O.:
Patient 15009's blood, however...

	618	4:15:56:17	4:15:59:23	03:06
(ITALICS)	shows signs of dormant activity within all human blood cells.

SCENE 130		4:16:00:04
RESEARCH MONTAGE CONTINUES WITH CU ON MICROSCOPE, ZOE LOOKING INTO MICROSCOPE, CU ON BLOOD CELLS BEING ATTACKED BY VIRUS, ZOE LOOKING INTO MICROSCOPE, BLOOD BEING EXTRACTED FROM VIAL AND PUT ONTO GLASS SLIDE, MCU ON ZOE, BLOOD BEING PUT ON GLASS SLIDE, CU ON SLIDE UNDER MICROSCOPE.

ZOE V.O.:
They appear to coexist without any signs of threat or exigency to our living blood samples. Despite the fact the idea of his blood in anybody, let alone mine, is nauseating, this is critical for my hypothesis for the cure. So here comes the moment of truth. Testing patient 15009's blood against the anomaly Rotter cells.

	619	4:16:00:04	4:16:03:00	02:26
(ITALICS)	ZOE TO V.O.:
They appear to coexist without any signs of threat...

	620	4:16:03:05	4:16:06:00	02:25
(ITALICS)	or exigency to our living blood samples.

	621	4:16:06:05	4:16:11:10	05:05
(ITALICS)	ZOE TO V.O.:
Despite the fact the idea of his blood in anybody, let alone mine, is nauseating...

	622	4:16:11:15	4:16:14:15	03:00
(ITALICS)	this is critical for my hypothesis for the cure.

	623	4:16:14:20	4:16:17:10	02:20
(ITALICS)	ZOE TO V.O.:
So here comes the moment of truth.

	624	4:16:17:15	4:16:20:10	02:25
(ITALICS)	ZOE TO V.O.:
Testing patient 15009's blood...

	625	4:16:20:15	4:16:23:00	02:15
(ITALICS)	against the anomaly Rotter cells.

	626	4:16:23:05	4:16:26:10	03:05
(ITALICS)	ZOE TO V.O.:
If this works, patient 15009's blood...

SCENE 131		4:16:23:17
RESEARCH MONTAGE CONTINUES WITH ZOE LOOKING INTO MICROSCOPE, SLIDE BEING PUT UNDER MISCROSCOPE, MCU ON ZOE, CU ON SLIDE UNDER MISCROSCOPE, MCU ON ZOE, CU ON SLIDE UNDER MISCROSCOPE, CU ON BLOOD CELLS NOT BEING ATTACKED BY
VIRUS.

ZOE V.O.:
If this works, patient 15009's blood can be effectively engaged in our bloodstream to kill off any Rotter cells before it spreads. Patient 15009's blood is the answer to destroying the Rotter cells in infected bodies.

	627	4:16:26:15	4:16:28:15	02:00
(ITALICS)	can be effectively engaged in our bloodstream...

	628	4:16:28:20	4:16:32:10	03:20
(ITALICS)	to kill off any Rotter cells before it spreads.

	629	4:16:32:15	4:16:36:00	03:15
(ITALICS)	ZOE TO V.O.:
Patient 15009's blood is the answer...

	630	4:16:36:05	4:16:39:15	03:10
(ITALICS)	to destroying the Rotter cells in infected bodies.

SCENE 132		4:16:39:20
MCU ON ZOE.

ZOE V.O.:
If we aren't too late.

SHE GRABS WALKIE-TALKIE.

ZOE:
(into walkie) Baca? Come down here right now.

	631	4:16:39:20	4:16:42:15	02:25
(ITALICS)	ZOE TO V.O.:
If we aren't too late.

	632	4:16:44:15	4:16:47:21	03:06
	ZOE INTO WALKIE:
Baca? Come down here right now.

SCENE 133		4:16:46:21
MS ON ZOE.

SCENE 134		4:16:47:22
MCU ON ZOE AS MAX APPEARS BEHIND HER.

MAX:
(heavy breathing)

ZOE TURNS AROUND SEEING MAX. SHE LEAPS UP FROM SEAT. MAX RUSHES UP GRABBING HER BY THE THROAT SHOVING HER BACK AGAINST DESK. 

MAX:
You are mine.

SHE REACHES OUT GRABBING CONTAINER OF ACID AND THROWS IT IN
HIS FACE. HE REACTS STUMBLING BACK HOLDING HIS FACE.

MAX:
(roars)

	633	4:16:54:15	4:16:58:17	04:02
	MAX TO ZOE:
You are mine.

SCENE 135		4:17:00:19
MS ON ZOE RUNNING L TO DOOR.

SCENE 136		4:17:01:20
MCU ON MAX HOLDING HIS BURNING FACE.

SCENE 137		4:17:02:20
MFS ON ZOE EMERGING FROM LAB INTO HALLWAY. SHE SLAMS DOOR CLOSED AND RUNS INTO BG DOWN HALL.

SCENE 138		4:17:05:14
FS ON ZOE RUNNING UP TO THEN R PAST CAMERA AS SHE MEETS
OTHERS MOVING TO MEET HER.

BACA:
Oh, hey!

SCENE 139		4:17:07:22
OTS MCU ON BACA AND ALPHONSE.

BACA:
Zoe, Zoe, what's the matter?

	634	4:17:07:22	4:17:10:18	02:26
	BACA TO ZOE/
ZOE TO GUYS:
- Zoe, Zoe, what's the matter?
- It's Max, he's free.

SCENE 140		4:17:09:07
OTS CU ON ZOE.

ZOE:
It's Max, he's free.

SCENE 141		4:17:10:23
OTS MCU ON BACA.

BACA:
Where is he?

ZOE:
In the med lab.

BACA:
Let's go!

	635	4:17:10:23	4:17:12:05	01:12
	BACA TO ZOE/
ZOE TO GUYS:
- Where is he?
- In the med lab.

	636	4:17:12:10	4:17:15:20	03:10
	BACA TO GROUP/
ZOE TO GROUP:
- Let's go!
- No head shots! I need him alive!

SCENE 142		4:17:12:21
FS ON GROUP AS THEY RUSH L PAST CAMERA AND DOWN HALLWAY INTO BG.

ZOE:
No head shots! I need him alive!

SCENE 143		4:17:16:19
MFS ON LUCY ARRIVING AT LAB DOOR.

SCENE 144		4:17:18:00
INT. MED LAB - NIGHT
FS ON DOOR AS LUCY PULLS IT OPEN AND BACA RUSHES IN.

			
SCENE 145		4:17:19:23
BACA'S POV SCANNING EMPTY LAB.

SCENE 146		4:17:20:21
MFS ON BACA AND ALPHONSE WITH GUNS DRAWN IN FG AS ZOE AND
LUCY LOOK IN FROM HALL IN BG.

BACA:
Fuck!

ALPHONSE:
Shit!

BACA:
Sound the alarm.

	637	4:17:21:15	4:17:23:15	02:00
	BACA REACTING/
ALPHONSE REACTING:
- Fuck!
- Shit!

	638	4:17:23:20	4:17:27:05	03:15
	BACA TO GROUP:
Sound the alarm. We need everyone to get
back to the township, now!

SCENE 147		4:17:24:15
REVERSE OTS FS ON BACA AND ALPHONSE IN LAB AS GIRLS LOOK IN
FROM HALLWAY IN FG.

BACA:
We need everyone to get back to the township, now!

BACA AND ALPHONSE RUSH INTO HALL AND OSL AS LUCY CLOSES DOOR TO LAB.

SCENE 148		4:17:27:18
LAST FRAME OF REEL 4.

			

COMBINED DIALOGUE CONTINUITY 	REEL 5	SUBTITLE/SPOTTING LIST	
Scene # / First Frame of Scene
Scene Description 	# In / Out / Elapsed 	Title	
SCENE 1		5:00:00:00
INT. TOWNSHIP - NIGHT
WIDE MFS ON SOLDIERS SEATED AROUND TABLE PLAYING CARDS.

(ALARM SOUNDS)

(MUSIC IN)

SOLDIERS LEAP UP AND RUSH R PAST CAMERA.

MALE VOICE:
(over PA) Emergency. All military personnel please report to the squad room.

	639	5:00:01:15	5:00:05:21	04:06
(ITALICS)	MALE VOICE OVER P.A.:
Emergency. All military personnel please report to the squad room.

SCENE 2		5:00:06:02
INT. MEDICAL WARD - NIGHT
MS ON LILY GETTING UP FROM BED AND MOVING R TO DOOR.

MALE VOICE:
(over PA) Civilians are advised to remain secured in the township. Emergency. All civilians are advised to remain secured in the township.

	640	5:00:06:02	5:00:10:05	04:03
(ITALICS)	MALE VOICE OVER P.A.:
Civilians are advised to remain secured in the township.

	641	5:00:10:10	5:00:15:15	05:05
(ITALICS)	MALE VOICE OVER P.A.:
Emergency. All civilians are advised to remain secured in the township.

SCENE 3		5:00:15:20
INT. HIGH ROCK BUNKER - NIGHT
CU ON SPEAKER ON WALL.

MALE VOICE:
(over PA) All residents to the township. I repeat.

	642	5:00:15:20	5:00:18:19	02:29
(ITALICS)	MALE VOICE OVER P.A.:
All residents to the township. I repeat.

	643	5:00:19:00	5:00:21:13	02:13
(ITALICS)	MALE VOICE OVER P.A.:
Everyone report to the township immediately.

SCENE 4		5:00:19:02
INT. MEDICAL WARD - NIGHT
MS ON LILY MOVING OUT OF ROOM INTO HALLWAY.

MALE VOICE:
(over PA) Everyone report to the township immediately.

SCENE 5		5:00:21:18
INT. TOWNSHIP - NIGHT
MS ON SHANNON SITTING UP IN BED BESIDE CRYING BABY.

MALE VOICE:
(over PA) This is not a drill. I repeat, this is not a drill.

	644	5:00:21:18	5:00:26:05	04:17
(ITALICS)	MALE VOICE OVER P.A.:
This is not a drill. I repeat, this is not a drill.

SCENE 6		5:00:27:05
MS ON WOMAN LOOKING OUT WINDOW.

SCENE 7		5:00:29:18
FS ON PEOPLE GETTING OUT OF TENTS AND TRAILERS IN A PANIC.

PEOPLE:
(walla)

SCENE 8		5:00:39:21
INT. HIGH ROCK BUNKER - NIGHT
FS ON BACA, ALPHONSE, ZOE AND LUCY MOVING UP HALLWAY TO FG. ZOE PAUSES.

ZOE:
Lily!

BACA TURNS BACK TO ZOE.

ZOE:
Get everyone to the township! I'll meet you there!

SHE TURNS AND RACES BACK DOWN HALLWAY.

BACA:
Be careful!

ZOE:
I'll be okay!

TRIO TURN AND CONTINUE UP HALLWAY.

	645	5:00:42:06	5:00:46:00	03:24
	ZOE TO BACA:
Lily! Get everyone to the township! I'll meet you there!

	646	5:00:46:05	5:00:49:00	02:25
	BACA TO LILY/
ZOE TO BACA:
- Be careful!
- I'll be okay!

SCENE 9		5:00:49:09
INT. MEDICAL WARD - NIGHT
MS ON ZOE AT DOOR. SHE LOOKS IN SEEING IT'S EMPTY. SHE TURNS AND RUSHES OS DOWN HALLWAY AGAIN.

SCENE 10		5:00:53:23
INT. HIGH ROCK BUNKER - NIGHT
LS ON LILY IN DISTANCE AS SHE MOVES UP HALLWAY TO FG.

			
SCENE 11		5:01:03:09
FS ON EMPTY HALLWAY AS WENDY MOVES IN FROM OSL IN DISTANCE.

LILY O.S.:
Mom?

SCENE 12		5:01:03:10
MS ON LILY.

LILY:
Mom?

	647	5:01:07:10	5:01:09:00	01:20
	LILY TO WENDY:
Mom?

	648	5:01:11:05	5:01:13:00	01:25
	LILY TO WENDY:
Mom?

SCENE 13		5:01:12:03
REAR MCU ON WENDY TURNING TO CAMERA. SHE'S A ROTTER.

WENDY:
(roars)

SCENE 14		5:01:13:04
MCU BACK ON LILY.

LILY:
(screams)

SHE TURNS AND RUNS INTO BG DOWN HALLWAY AS WENDY TAKES OFF
AFTER HER.

WENDY:
(growls)

SCENE 15		5:01:20:18
MS ON DEREK AS LILY RUNS INTO HIM FROM OSL.

DEREK:
Oh, my God, Lily! What are you doing out here?

LILY:
She's coming!

	649	5:01:20:18	5:01:24:00	03:12
	DEREK TO LILY/
LILY TO DEREK:
- Oh, my God, Lily! What are you doing out here?
- She's coming!

SCENE 16		5:01:24:01
MCU ON DEREK LOOKING R AT LILY AS WENDY RUSHES UP BEHIND HIM FROM OSL AND BITES HIM.

WENDY:
(growls)

LILY REACTS BACKING AWAY.

SCENE 17		5:01:28:13
MCU ON DEREK IN FS AS HIS NECK IS RIPPED OPEN BY WENDY AS LILY WATCHES FROM BG.

DEREK:
Ahhh!

SCENE 18		5:01:29:19
CU ON WENDY.

SCENE 19		5:01:30:13
MCU ON LILY COWERING IN CORNER.

LILY:
(cries out)

SCENE 20		5:01:33:21
FS ON WENDY STANDING OVER DEREK'S DEAD BODY. SHE BEGINS WALKING TOWARDS LILY IN FG.

LILY:
No! Mommy, don't! Please don't!

MAX STEPS OUT FROM AROUND CORNER BEHIND WENDY GRABBING HER FROM BEHIND AND SNAPPING HER NECK AS SHE DROPS OUT OF FRAME.

	650	5:01:37:02	5:01:39:15	02:13
	LILY TO WENDY:
Mommy, don't! Please don't!

SCENE 21		5:01:40:23
MCU ON LILY.

LILY:
(screams)

			
SCENE 22		5:01:42:01
MCU ON MAX LOOKING AT LILY IN FG.

MAX:
(roars)

LILY:
(screams)

SCENE 23		5:01:44:10
INT. TOWNSHIP - NIGHT
WIDE FS ON SOLDIERS AND TOWNSFOLK ALL STANDING AROUND
FACING.

(MUSIC CONTINUES)

(ALARM CONTINUES)

ELLE:
What's wrong? What's going on?

JEFF:
Is something happening?

ELLE:
What do we do?

	651	5:01:44:10	5:01:46:15	02:05
	ELLE TO BACA/
JEFF TO BACA:
- What's wrong? What's going on?
- Is something happening?

	652	5:01:46:20	5:01:49:00	02:10
	ELLE TO BACA/
JEFF TO BACA:
- What do we do?
- Why are the alarm--

SCENE 24		5:01:48:15
OTS MS ON ZOE LUCY AND BACA FACING PEOPLE.

JEFF:
Why are the alarms--

BACA:
Quiet! Calm down, all right?

JEFF:
Baca, is something happening?

MIGUEL PUSHES THROUGH CROWD MOVING UP TO FACE BACA.

MIGUEL:
What the hell happened?

BACA:
It's the Rotter. He's loose inside the complex.

	653	5:01:49:05	5:01:51:15	02:10
	BACA TO GROUP/
JEFF TO BACA:
- Quiet! Calm down, all right?
- Baca, is something happening?

	654	5:01:51:20	5:01:53:15	01:25
	MIGUEL TO BACA
What the hell happened?

	655	5:01:55:00	5:01:59:00	04:00
	BACA TO MIGUEL:
It's the Rotter. He's loose inside the complex.

SCENE 25		5:01:59:01
OTS MCU ON MIGUEL FACING BACA.

MAN O.S.:
You gotta tell us.

WOMAN:
What?

(WALLA FROM PEOPLE)

MIGUEL TURNS TO PEOPLE.

SCENE 26		5:02:05:16
OTS MS ON LUCY, BACA, MIGUEL FACING PEOPLE IN FG.

MIGUEL:
Don't worry. Everyone go back to your bed. Everything's under control.

JEFF:
Lieutenant, something is not right.

ELLE: 
We need to know.

MIGUEL:
Please, everything's okay. Just go back to your homes.

WOMAN O.S.:
No.

MAN O.S.:
No.

	656	5:02:05:16	5:02:08:18	03:02
	MIGUEL TO GROUP:
Don't worry. Everyone go back to your bed. Everything's under control.

	657	5:02:08:23	5:02:10:14	01:21
	JEFF TO MIGUEL/
ELLE TO MIGUEL:
- Lieutenant, something is not right.
- We need to know.

	658	5:02:10:19	5:02:14:20	04:01
	MIGUEL TO GROUP:
Please, everything's okay. Just go back to your homes.

SCENE 27		5:02:14:21
MFS ON PEOPLE AS THEY BEGIN TO TURN AND DISPERSE.

(WALLA FROM CROWD)

MAN:
All right, we'll go.

			
SCENE 28		5:02:22:00
MCU ON BACA AND MIGUEL.

MIGUEL:
You happy now, Baca? I told you not to trust Zoe.

MIGUEL:
Find that Rotter, kill it.

BACA:
No, we need to take it alive. There's a chance we can still get that vaccine.

MIGUEL:
Everyone that fails to comply to my orders will be executed on the spot. 

	659	5:02:22:10	5:02:26:07	03:27
	MIGUEL TO BACA:
You happy now, Baca? I told you not to trust Zoe.

	660	5:02:26:12	5:02:28:15	02:03
	MIGUEL TO GROUP/
BACA TO MIGUEL:
- Find that Rotter, kill it.
- No, we need to take it alive.

	661	5:02:28:20	5:02:31:05	02:15
	BACA TO MIGUEL/
MIGUEL TO BACA:
- There's a chance we can still get that vaccine.
- Everyone that fails to comply to my orders...

	662	5:02:31:10	5:02:33:10	02:00
	MIGUEL TO BACA:
will be executed on the spot. 

SCENE 29		5:02:33:03
MCU ON BROTHERS IN FG AS ALPHONSE MOVES UP FROM BG.

ALPHONSE:
We got a problem in the motor pool. Guards aren't responding.

MIGUEL:
Okay, we gotta get to the motor pool. Lucy, Alphonse, stay here, protect the people. Everyone else on me!

MIGUEL, BACA AND SOLDIERS BEGIN RUNNING INTO BG  THROUGH
TOWNSHIP.

ALPHONSE O.S.:
Copy that!

	663	5:02:33:15	5:02:36:10	02:25
	ALPHONSE TO MIGUEL:
We got a problem in the motor pool.
Guards aren't responding.

	664	5:02:36:15	5:02:38:20	02:05
	MIGUEL TO GROUP:
Okay, we gotta get to the motor pool. Lucy, Alphonse, stay here, protect the people.

	665	5:02:39:01	5:02:41:15	02:14
	MIGUEL TO GROUP/
ALPHONSE TO MIGUEL:
- Everyone else on me!
- Copy that!

SCENE 30		5:02:42:16
INT. HIGH ROCK BUNKER - NIGHT
FS ON ZOE RUNNING UP HALLWAY.

(MUSIC CONTINUES)

(ALARM CONTINUES)

SHE PAUSES LOOKING DOWN.

			
SCENE 31		5:02:47:08
CU ON NECKLACE ON FLOOR AS ZOE PICKS IT UP.

	666	5:02:49:05	5:02:50:15	01:10
	ZOE TO HERSELF:
Lily.

SCENE 32		5:02:49:14
MCU ON ZOE.

ZOE:
Lily.

SCENE 33		5:02:50:22
FS ON ZOE AS SHE TAKES OFF RUNNING AS CAMERA FOLLOWS.

SCENE 34		5:02:57:07
INT. MOTOR POOL - NIGHT
FS ON ZOE RUSHING INTO ROOM. SHE PAUSES LOOKING AT DEAD GUARDS ON FLOOR IN FG AS CAMERA PANS TO THEM. SHE PICKS UP GUN FROM BODY AND MOVES TO CAMERA PAST JEEPS AND VEHICLES.

SCENE 35		5:03:48:21
MCU ON ZOE TURNING TO CAMERA POINTING GUN.

LILY O.S.:
(whimpers)

SCENE 36		5:03:50:04
OTS FS ON MAX HOLDING LILY HOSTAGE AS ZOE POINTS GUN AT HIM.

ZOE:
Let her go.

MAX:
Zoe.

LILY:
(whimpers)

	667	5:03:51:05	5:03:52:21	01:16
	ZOE TO MAX:
Let her go.

	668	5:03:53:15	5:03:57:15	04:00
	MAX TO ZOE:
Zoe.

SCENE 37		5:03:57:20
OTS FS ON ZOE POINTING GUN AT MAX.

ZOE:
Let her go, Max.

	669	5:03:57:20	5:04:00:15	02:25
	ZOE TO MAX:
Let her go, Max.

SCENE 38		5:04:01:00
MCU ON MAX HOLDING LILY.

MAX:
I...came for you. You...need me.

	670	5:04:01:15	5:04:04:00	02:15
	MAX TO ZOE:
I...

	671	5:04:05:00	5:04:07:22	02:22
	came for you.

	672	5:04:08:03	5:04:10:10	02:07
	MAX TO ZOE:
You...

	673	5:04:10:15	5:04:14:07	03:22
	need me.

SCENE 39		5:04:14:08
OTS MFS ON ZOE POINTING GUN AT MAX.

ZOE:
You want me alive?

SHE PUTS GUN TO HER OWN HEAD.

ZOE:
Let her go.

MAX
No!

HE LIFTS LILY UP BY THE NECK.

LILY:
(cries out)

MAX:
(growls)

ZOE:
Okay, okay.

SHE LOWERS GUN.

	674	5:04:14:20	5:04:17:00	02:10
	ZOE TO MAX:
You want me alive...

	675	5:04:19:10	5:04:21:02	01:22
	let her go.

	676	5:04:21:07	5:04:22:17	01:10
	MAX TO ZOE:
No!

	677	5:04:25:21	5:04:27:21	02:00
	ZOE TO MAX:
Okay, okay.

SCENE 40		5:04:27:22
MS ON MAX AND LILY.

MAX:
(growls)

SCENE 41		5:04:30:23
OTS FS ON ZOE AS SHE TOSSES GUN ASIDE. MAX THROWS LILY ASIDE AND RUSHES AT ZOE GRABBING HER BY THE HAIR.

ZOE:
Ahh!

SCENE 42		5:04:38:07
FS ON LILY CRAWLING UNDER JEEP

ZOE. O.S.:
(grunts)

SCENE 43		5:04:40:05
MS ON MAX AND ZOE AS HE WALKS HER OVER TO WALL BY THE HAIR AND PRESSES RELEASE BUTTON FOR MAIN BUNKER DOORS.

SCENE 44		5:04:46:02
CU ON DOOR OPENING.

(ALARM BUZZER)

MALE VOICE:
(over PA) Main gate is now open.

	678	5:04:46:20	5:04:49:10	02:20
(ITALICS)	MALE VOICE OVER P.A.:
Main gate is now open.

SCENE 45		5:04:49:11
MS ON MAX AND ZOE MOVING TO OPEN DOOR AS ROTTERS RUSH IN FROM OUTSIDE TO ATTACK AS MAX FENDS THEM OFF OF ZOE.

SCENE 46		5:04:57:22
MFS ON MIGUEL, BACA AND SOLDIERS ENTERING MOTOR POOL AREA.

MIGUEL:
Go now!

THEY BEGIN FIRING OS AT ROTTERS.

	679	5:04:58:20	5:05:00:22	02:02
	MIGUEL TO GROUP:
Go now!

SCENE 47		5:05:00:03
FS ON ROTTERS SWARMING IN THROUGH DOORS AS THEY ARE SHOT BY MIGUEL, BACA AND SOLDIERS.

SCENE 48		5:05:07:00
MCU ON LILY LOOKING OUT FROM UNDER JEEP. SHE TURNS TO BG
SEEING ROTTER WHO SEES HER.

SCENE 49		5:05:09:05
FS ON LILY RUNNING OUT FROM UNDER JEEP AND RUNNING TO CAMERA AS IT FOLLOWS.

LILY:
No!

SCENE 50		5:05:10:23
MS ON MAX HOLDING ZOE BY THE HAIR AS HE FIGHTS OFF ROTTER.

MAX:
(growls)

SCENE 51		5:05:12:13
MCU ON MIGUEL FIRING OSR.

SCENE 52		5:05:13:14
MS ON ZOE AND MAX AS HE'S HIT IN CHEST. HE GOES DOWN AS ZOE
BREAKS FREE.

SCENE 53		5:05:16:20
FS ON ROTTERS SWARMING IN DOORWAY AS LILY RUNS OUT AS ZOE
WATCHES HER.

ZOE:
Lily!

	680	5:05:17:09	5:05:19:10	02:01
	ZOE TO LILY:
Lily!

SCENE 54		5:05:18:13
FS ON MAX ON GROUND.

MAX:
(growls)

SCENE 55		5:05:19:15
FS ON ZOE RUNNING OUT OF BUNKER AFTER LILY AS ROTTERS SWARM
IN AS BACA WATCHES.

BACA:
Zoe!

HE FIRES AT ROTTERS.

	681	5:05:20:22	5:05:22:16	01:24
	BACA TO ZOE:
Zoe!

SCENE 56		5:05:22:17
FS ON MAX LEAPING UP AND RACING  OUT BUNKER DOORS AFTER ZOE
AS HE PLOWS THROUGH ROTTERS KNOCKING THEM ASIDE.

MAX:
(growls)

SCENE 57		5:05:30:23
MS ON MIGUEL SHOOTING AT ROTTERS AS THEY RUSH INTO BUNKER.

	682	5:05:37:15	5:05:39:03	01:18
	BACA TO ZOE:
Zoe!

SCENE 58		5:05:38:04
MFS ON BACA AND SOLDIER FIRING AT ROTTERS.

BACA:
Zoe!

SOLDIER MOVES UP PAST BACA FIRING AS BACA RELOADS.

SCENE 59		5:05:42:20
FS ON ROTTERS RUSHING IN AS THEY ARE SHOT.

SCENE 60		5:05:45:17
FS ON BACA FIRING AT ROTTERS AS THEY RUSH AT HIM FROM FG.

SCENE 61		5:05:47:20
CU ON GUN AS BACA RELOADS.

MIGUEL O.S.:
Move! Move! Move! Move!

	683	5:05:47:20	5:05:50:10	02:20
	MIGUEL TO GROUP:
Move! Move! Move! Move!

SCENE 62		5:05:49:01
MCU ON MIGUEL SHOOTING AS ACTION SEQUENCE CONTINUES WITH BACA SHOOTING THEN SOLDIERS SHOOTING AS ROTTERS SWARM IN. ROTTER CHARGES SAVIN WHO SHOOTS HIM AS ANOTHER ROTTER RUSHES UP BEHIND AND ATTACKS SAVIN.

ROTTER:
(squeals)

SCENE 63		5:05:57:09
FS ON ROTTERS EATING SAVIN.

SAVIN:
Ahh!

ROTTERS:
(grunt)

SCENE 64		5:06:02:22
INT. TOWNSHIP - NIGHT
MFS ON ALPHONSE AND LUCY IN FG.

(NEW MUSIC IN)

(ALARM SOUNDS)

ALPHONSE:
(into walkie) Lieutenant, what's the report on the motor pool?

(STATIC OVER RADIO)

ALPHONSE GIVES LUCY A LOOK.

	684	5:06:04:10	5:06:08:00	03:20
	ALPHONSE INTO WALKIE:
Lieutenant, what's the report on the motor pool?

SCENE 65		5:06:12:04
MCU ON ALPHONSE MOVING R TO LUCY.

ALPHONSE:
(into walkie) Lieutenant, do you read me?

ROTTER O.S.:
((growl)

DUO REACT.

	685	5:06:12:15	5:06:15:06	02:21
	ALPHONSE INTO WALKIE:
Lieutenant, do you read me?

SCENE 66		5:06:16:18
MFS ON ALPHONSE AND LUCY IN FG REACTING AS ROTTERS SWARM INTO TOWNSHIP IN BG. THEY BEGIN FIRING.

ALPHONSE:
Fuck!

	686	5:06:16:18	5:06:17:19	01:01
	ALPHONSE REACTING:
Fuck!

SCENE 67		5:06:19:20
MFS ON ELLE TRYING TO GET INTO TRAILER AS SHE IS ATTACKED AND DRAGGED TO THE GROUND.

ELLE
Ahh!

ONE ROTTER BREAKS HER LEG OPEN.

ELLE:
Ahh!

ALPHONSE FIRES AT ROTTERS KNOCKING THEM OFF HER.

SCENE 68		5:06:26:01
CU ON ELLE AS ALPHONSE SHOOTS HER IN FOREHEAD.

SCENE 69		5:06:27:04
MS ON LUCY FIRING AT ROTTERS. SHE TURNS SEEING SHANNON FLEEING WITH BABY INTO BG.

LUCY:
Shannon!

LUCY TAKES AIM.

	687	5:06:30:23	5:06:32:12	01:19
	LUCY TO SHANNON:
Shannon!

SCENE 70		5:06:31:15
MS ON SHANNON TRYING TO GET INTO TRAILER AS ROTTER RUSHES HER, BUT IS SHOT BY LUCY.

SCENE 71		5:06:33:23
ACTION SEQUENCE CONTINUES WITH ROTTER ON GROUND EATING VICTIM. ALPHONSE SHOOTS THEM THEN TURNS JUST AS ROTTER IS UPON HIM AND SHOOTS IT. WOMAN FIRES AT ROTTERS AS SHE IS ATTACKED FROM BEHIND AND BITTEN. A DEAD ROTTER'S HEAD IS
CRUSHED BY GAS CANISTER AS LUCY CONTINUES SHOOTING AT ROTTERS RUNNING WILD IN THE TOWNSHIP.

SCENE 72		5:06:50:12
MS ON LUCY SHOOTING AT ROTTERS IN BG AS ROTTER RUSHES IN FROM O.S. AND ATTACKS HER BITING HER.

ROTTER:
(growls)

LUCY:
Ahh!

ALPHONSE APPEARS FROM BEHIND TRAILER IN BG AS FIRES AT ROTTER KILLING IT AS IT DROPS OUT OF FRAME. LUCY STANDS THERE WITH WOUNDED NECK.

LUCY:
(whimpers)

SCENE 73		5:06:57:17
MCU ON ALPHONSE AIMING AT LUCY IN FG.

MAN O.S.:
(cries out)

SCENE 74		5:07:03:06
MCU ON LUCY AS SHE'S SHOT IN FOREHEAD AND DROPS OUT OF FRAME.

SCENE 75		5:07:05:17
MCU ON ALPHONSE.

	688	5:07:09:05	5:07:11:05	02:00
	MIGUEL TO BACA:
Cover me! I'm gonna close the door!

SCENE 76		5:07:09:16
INT. MOTOR POOL - NIGHT
MS ON MIGUEL.

(MUSIC CONTINUES)

MIGUEL:
Cover me! I'm gonna close the door!

HE STARTS MOVING TO CAMERA SHOOTING.

SCENE 77		5:07:11:06
OTS MS ON ROTTERS SWARMING IN THROUGH OPEN DOOR AS MIGUEL
MOVES WHILE SHOOTING THEM.
			
SCENE 78		5:07:13:20
MS ON BACA SHOOTING OS AT ROTTERS AS ONE RUSHES UP BEHIND HIM AND BITES HIM ON THE ARM.

BACA:
Ahh!

BACA SHOOTS IT IN THE HEAD.

SCENE 79		5:07:17:22
CU ON BUTTON ON WALL AS MIGUEL PRESSES IT.

(ALARM)

SCENE 80		5:07:18:11
MS ON MIGUEL.

SCENE 81		5:07:19:08
OTS MFS ON SAVIN WHO IS NOW A ROTTER CHARGING MIGUEL WHO
SHOOTS HIM.

BACA O.S.:
Miguel, open that...

	689	5:07:21:10	5:07:24:19	03:09
	BACA TO MIGUEL:
Miguel, open that fucking door! Lily and
Zoe are still outside!

SCENE 82		5:07:22:08
FS ON BACA MOVING L TO MIGUEL.

BACA:
...fucking door! Lily and Zoe are still outside!

MIGUEL SHOVES BACA OFF.

MIGUEL:
I don't give a fuck! The Rotters got in because of that bitch Zoe. That door stays closed.

BACA:
I am not leaving them outside!

MIGUEL AIMS GUN AT BACA.

MIGUEL:
Stand down, Baca.

	690	5:07:25:00	5:07:29:02	04:02
	MIGUEL TO BACA:
I don't give a fuck! The Rotters got in because of that bitch Zoe. That door stays closed.

	691	5:07:29:07	5:07:31:17	02:10
	BACA TO MIGUEL/
MIGUEL TO BACA:
- I am not leaving them outside!
- Stand down, Baca.

SCENE 83		5:07:31:18
OTS MFS ON BACA FACING MIGUEL WITH GUN ON HIM.

BACA:
So what, you're gonna shoot your own brother now?

MIGUEL:
I will if I have to.

BACA RAISES HIS GUN.

MIGUEL:
Don't make me do it.

ROTTER RUSHES IN FROM OSR ATTACKING MIGUEL.

	692	5:07:32:05	5:07:35:11	03:06
	BACA TO MIGUEL:
So what, you're gonna shoot your own
brother now?

	693	5:07:35:16	5:07:37:15	01:29
	MIGUEL TO BACA:
I will if I have to.

	694	5:07:40:00	5:07:41:23	01:23
	MIGUEL TO BACA:
Don't make me do it.

SCENE 84		5:07:42:00
MCU ON MIGUEL AS ROTTER ATTACKS HIM.

ROTTER:
(growls)

SCENE 85		5:07:42:07
MS ON MIGUEL BEING ATTACKED IN FG AS ANOTHER ROTTER RUSHES IN FROM OSL AND ATTACKS BACA KNOCKING HIM DOWN. BACA FENDS OFF ROTTER WHILE LOOKING OVER AT MIGUEL BEING BITTEN AND EATEN.

BACA:
Miguel!

	695	5:07:48:10	5:07:50:15	02:05
	BACA CALLS OUT:
Miguel!

SCENE 86		5:07:51:21
MS ON BACA FENDING OFF ROTTER TRYING TO BITE HIM AS MIGUEL IS TORN APART BY ROTTERS.

ROTTERS:
(grunt)

MIGUEL:
Ahhh!

BACA MANAGES TO FIRE OFF A ROUND INTO ROTTER ON TOP OF HIM. BACA LEAPS UP AND BEGINS SHOOTING AT ROTTERS EATING MIGUEL.

SCENE 87		5:08:05:14
MCU ON ROTTERS EATING MIGUEL AS THEY ARE SHOT BY BACA.

SCENE 88		5:08:07:04
MS ON BACA. LOOKING DOWN AT CARNAGE ON GROUND. HE THEN
LOOKS OS AT BUNKER DOORS.

			
SCENE 89		5:08:13:04
FS ON CLOSED DOORS.
			
SCENE 90		5:08:14:14
MFS ON BACA. HE MOVES L TO BUTTON ON WALL AND REACHES OUT
TO PRESS IT AS ROTTER RUSHES UP BEHIND HIM AND BITES HIM. BACA TURNS AND SHOOTS ROTTER.

MALE VOICE:
(over PA) Main gate is now opening.

	696	5:08:22:03	5:08:25:10	03:07
(ITALICS)	MALE VOICE OVER P.A.:
Main gate is now opening. Please stand clear.

SCENE 91		5:08:24:06
FS ON DOORS OPENING REVEALING PILES OF DEAD ROTTERS OUTSIDE.

MALE VOICE:
(over PA) Please stand clear. Main gate is now opening.
	697	5:08:25:15	5:08:29:05	03:20
(ITALICS)	MALE VOICE OVER P.A.:
Main gate is now opening. Please stand clear.

SCENE 92		5:08:27:08
MCU ON BACA REACTING TO BITE WOUND.

BACA:
(heavy breathing)

MALE VOICE:
(over PA) Please stand clear.
			
SCENE 93		5:08:29:06
EXT. HIGH ROCK BUNKER - NIGHT
FS ON LILY RUNNING TO FG WITH ZOE RUNNING AFTER HER IN DISTANCE.

(MUSIC CONTINUES)
			
SCENE 94		5:08:38:03
FS ON ZOE RUNNING.

ZOE:
Lily! 

	698	5:08:39:05	5:08:41:05	02:00
	ZOE TO LILY:
Lily! 

SCENE 95		5:08:40:01
MFS ON LILY TURNING TO BG AS ZOE RUNS UP TO HER.

ZOE:
Sweetie, are you okay?

LILY:
Yeah.

ZOE:
Here, come on. In here, sweetie.

SHE TAKES LILY BY THE HAND AND LEADS HER R TO ENTRANCE OF
GREENHOUSE. THEY ENTER AND CLOSE DOOR.

	699	5:08:42:15	5:08:45:15	03:00
	ZOE TO LILY/
LILY TO ZOE:
- Sweetie, are you okay?
- Yeah.

	700	5:08:47:10	5:08:49:10	02:00
	ZOE TO LILY:
Here, come on.

	701	5:08:50:15	5:08:52:10	01:25
	ZOE TO LILY:
In here, sweetie.

SCENE 96		5:08:56:11
INT. GREENHOUSE - NIGHT
FS ON ZOE AND LILY AS THEY MOVE THROUGH GREENHOUSE PAST
VEGETABLE GARDENS.

SCENE 97		5:09:07:15
ZOE'S POV AS SHE SCANS GREENHOUSE.

SCENE 98		5:09:09:13
FS ON DUO MOVING THROUGH GREENHOUSE.

SCENE 99		5:09:15:08
POV LOOKING OUT WINDOW AT MAX OUTSIDE.

MAX:
(growls)

SCENE 100		5:09:16:11
MS ON ZOE AND LILY REACTING.

ZOE:
(gasps)

SCENE 101		5:09:17:03
BACK TO POV ON MAX OUTSIDE AS HE MOVES L.
			
SCENE 102		5:09:19:11
FS ON MAX ENTERING GREENHOUSE IN BG.

MAX:
(growls)

HE MOVES TO CAMERA LOOKING AROUND FOR GIRLS AND SNIFFING.

SCENE 103		5:09:44:05
MAX'S POV SCANNING GREENHOUSE.

SCENE 104		5:09:46:00
MS BACK ON MAX MOVING ALONG GREENHOUSE LOOKING FOR GIRLS.
HE PAUSES LOOKING AROUND.

SCENE 105		5:10:02:15
MAX'S POV ZOOMING IN ON CLOTHING ON TABLE IN BG. MAX APPROACHES IT AND PICKS IT UP.

MAX:
Zoe.

	702	5:10:06:20	5:10:10:05	03:15
	MAX TO HIMSELF:
Zoe.

SCENE 106		5:10:11:09
MCU ON MAX SMELLING CLOTHING.

SCENE 107		5:10:13:03
MCU ON ZOE EMERGING FROM UNDER DIRT IN PLANTER AS SHE PLUNGES MACHETE INTO MAX'S STOMACH.

ZOE:
Ahh!

SHE PULLS IT OUT PULLING MAX'S ENTRAILS OUT AS WELL AS THEY
SPILL OUT ONTO FLOOR.

SCENE 108		5:10:19:04
MCU ON MAX REACTING.

MAX:
You...
	703	5:10:24:15	5:10:27:15	03:00
	MAX TO ZOE:
You are...

SCENE 109		5:10:25:20
OTS MCU ON ZOE.

MAX:
...are...mine!

	704	5:10:27:20	5:10:29:15	01:25
	mine!

SCENE 110		5:10:28:23
MS ON ZOE AND MAX FACING.

ZOE:
No. You're mine, motherfucker!

SHE SWINGS MACHETE CHOPPING MAX'S HEAD OFF.

	705	5:10:29:20	5:10:32:16	02:26
	ZOE TO MAX:
No. You're mine, motherfucker!

SCENE 111		5:10:33:11
CU ON MAX'S HEAD DROPPING TO GROUND.

SCENE 112		5:10:36:03
MS ON ZOE L REACHING OVER TO PLANTER TO HELP LILY OUT OF
DIRT.

ZOE:
Come on, Lily.

	706	5:10:36:05	5:10:38:05	02:00
	ZOE TO LILY:
Come on, Lily.

SCENE 113		5:10:39:14
INT. MOTOR POOL - NIGHT
CU ON GUN BEING COCKED.

(MUSIC CONTINUES)

SCENE 114		5:10:42:07
MS ON BACA SEATED AGAINST WALL.

BACA:
(sighs)

HE PUTS GUN TO HIS HEAD AND CLOSES HIS EYES.

ZOE O.S.:
Baca, don't!

HE OPENS HIS EYES.

	707	5:11:03:02	5:11:04:20	01:18
	ZOE TO BACA:
Baca, don't!

SCENE 115		5:11:05:18
MS ON ZOE AND LILY.

SCENE 116		5:11:07:06
CU ON BACA.

SCENE 117		5:11:11:07
MS BACK ON ZOE AND LILY.

			
SCENE 118		5:11:12:20
FS ON BACA AS ZOE CROUCHES DOWN FACING HIM.

BACA:
It's too late. I can feel it in my body. It's turning me.

ZOE:
You haven't fully turned yet The vaccine can still work.

BACA:
No.

	708	5:11:17:05	5:11:19:10	02:05
	BACA TO ZOE:
It's too late.

	709	5:11:20:05	5:11:23:15	03:10
	BACA TO ZOE:
I can feel it in my body.

	710	5:11:24:10	5:11:27:20	03:10
	BACA TO ZOE:
It's turning me.

	711	5:11:28:01	5:11:30:10	02:09
	ZOE TO BACA:
You haven't fully turned yet

	712	5:11:30:15	5:11:33:10	02:25
	ZOE TO BACA:
The vaccine can still work.

	713	5:11:33:15	5:11:35:05	01:20
	BACA TO ZOE:
No.

SCENE 119		5:11:36:00
CU ON BACA WITH GUN TO HIS HEAD.

BACA:
I don't wanna be one of those things, Zoe.

	714	5:11:37:00	5:11:39:14	02:14
	BACA TO ZOE:
I don't wanna be one of those things, Zoe.

SCENE 120		5:11:39:15
CU ON ZOE.

ZOE:
Baca, please.

	715	5:11:40:00	5:11:42:00	02:00
	ZOE TO BACA:
Baca, please.

SCENE 121		5:11:42:19
CU BACK ON BACA LOOKING AT ZOE.

BACA:
I'm sorry.

ZOE:
I can stop the virus. Believe me. I can stop the virus. You just have to trust me.

	716	5:11:43:15	5:11:47:05	03:20
	BACA TO ZOE/
ZOE TO BACA:
- I'm sorry.
- I can stop the virus.

	717	5:11:50:00	5:11:52:00	02:00
	ZOE TO BACA:
Believe me.

	718	5:11:53:05	5:11:56:03	02:28

	ZOE TO BACA:
I can stop the virus.

	719	5:11:56:10	5:11:58:14	02:04
	ZOE TO BACA:
You just have to trust me.

SCENE 122		5:12:00:11
CU BACK ON BACA.

ZOE O.S.:
I love you, Baca.

HE LOWERS GUN.

	720	5:12:01:20	5:12:04:00	02:10
	ZOE TO BACA:
I love you, Baca.

SCENE 123		5:12:07:09
FS ON COUPLE FACING AS BACA LOWERS GUN.

SCENE 124		5:12:14:04
INT. MEDICAL LAB - NIGHT
FS ON BACA IN BED IN BG AS ZOE APPROACHES FROM FG.

(MUSIC CONTINUES)

SCENE 125		5:12:17:12
MFS ON ZOE MOVING TO BED IN FG AND SITTING DOWN.

ZOE V.O.:
I've used up what I could from patient-- From Max's blood on Baca.

SHE INJECTS SERUM INTO BACA'S ARM.

ZOE V.O.:
I could only dispense so much as I need the remaining samples to create a mass production schedule for the antivirus. I dislike the idea that...

	721	5:12:18:05	5:12:21:01	02:26
(ITALICS)	ZOE V.O.:
I've used up what I could from patient--

	722	5:12:21:06	5:12:23:15	02:09
(ITALICS)	from Max's blood on Baca.

	723	5:12:23:20	5:12:27:05	03:15
(ITALICS)	ZOE V.O.:
I could only dispense so much as I need the remaining samples...

	724	5:12:27:10	5:12:31:15	04:05
(ITALICS)	to create a mass production schedule for the antivirus.

	725	5:12:31:20	5:12:36:00	04:10
(ITALICS)	ZOE V.O.:
I dislike the idea that Baca is technically and conveniently...

SCENE 126		5:12:33:12
WIDE FS WITH ZOE SEATED BEDSIDE AS SHE WORKS ON BACA.

ZOE V.O.:
...Baca is technically and conveniently my first human test subject. This...

	726	5:12:36:05	5:12:38:15	02:10
(ITALICS)	my first human test subject.

	727	5:12:38:20	5:12:41:05	02:15
(ITALICS)	ZOE V.O.:
This will speed things up in getting the antivirus...

SCENE 127		5:12:39:09
MS ON ZOE LOOKING AT TEST RESULTS.

ZOE V.O.:
...will speed things up in getting the antivirus into mass production for everybody.

(MONITOR BEEPS)

SHE LOOKS OS.

	728	5:12:41:10	5:12:44:10	03:00
(ITALICS)	into mass production for everybody.

SCENE 128		5:12:47:10
CU ON HEART MONITOR.

(BEEPS)

SCENE 129		5:12:50:21
MS BACK ON ZOE.

SCENE 130		5:12:52:12
BACK TO CU ON MONITOR. TILT DOWN R TO MFS ON BACA IN BED WITH ELECTRODES ON HIS CHEST.

ZOE O.S.:
(into radio) To everybody out there, to anyone...

	729	5:12:58:05	5:13:01:19	03:14
	ZOE INTO RADIO:
To everybody out there, to anyone who is
listening

SCENE 131		5:13:00:16
MS ON ZOE.

ZOE O.S.:
(into radio) ...who is listening I'm broadcasting this from High Rock Emergency Bunker. Our doors are open. We have an inoculation against the Rotter bite.

	730	5:13:02:00	5:13:05:05	03:05
	ZOE INTO RADIO:
I'm broadcasting this from High Rock
Emergency Bunker.

	731	5:13:05:10	5:13:09:19	04:09
	ZOE INTO RADIO:
Our doors are open. We have an inoculation against the Rotter bite.

SCENE 132		5:13:09:12
INT. COMMUNICATIONS ROOM - DAY
MCU ON ZOE SEATED AT DESK.

(MUSIC CONTINUES)

ZOE:
(into radio) A vaccine that will keep anyone who takes it from turning. From now on, when you greet...

	732	5:13:10:00	5:13:13:15	03:15
	ZOE INTO RADIO:
A vaccine that will keep anyone who takes
it from turning.

	733	5:13:14:20	5:13:17:19	02:29
	ZOE INTO RADIO:
From now on, when you greet the day...

SCENE 133		5:13:16:01
EXT. HIGH ROCK BUNKER - DAY
MFS ON BACA, LILY AND ZOE MOVING TO CAMERA AS TOWNSFOLK MOVE ABOUT GARDENING.

(MUSIC CONTINUES)

ZOE O.S.:
(into radio) ...the day, know this world is not as...

	734	5:13:18:00	5:13:21:08	03:08
	know this world is not as dangerous as it used to be.

SCENE 134		5:13:19:13
FS ON KIDS PLAYING SOCCER.

ZOE O.S.:
(into radio) ...dangerous as it used to be.

SCENE 135		5:13:21:09
MCU BACK ON BACA, LILY AND ZOE. LILY MOVES OSR.

ZOE V.O.:
Things are changing.

	735	5:13:22:10	5:13:24:08	01:28
(ITALICS)	ZOE V.O.:
Things are changing.

SCENE 136		5:13:24:09
CU ON ZOE.

ZOE V.O.:
And while we can't put the world back...

	736	5:13:25:00	5:13:27:13	02:13
(ITALICS)	ZOE V.O.:
And while we can't put the world back...

SCENE 137		5:13:27:14
FS ON KIDS PLAYING SOCCER AS LILY JOINS IN.

ZOE V.O.:
...there's still beauty in...

	737	5:13:28:10	5:13:31:10	03:00
(ITALICS)	there's still beauty in it.

SCENE 138		5:13:30:01
MCU ON BACA AND ZOE.

ZOE V.O.:
... it.

	738	5:13:31:15	5:13:35:03	03:18
(ITALICS)	ZOE V.O.:
There's still hope that we can be safe...

SCENE 139		5:13:32:05
MCU ON LILY.

ZOE V.O.:
There's still hope that we can be safe...

SCENE 140		5:13:35:04
MCU BACK ON BACA AND ZOE.

ZOE V.O.:
...and that it's okay for us to let our guard down now....

THEY KISS.

ZOE V.O.:
...to be happy...

	739	5:13:36:00	5:13:39:15	03:15
(ITALICS)	and that it's okay for us to let our guard down now....

	740	5:13:40:05	5:13:42:03	01:28
(ITALICS)	to be happy...

SCENE 141		5:13:42:04
EXT. COUNTRYSIDE - DAY
AERIAL FS ON LANDSCAPE.

ZOE V.O.:
...and to love.

(SOUND OF ROTTER ROARING)

	741	5:13:43:10	5:13:45:15	02:05
(ITALICS)	and to love.

SCENE 142		5:13:56:19
END CREDITS FADE IN OVER BLACK:

(NEW MUSIC IN)

    DIRECTED BY
    HECTOR HERNANDEZ VICENS

	
SCENE 143		5:14:05:08
FLICKERING BG LEADS TO SINGLE AND SHARED END CREDITS CARDS.

	
SCENE 144		5:16:09:18
FLICKERING BG LEADS TO SHARED AND SINGLE CAST END CREDITS CARDS.

	
SCENE 145		5:16:54:06
END MAIN TITLE GRAPHIC:

    DAY OF THE DEAD:
    BLOODLINE

	742	5:16:54:06	5:16:59:18	05:12
	END MAIN TITLE GRAPHIC:
DAY OF THE DEAD:
BLOODLINE

SCENE 146		5:17:00:15
FLICKERING BG LEADS TO SINGLE AND SHARED END CREDITS CARDS.

	
SCENE 147		5:17:34:00
END CREDITS ROLL OVER BLACK.

	
SCENE 148		5:21:07:04
(MUSIC OUT)

SCENE 149		5:21:07:07
END CREDITS ROLL OUT.

	
SCENE 150		5:21:08:14
STATIC LOGO: 

    SABAN FILMS

	
SCENE 151		5:21:13:21
LAST FRAME OF REEL 5 / FEATURE